tag:blogger.com,1999:blog-43221938965902928242024-03-19T01:19:27.114-07:00Ivana `s Corneradminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.comBlogger95125tag:blogger.com,1999:blog-4322193896590292824.post-33033817274994854872011-06-01T10:00:00.000-07:002011-06-19T08:13:42.962-07:00How To Clean Plastic Hairbrushes<strong>Antyutopia, metro and eschatology </strong><br /><br /><div> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3fQXYknNrf2Ks0b50vkL0D8yfhI6MprZ9S6P59qFT4jbaees4YqOplVUznBqOF5yIrCb0i9r0YW4XdQkC4IoaRWILLxKE2asUchPyHXnvNVB2BETs17dHa8k1xMU2K09x2L4Y-NHqUZI/s1600/Jernbanetorget_stasjon_with_MX3000.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" height="138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3fQXYknNrf2Ks0b50vkL0D8yfhI6MprZ9S6P59qFT4jbaees4YqOplVUznBqOF5yIrCb0i9r0YW4XdQkC4IoaRWILLxKE2asUchPyHXnvNVB2BETs17dHa8k1xMU2K09x2L4Y-NHqUZI/s200/Jernbanetorget_stasjon_with_MX3000.JPG" width="200" /> </a> </div> From seeing <i> Controllers </i> Nimrod Antal (2003), when <i> </i> in the film see the metro, I immediately think about the afterlife. Metro is a contemporary Styx, is not enough that you need to leave the ground, it's still in the dark, the crowd of anonymous individuals, they were taking you somewhere. In addition, without obol - which took over the function held, although rarely in his teeth, a ticket - can be hard. For this reason, when at the beginning of the human predicament <i> </i> saw a guy standing at the edge platform, I thought: "Oh Someone here just die. " With the belief that the hero is dead, I watched movie about halfway, then niIe I was so sure, and at the end, I discovered that the tooth did not know what's going on, but probably something going on, because the film seemed to be too well made, so to just about anything would not go. </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <a name='more'> </a> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> Andreas, the protagonist of the human predicament <i> </i> Jens Lien (2006), shall be brought by bus to a gas station located somewhere in the total wilderness. Hanging on the building prepared for the old sheet with the word "Welcome". Landed and returned by car later became the city: waits for his own apartment, work accountant - and with it the computer and my own office. People are nice, boss cares about their well-being, soon meets the beautiful furniture saleswoman by trade and interior decorator with a passion. Life seems more and more arranged and pleasant, but still something did not play. I have no idea where the man there took and why, it was clear, but the hero makes an impression as confused. </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> Gradually the world presented in the film emerges from the good old - and most importantly: a familiar - the spirit of Huxley. In our world there is no love or violent emotions: Anne Britt, with whom lived Andreas is interested in only the vases, and furniture repair. He treats his partner as one of these elements: it's not moved away to another woman, not interested in coming back or his face covered in blood - important to be an evening with friends or accompanied her kart. Ingeborg, in which the protagonist falls in love with its remarkably resembles Lenin: as the heroine <i> Brave New World was horrified by the prospect </i> long view of Bernard Marx, so Ingeborg does not seem to impress the prospect of monogamy alongside Andreas. He says: "I did not know it was such a relationship. Serious, "and love with a man realizes that, although it is" nice ", but it is nice and many other guys she meets. </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> World, which got the title perplexing man, is sterilized. Not only the lack of emotion there. Also missing tastes, smells, sounds. Alcohol pitym all night at the bar, you can not get drunk. Hot chocolate is only a dream. Smell of the kitchen and baked cakes, the sounds of music coming out from behind a thick wall in the basement electrifies all residents of the house. The slit of light, for which there is another reality, but is soon cemented by officers in gray uniforms. </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> These services tentatively I called suicide because there are always there when someone is trying to do get hurt. When Andreas cuts off his finger (more out of curiosity than by accident), transport him to the apartment. Finger regrow. When a man tries to kill himself under the wheels of subway - without success - men dressed in identical carry it home to your partner. Wounds fade away. When some other unfortunate jumping from windows and poking fun at the fence, so successfully that flow from the intestine, only interested in the service of suicide clean up the body. What happens to the corpse's next? It is not known. But it's hard to believe the possibility of committing suicide, effectively. </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> seems to me that the interpretation according to which after the death of Andreas went to the afterlife, is not entirely misguided. But then what to choose? Dystopian certainly treat this reality as a little less hellish hell? Whether as a purgatory - while remaining within the Christian tradition? And maybe just as a paradise, where - as Zbigniew Herbert - "social order is stable, rational and governments", and if so, and happiness Forever (<i> sic </i>) is included in the package of benefits post-mortem? Maybe the place to which Andreas hit, it is mandatory paradise from which no appeal? Paradise, which in no way can be shaped and adapted to their needs, because it is unchangeable and - more important - have always perfect? </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> If the trail is right, the services of a suicide dressed in gray only lacks wings. <br /> <br /> <br /> <div class="separator" style="clear: both; text-align: center;"> <iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/tpCU4GZ7M60?feature=player_embedded' frameborder='0'></iframe> </div> <div class="separator" style="clear: both; text-align: center;"> <br /> </div> <div align="right" class="separator" style="clear: both; text-align: center;"> <br /> </div> <div align="right" class="separator" style="clear: both; text-align: center;"> <br /> </div> <div align="right" class="separator" style="clear: both; text-align: center;"> <b> Other texts: </b> </div> <div align="right" class="separator" style="clear: both; text-align: center;"> <b> <a href="http://odystopiach.blogspot.com/2011/05/piotr-dobrowolski-film-sf-w-nurcie.html"> <span style="color: #ffd966;"> Piotr Dobrowolski: SF film in mainstream movie history (excerpts) </span> </a> </b> </div> <div align="right" class="separator" style="clear: both; text-align: center;"> <b> <a href="http://odystopiach.blogspot.com/2011/04/miranda-spoecznosc-astrali.html"> <span style="color: #ffd966;"> Miranda. Community astra </span> </a> </b> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-6960790478350400172?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-45191285762636585532011-05-23T09:16:00.000-07:002011-06-19T08:13:42.975-07:00Friends With Subtitles Streaming<strong> Piotr Dobrowolski: SF film in mainstream movie history (excerpts) </strong><br /><br /> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXG6DaermYD88z_1R38KDdgzmvyXPhbHRyNtIGfoexl39KnS6H06VzRvucQ4Lm02Wg9RP4p51pUEIeEfwlFF2IdZeQ08jFilESKnYAnDZeVkqrJkA55w93JQZG8sUP9qB36yOGuILc9jw/s1600/A_Trip_to_the_Moon_poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXG6DaermYD88z_1R38KDdgzmvyXPhbHRyNtIGfoexl39KnS6H06VzRvucQ4Lm02Wg9RP4p51pUEIeEfwlFF2IdZeQ08jFilESKnYAnDZeVkqrJkA55w93JQZG8sUP9qB36yOGuILc9jw/s320/A_Trip_to_the_Moon_poster.jpg" width="190" /> </a> </div> <b> From paper to digital decorating show </b> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: right;"> <i> <span style="font-size: 10pt; font-style: normal;"> impossible to meet in everyday life with what is unusual, seen in the finite infinite </span> </i> <i> <span style="font-size: 10pt;"> <br /> </span> </i> <i> <span style="font-size: 10pt; font-style: normal;"> understand what is beyond the understanding, and on the surface to find what lies deep. </span> </i> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> carrying out its bold scientific fantasies in a modest studio in Montreuil, near Paris, Georges Méliès probably could have guessed that his <i> </i> Trip to the Moon (1902), consisting of 330 hand-colored scenes, striking suggestiveness vision and boldness of the project, a few decades will be a reality, breaking thus far invincible barrier of earth gravity. Méliésowska impression, however, was not only a personal desire to rise above mediocrity. <br /> <a name='more'> </a> <br /> Looking <st1:metricconverter _moz-userdefined="" productid="260 m" w:st="on"> 260 m </st1:metricconverter> video was a response to the human desire to know, to penetrate the mind, in fact, incomprehensible and mysterious. Reflected in the technical achievements, even exceeding the threshold of real opportunities presented at the World Exhibition in Paris in 1900. The turn of the nineteenth and twentieth century was greeted with enthusiasm, and in the cool of the new century felt was the announcement of transformation and upheaval. A new era of unlimited confidence in the wake of technical progress, the early age of radically changing the face of the economy and society. Belief in the salutary power of technology and invention, not only inspired the minds of scientists, alchemists, and various sorts of charlatans. Uncharted areas of science, futuristic feeling it was just fantastic to diagnose. (...) </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> Using the terminology of analysis, can be defined as literature fantastic as a starting product for the synthesis of this, as we shall see, non-uniform film. * Novels by Orson Welles and Jules Verne for the fast-growing industry has become a great director's inspiration. John Baxter believes is true SF film an intellectual impossibility of not finding between cinema and literature too many similarities, but also sees the roots of this phenomenon is not in a visionary literature of the nineteenth century, which is the primary inspiration for fiction, but in a more distant forms and ; views, in the medieval fantasy world, the era of masks, and Grand Guignolu morality play. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> Despite the various complexities, which will be discussed further, the cinema not SF stroniło of adaptation, which is reflected even discussed <i> </i> Trip to the Moon based on the novels of Verne and Wells ** <i> first men on the moon </i> . Méliès success encouraged other artists to do likewise, and therefore realized films thematically similar, and although they were not original or innovative, it is sufficiently numerous to interesting science fiction recipients, thereby creating specific needs and expectations of the team (...). </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> argument for transparency will use a model of timing and distribution of SF for years, but refer to that is with a certain distance, because each is periodization a matter of convention, depending largely on the individual investigator position. SF history can thus be differentiated into four lead periods: </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> 1) year from 1898 to 1945 (from the first attempts at SF World War II); <br /> 2) years from 1946 to 1967 (First post-war boom <i> </i> SF); <br /> 3) years from 1968 to 1976 (an artistic ennoblement of species); <br /> 4) years from 1977 to 1984 (the second big bang.) </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> <br /> </div> SF <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> early years were filled with attempts to subjugate the workshop, when the author learned about the mechanisms and ways to move the script to the screen, so as to make it to the viewer the most likely. However, before this camera gain momentum, the cinema does not come out in the tissue outside the trials and tribulations of the average plot bread eater. Abstract worlds abound often grotesque battles, romances disputes, and not being able to abandon the Earth conventions of melodrama, playing, and even śmieszyły. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> (...) until its original achievement is the work of Fritz Lang's Metropolis <i> </i> (1927) - surprisingly huge swing, mature and advanced for its time technique. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> For a long period of silent cinema SF was still in the hands of nineteenth-century optimism, cognitive trust in the powers of science, the forces of progress and transformation techniques. Breeding ground for fantasy films were primarily the then gains laboratories. In the implementation of even project the flight to the moon with the aid of specialists, so that the launching of the rocket scene seemed most likely. After the frustrations caused by the great war and the great crisis, slowly, the broad mass of western society, rising from many a fall, a growing optimism. SF and its interest in the proposals is understandable, was in fact a response to the rapid and hardly predictable changes. As far as making progress, however, also notes the negative aspects of the phenomenon later called stechnicyzowaniem society (<i> Holocaust from the east </i> 1930, Maurice Elvey). For the first time resulted in the fantasy horror film from the border, using the topic and the mad scientist's monstrous animal, as a signal of the coming era of doubt and fear (<i> </i> 1933 King Kong, Merian C. Cooper and Ernest B. Schodsacka). (...) </div> <br /> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> As he wrote Marek Haltof, SF has become a document of the era, a testimony to the moral doubt in a hidden order, restless waiting for the collapse, which did not really start the way predicted. The movie penetrate the political overtones, echoes reverberate taken at the highest levels of military decisions. But not so much fiction deals with the interpretation of human suffering as expressed general concern about the future and the consequences of the progress of scientific thought. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> The first was George Pal. He financed the production of <i> Destinantion </i> Moon (<i> Destination Moon </i> 1950) by Irving Pichel, and commercial success that gained film aroused appetites of the other authors. Slowly fantasy travels outside the U.S., finding a favorable climate development in England, Italy, France and Japan. It is also worth reminding <i> The Day the Earth Stood Still </i> (<i> Day the Earth Stopped </i> 1951) Robert Wise, where the subject is the visit of Foreign coming to Earth with a warning from total disaster, if the intellectual elite of our world are not stop the senseless arms race and to improve methods of killing. Theme indeed widespread. (...) </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> meetings with strangers in (...) there are also a mystical element. Scene contacting people who came to the place of landing space vehicle <i> third degree relatives meetings </i> (1977) Steven Spielberg reveals the human yearning for the miraculous survival need, something that is not within the empirical bounds. However, foreign visits are not always optimistic. Przerysowanymi also scared the cruelty of torture scenes, deactivation of the mind and the extermination of the body. Scenarios invent on the spot with ease hypnotist endowed with the ability insight into the human soul and its deepest recesses, urabiając operated subconscious like clay, incomprehensible shapes of merge, saying loudly human fear of annihilation and depersonalized. Films like <i> Invasion of the Body Snatchers </i> (<i> Body Snatchers </i> 1956) or The Brain Eaters <i> </i> (<i> brain eaters </i> 1958), discover the range of possibilities not only for the Jungian and Freudian psychologists. The context is much broader, and the accompanying climate of terror reveals the eternal archetypes, primordial fear of evil, or as they like other researchers, prior to disguise enemy, which in the western psychosis was the Soviet Union, red tide of communism wypruwająca man ruthlessly with any manifestation of free thought and individuality, destroys any prey belonging to a collectivity. If the purpose of invaders from outer space is not a mental mangle and perfectly controlled lobotomy, it's certainly a massive global assault and destruction of all forms of living, like unrestricted travel barbaric, in which the size of damages overwhelm the most frightening nightmares. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> How vivid are still similar concerns and how a need to unite humanity in a common effort to push their snobbish prejudices, weaknesses, regional fanatyzmów and petty motives, we could find out by participating in a crazy pyrotechnic image of Roland Emmerich <i> Indepedence Day </i> (<i> </i> Independence Day, 1996). The film, which broke all records of audience, surpassed all expectations, earning seven days a magic sum of one hundred million dollars. That does not even reach Spielberg and his Jurassic Park <i> </i>, who needed two days more to reach the summit kasowości. The U.S. market <i> </i> Independence Day in three weeks grossed $ 200 million (these are movies that even those three weeks they are unable to survive on the screens). No other European Director has not done (...), from now on all cash movies will be compared to the Independence Day <i> </i>. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> incredible achievement Emmerich actually thrives on the skilful trawestowaniu borrowings and such reinterpretacjom conventions so that they can be revived in a new costume, updating again under changed realities. Awakening of cosmic monster, and to recall the beast is not a consequence of conflicting political currents, as it did forty years ago, but awareness is still the world's existing divisions and hostile military camps. Coincidence, <i> </i> Independence Day is especially clear in the United States, as it is not accidental that the initial best efforts repel the attack ruthless aggressors from the universe ends, the total defeat of ground forces. Only by joining forces, cunning, bravery and tenacity makes it a truly American style of invaders oppress blunt, ask a devastating blow, our peaceful motives ignorującym aliens. Many critics see the film, Emmerich fulfill the American dream of collectivity, the unification of efforts to repair the world. People in the face of threats from outside forces abandon their selfish goals to rescue the common good. This space can be a tyranny of the general public uświadomiłaby smallness and pettiness of private interests, although it is possible that both could be the driver of low behavior - treason, espionage and sabotage. There is another reason that the same way as in the fifties, opened a factory in aliens. Namely, the real faith of the people in extraterrestrial civilizations. (...) </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> saw apocalyptic twilight land of civilization, irreversibly disappearing cultural achievements, invading Martians. What still surprises us a fantastic movie? 50s This not only torn from the subconscious of a foreign topic. Nuclear Age marked by the stigma of Hiroshima is concerned, creates fear giving up nothing to alleviate. Makes us get up and look out the window every day, asking if all hell has already started. Do you fall asleep, because who knows, it might surprise us, even before the atomic blast have time to recover. Numerous images of total nuclear annihilation seems to carry a warning, teach, admonish, restores the human value Humanities, to snatch him from the torpor and vividly aware of the danger. Most outstanding achievements of the entire cycle of American films are the poetics of the atom: <i> </i> the Beach (1959) Stanley Kramer and Dr. <i> Strangelowe </i> (1964) Stanley Kubrick. The apparent despair and helplessness in the face of irrational forces hampered the originality and artistry of film, "atomic" heading towards the document or reportage (The War Game <i> </i> 1966, Peter Watkins). For outstanding work in this matter is considered Factory <i> </i> immortal (1961) Joseph Losey. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Another harbinger of repressed instincts and repressed fears are gigantic monsters, antediluvian reptiles, giant lizards and mutated forms of flora and fauna - the result of prohibited experiments and nuclear radiation. The procession that started by Japanese cinema, continued march towards a more and more new capital cities, laid waste every turn encountered building, becoming a thinly disguised symbol of anarchy, war and destruction. The whole machinery and apparatus polygons the world focused on one hated rat. Concrete form in his act of rebellion, in a stream of destruction poderwanego to fight the animal. By killing the beast collectively and publicly directing a film scene change was a magical ritual of burning effigies, the transfer of risk in inaccessible areas have consciousness. The enemy was driven, disposed of in the celebration of the melting uncomfortable and traumatic memories in the shape of the surreal vision of Boris Vian. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Patented several ways to induce latent Mesozoic time in the depths of the monster. Everything depended on the then prevailing trends in science and przeczuwanych hazards, which is fantastic on-screen was a great listener, reinforcing even small signals. The scenario is simple: to awake and upset creature rising from the ocean waves, volcanic basalts, moves in a trance in the city, crushing all powerful paws, tearing and ripping traction network of iron railways. Of course, after a while, everything returns to normal. Monster inactivates another reptile cited to support, massive attack troops, deceit, or find a weak point in the shell is viewed differently Basilisk. <i> Rhône - Bird Death </i> (1956) Inoshiro Honda <i> </i> Monster Invasion (1965) Honda <i> duel monsters </i> (1966), <i> Ebirah - a monster from the deep </i> (1966) Junya Fukuda, Son of Godzilla <i> </i> (1968) Fukuda, <i> Godzilla vs. Hedora </i> (1971) Yoshimitsu Banno are just a few of the titles of movies sygnujące dragons, pterodaktyli and the whole cosmic zoo, which landed on Earth in the bazaar. Significant feature of the cinema of that time is the lack of presentation of film utopia - Arcadia embedded into it man. In the 50s and 60 greatly increased social distrust of technical revelations of the twentieth century. Science, making ever larger discoveries, both raised concerns about the consequences of the use of its prey, which, as history shows, does not always serve the right purpose. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Scientific Revolutions, posed questions about the limits of our humanity. Have we machines? Can we explain the true nature of homo sapiens <i> </i>? Could he have lost the relevant features in the unnatural selection of the strongest units, focused on the survival and success in a world of confusion and chaos, controlled by a few specialists in cybernetics and molecular biology, and carry the relevant characteristics of the old human nature and its propensity to love, what remained of the androids? Perfectly mimic the artificial creations of man, with similar mechanisms of emotional learning and modify their behavior depending on from the experience acquired and the real demands of the situation, endowed with the contractual freedom, which most often turns against the creator, or programmed operation after a specified period of self-destruction - raise the awareness of existence. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> That is masterfully depicted in the vision of 2019 Los Angeles, where the landscape of the metropolis of lights sparkling skyscrapers shrouded Vangelis music evokes a vague feeling of nostalgia, longing for the old ziemskością. <i> </i> Blade Runner (1981) Ridley Scott, because of the question, belonging the few successful images, where the hero is a robot or replikant, moves way to provide artificial "being" emotionally responsive to the likeness of man. Oddly, it is they umiłowały force in a short time getting to know its meaning - a value in itself. Rebelling against the man to programs struggling to wrest the end of the mystery of life extension. Four years is far too little to meet any variety and flavor of the time, but long enough to appreciate its uniqueness. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Ridley Scott originally compromises the human hero, drawing a curve and line it with black. Unable to maintain a healthy reflex, włóczącego the streets, bars and markets filled with the faces of all the continents. Blade Runner The title character is an unscrupulous, police machinery of extermination aimed at capturing the rebel survivors of a planet - some of androids who have arrived on Earth after a prescription for longer life and inhibition of apoptosis. Rehabilitates the human love, but the final of his ennoblement is set using the Replicants. The first of these will be a woman, which falls in love with Hunter, the second leader of the rebels. He is the last sequence of the film will save lives his niedoszłemu wiszącemu killer on one hand on the edge of the abyss to him realizing what is really a survival instinct and the thirst for life. White dove released from the infected hand lethal android shrinkage is the perfect symbol - the intellectual reflection on the freedom of being and autocreation. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> duplicates of human organisms <i> Invasion of the Body Snatchers </i> Peter Kaufmann presents the philosophy of emptiness, happiness, apparent in the non-existence and nieodczuwaniu. Strange egg-shaped creations extracted from the overgrown night, enveloped in a sticky swamp mist and put on military vehicles to reach the hospital, where in the process of transformation, sterilizing the interior of the victims at an alarming rate create identical copies. After being worn empty human shell crumbles to dust, and the revitalized replica moves in pursuit of the survivors even real people. This shall be a peculiar exchange of species, a less perfect form of denial by better adapted. Someone from the outside in a similar scenario would be very hard to believe. Significantly for <i> Invasion of the Body Snatchers and </i> <i> </i> Blade Runner - the action and tension on the substrate is born of emotion. Reaction tests reveal who is a copy, and who pretends to be human. The Invasion ... <i> </i> survivors must learn one thing - control of emotions (cosmic intruders are morally depleted). This significant fear of losing the one true distinguishing feature of humanity, the feelings - warns it seems that the very important and dire consequences result. If we do not his actual face, their unique human condition, cease to be the ones who we are or what to serve. But it will not have the last word cinema of anxiety. (...) <br /> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> In <i> </i> Fahrenheit 451 Francois Truffaut creates a reality of mass culture, in which the blurred contours of the human personality in the overwhelming television programs. A constant stream of images flowing from niegasnących TVs endless contests, games, Glass family is bringing everything to the generally accepted scheme, bursts into the deepest recesses of human intimacy couples without giving respite. TV creates a unified, one-dimensional characters, devoid of character and personality. This fear seems to be not only characteristic of the era of microprocessors - is inscribed on the permanent basis in our mental landscape, constantly disturbing and provoking reflection. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> undoubtedly the greatest achievement in the field of fantastic film is unprecedented in the message Stanley Kubrick - 2001 Space Odyssey <i> </i> (1968), the work artistically SF ennobling, elevating the genre to the level of expression and the original material. To the creation of the Odyssey <i> </i> contributed and technical achievements of cinema, and the progressive knowledge of the cosmos, and it provided a much needed freedom to operate the film means, unfettered vision of extending far into the cosmic space, express strong emotions through the technical workshop. Not coincidentally the title of the image associated with Kubrick <i> </i> Odyssey of Homer, and mythological wanderings of Odysseus, the main character. Huge infinite immensity of space fanning its probably hides many secrets. At the same time a man realizes how miserable it is infinite specks of interstellar dust. (...) </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> mystical space is not in itself, however, nothing of magic, and only superficially in the starry sky brings the aesthetic emotion of the degree of security. Humanity as if they feared the vengeance of the universe for him to wrest his secrets for encroachment on the stars and moon. Still SF anxiously watching the hero in the blue vault. A new wave of SF grows on the ground for real social unrest. What happens if you run out of air, what happens if people multiply uncontrolled masses, if you completely destroy the natural environment, cultural elite, feeling, when everything we eat, and depleted natural resources of fossil fuels? There will be a big fuel crisis, as it presents a series of <i> </i> Mad Maxie G. Miller? Or is it total anarchy and the destruction of enemy tactics Neolithic, which really does not owe anything - appropriated only a piece of food? And can we get back in the form of regressive evolution of cave-dwelling form and we will return to the apes? SF film was probably the best expert ills of civilization and the X-ray machine with the skill of an outbreak of disease prześwietlał social tissue. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> theme of irrational aggression and terrible ways of discharge also appears in the film <i> </i> Rollerball (1975) Norman Jewison. However, while most interesting work is the loudest <i> </i> Clockwork Orange (1971) Stanley Kubrick made into a novel by A. Burgess. The terrifying future of juvenile gangs, destructive, and violate rabujących. Here is a unit of the title A Clockwork Orange, subject to manipulation, humiliation, odzierania of humanity, a theatrical puppet pulling the strings behind the curtain concealed by a mysterious master of puppets. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Perhaps lawful society and the justice system with the problem of aggression, rape, assault and violations of Human rights can not handle ever, at least in a satisfactory and definitive manner. In this field also looked for solutions - such as refrigeration units as particularly dangerous, subjecting their operations by cutting the brain areas responsible for the hatred and the desire to fight, in more recent times, creating a holographic prison or provided somewhere in the distant, cold cosmic space penal centers. School outcasts, resocjalizujące colonies, superhuman work in the quarries of Mars, mandatory participation in the intergalactic, particularly dangerous missions - are examples of scenarios. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Lem report, however, a vote of no confidence against the laboratory practice of producing copies of happy, devoid of ills, infirmities and evil. It is still artificial systems, and ethically questionable manipulation of the human mind. Here's not quite naturally, is not the result of the process of coming to the principles of social coexistence, tolerance and respect for private philosophy. Although the U.S. attempted to restore public habitual violators performing the castration surgery dewiantach and with the help of surgical instruments to replace the pathology of questionable standard, but quickly abandoned the practice. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> the pessimistic vision of the future even mention <i> Neither grass </i> (1970) Cornel Wilde - picture of rampant population explosion, a crowd and fighting to the death of the smallest piece of land suitable for cultivation. Nightmare plan to reduce the population shows a reduction <i> </i> Action (1973) David Miller, medium <i> </i> Green (1973) Richard Fleischer talks about the horror of practices budzących processing human remains - the lack of sufficient quantities of food - the food substitutes. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> So far weekdays hot climates will change the atomic temperature of the globe after signing 1 VII 1968, the NPT nuclear weapons and Salt talks, launched in 1969. This slow speed for a moment of apocalyptic machinery. On Earth and in space there will be relaxation, relaxing in the eye of the storm. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> so far talked mainly about fantasy cinema West and its achievements. Scenarios SF socialist blocks implemented slightly differently, not only because of smaller budgets, resources or facilities. Was affected, which is rather obvious, the prevailing ideology and the pressures of leading filmmakers picking communist realism, and not contaminated by delusions Americanism. Hence, few but ambitious in the mainstream of philosophical and reflective, the illusion of dreamlike impressions. This group should be even <i> </i> Solaris Andrzej Tarkowski (1972), based on a novel by Lem with the same title. In these types of films adventures in outer space and encounter with the mysteries are not a pretext to carry out "performance technology", but an opportunity to conduct in-depth analysis of the motives of human action and to assess its ethical and moral attitudes. (...) Tarkowski in typical fashion treat space travel as an excuse to reflect on the attitudes of moral and human responsibility. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <br /> unfinished is a fantastic image of the Polish Andrzej Zulawski <i> </i> On the Silver Globe. Based on the novel by Jules *** Zulawski could become a very interesting film, but - although the lack of attention from the authorities Zulawski just could not complain - supervising minister was so close that it stopped shooting photographs and destroyed the scenery and costumes. <br /> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Years 1977-1984 and modern times is indeed an unprecedented expansion of fantasy. It will become a dream debut for young directors start climbing the steep stairs in Hollywood. But is this unprecedented eruption of flood cinemas and video rentals something new? Is not this blatant tracing of the comic, treatment of known motifs and a repeat of history? Do you have anxiety disappears, and if not, what fears come up again and who will come to the rescue? <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Further transformations of the fantastic cinema will resemble known motifs. Established earlier in the relatively stable patterns will be for the film score, SF support and closer than the hues of the original compositions. This will be a reinterpretation of memories of space hostile to, the dangers domination of man by a far-reaching technological advances. Objectification emotional spheres. Revived the fear of nuclear annihilation, falling comet, aggression, dehumanization, loss of individuality, robots, cloning, dangerous, law breakers genetic experiments of nature. (...) <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> Perhaps he was right John Baxter, said: "For a long time, we believe that horror movies are encrypted representation of national psychosis, from which you can learn many interesting things about the cultural motivations, including However, the true meaning of the film SF is still waiting for a thorough diagnosis. " It is difficult to rule on the basis of dozens of spools of commercial products overall failure of science fiction film and its bias in all areas of penetrating reality. As we shall see later, sometimes things are deeply hidden and visible on the surface, and what is funny, it might be a serious and significant not only for the fairy child's imagination and mysterious world of magic and read with understanding by the shaman, but for everyone Who wants to see. </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: left;"> <span style="font-size: x-small;"> </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: left;"> <span style="font-size: x-small;"> * Most probably it comes to Herbert George Wells (1915-1985), writer; not about Orson Welles (1866-1946), director (Prov. UD). <br /> ** Wells (Prov UD). </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: left;"> <span style="font-size: x-small;"> *** The author was George Moon trilogy - not Julius - Zulawski (Prov. UD). </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> <span style="font-size: xx-small;"> <br /> </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; margin: 0cm 0cm 0.0001pt; text-align: justify;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> author of the text: </span> <br /> <div align="justify"> <span style="font-weight: normal;"> <b> Peter Dobrow </b> </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> source: </span> <a href="http://www.kulturaihistoria.umcs.lublin.pl/archives/1480"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="color: #3d85c6;"> Kulturaihistoria.umcs.lublin.pl </span> </span> </a> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="color: #3d85c6;"> </span> </span> </div> <br /> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> ----------------------------------- </span> </div> <div align="justify"> Material released under license <br /> <a href="http://creativecommons.org/licenses/by-nc/2.5/pl/" title="Creative Commons 2.5"> Creative Commons 2.5 Attribution - Noncommercial </a> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> --------------------------------- - </span> <br /> <br /> <br /> <div style="text-align: right;"> <span style="font-size: small;"> <b> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Other texts: </span> </b> </span> </div> <div style="color: #f1c232; text-align: right;"> <span style="font-size: small;"> <b> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <a href="http://odystopiach.blogspot.com/2011/04/miranda-spoecznosc-astrali.html"> Miranda. Community astra </a> <br /> </span> </b> <b> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <a href="http://odystopiach.blogspot.com/2011/04/herland-rozdzia-i-niezwyke.html"> Herland. Chapter I: A special project </a> </span> </b> </span> </div> </div> </div> <div style="color: #f1c232;"> <br /> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-5694754354537664058?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-71971958136254183892011-05-16T15:03:00.000-07:002011-06-19T08:13:42.290-07:00How Will My Cervix Change Before Af<strong>Nice Noise review in Nocturne # 18 </strong><br /><br /><div dir="ltr" style="text-align: left;" trbidi="on"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5qFOTROQ9OVT3pqBw8_cqyyH2mpDcddyYKMHuzDDsWV0r3FKCFSIEYYvBgiFXJbNx4gu7nCGfT0tWTP1lselTPdPh5EmWNQwmQJGXt0XAC8yLmayZN3YEDfDO9eGpi7nlxMvUl3NtO_8/s1600/nocturne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5qFOTROQ9OVT3pqBw8_cqyyH2mpDcddyYKMHuzDDsWV0r3FKCFSIEYYvBgiFXJbNx4gu7nCGfT0tWTP1lselTPdPh5EmWNQwmQJGXt0XAC8yLmayZN3YEDfDO9eGpi7nlxMvUl3NtO_8/s640/nocturne.jpg" width="452" /> </a> </div> <div style="text-align: justify;"> <b> THIRD I - Nice Noise </b> </div> <div style="text-align: justify;"> <b> Industrial / Noise / Dark Ambient </b> </div> <div style="text-align: justify;"> <b> (Nihilthrone, 2011). </b> </div> <div style="text-align: justify;"> for welding and understanding of poetry, atmosphere and energy group under the name THIRD AND You must have good, trained and fitness healthy stomach. Eleven "songs" that are Predrag and Nenad Popovic, this time arranged in a small but savory cuisine underground music are metal shavings that are aligned in a row abandoned hangarskoj rattling the room with the sounds of frost-soaked wind. This is not a classic album. It is composed of instrumental lines, sample reflections, various and various cuts and cuts sharp spike in metal, indented, red-hot roof. Atmospheric and psychologically, this is a difficult, slow and almost exciting, depressing realization CD that you just try listening to the third (as I do, for example) allow you to get close and feel him near and near his temple. The track "Nightmares Again" turns out to be the most interesting piece. Nenad and Predrag Popovic, in addition to authorship of the CD release, "Nice Noise", leading people kick-ass web fanzine "Helly cherry. In any case, what we are now prepared in all eleven stations sound is - hell. Without the cherry, course. </div> <div style="text-align: justify;"> <b> Milan B. Popovic - - - - - 8 / 10 </b> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1796459894841285234-1880167411226486353?l=thirdinoise.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-33964174398200478222011-05-14T00:20:00.000-07:002011-06-19T08:13:42.602-07:00Mother Forcedto Wear Girdle<strong>Guys, BRAVO! </strong><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9FX_qaPmLhWo3E-ymwQRSn2FGVpr2mNH3bK2x_UEBqbgeJ5S3KeajcPax6eXeAklGGk-3SQX6GCC9mqss-u5IN7LSngv5jfblVLmcCXidIVKkbYyoF9m6gKDS5D-ehUpDIUaqocs7l2Xf/s1600/wedding_by_icecreamonster05.jpg"> <img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 220px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9FX_qaPmLhWo3E-ymwQRSn2FGVpr2mNH3bK2x_UEBqbgeJ5S3KeajcPax6eXeAklGGk-3SQX6GCC9mqss-u5IN7LSngv5jfblVLmcCXidIVKkbYyoF9m6gKDS5D-ehUpDIUaqocs7l2Xf/s320/wedding_by_icecreamonster05.jpg" alt="" id="BLOGGER_PHOTO_ID_5606473675496176786" border="0" /> </a> <br /> <div style="text-align: justify; color: rgb(51, 0, 51);"> I must commend the guys today. Indeed. So much attention around the wedding! Simply have the impression that they want it more perfect to look at these, I would say, patterned photos with the wedding, but <span style="font-weight: bold;"> PHOTOGRAPHS </span> the wedding! Why should they? Is this not a country and city boys and girls who have for weeks, months, watched, eeeeventualnooo send pizza and such. Maybe somebody goes to have fun, but it is reduced to the mere zabaljanje a break after a few months ... as uh, enough is enough ... It was a lot earlier, and then a little before almost everyone had some fancy secret ties. To die of laughter! As no one cares, they all passionately COOL and here and shake each other until they get an SMS from her sex combinations. Ma ajte please! Mascara right. <br /> And now? Not a day goes by that of the famous network that took the life of us, and e-mail (and perhaps net as globally) I see some new super perfect Pozerka young (and I was, I admit) and groom to pamper and caress your chosen while This skljoc whether there Doobra skljoc for money! PA Biedermeier, and color, and svasta something .... EVERY CAST! And even better is that the actors are all younger and younger (it was a time, and I admit it:) so as not to pose and do not make a festival?) <br /> So, once again CESTITAM! Finally you have decided to osmelite and say YES! And what are the marriage proposal was, what kind of flower rituals, simply dare not even think .... But there is one thing .... Serbia may have more problems oko mesta u vrticima i na tome jos vise <span style="font-weight: bold;"> CESTITAM </span> ! <br /> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2164515831496522052-999024432806192138?l=ivanaj.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-58145199590392300062011-05-14T00:17:00.000-07:002011-06-19T08:13:42.613-07:00Create My Perfect Dress Online<strong> Vote for Nina from Serbia! </strong><br /><br /> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioD8EZ0IPHvBdQcAQlGlJxI6VqREUluHRv3wIyxSLe2NF5Q9zYxmylMSuJ2uScZkZRxuMlGmAukgwfaaboBrcaqzocbXyLW1GFQ_JQSb4WtMsgxD_jJ1lN2obfsDYHIuZnXjCqcXSYzgt7/s1600/nina_3.jpg"> <img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioD8EZ0IPHvBdQcAQlGlJxI6VqREUluHRv3wIyxSLe2NF5Q9zYxmylMSuJ2uScZkZRxuMlGmAukgwfaaboBrcaqzocbXyLW1GFQ_JQSb4WtMsgxD_jJ1lN2obfsDYHIuZnXjCqcXSYzgt7/s400/nina_3.jpg" alt="" id="BLOGGER_PHOTO_ID_5606468100749657026" border="0" /> </a> <br /> <iframe src="http://www.youtube.com/embed/Gy2MSddSL3M" allowfullscreen="" frameborder="0" height="349" width="425"> </iframe> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2164515831496522052-2691891861655339702?l=ivanaj.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-71802986612403257022011-05-09T13:47:00.000-07:002011-06-19T08:13:42.304-07:00Spironolactone Cramps<strong> Nice Noise review on Alternative Music </strong><br /><br /> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWOuTVYySgkXDKngvIIoY0kJSwET3Zzjb23dEnSqW5MRzO-2HU0kmzim28rXkKQPeV611WgNdGC0wGQhO7QlNYbJds_scSWg0MA9MvJT7VUlj9d8ZRvMcUAW5cBnWZmCkeJQFEMgnWwUI/s1600/start.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="85" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWOuTVYySgkXDKngvIIoY0kJSwET3Zzjb23dEnSqW5MRzO-2HU0kmzim28rXkKQPeV611WgNdGC0wGQhO7QlNYbJds_scSWg0MA9MvJT7VUlj9d8ZRvMcUAW5cBnWZmCkeJQFEMgnWwUI/s400/start.jpg" width="400" /> </a> </div> <div style="text-align: justify;"> <br /> </div> <div style="text-align: justify;"> <b> THIRD I - "Nice Noise" (2011) </b> </div> <div style="text-align: justify;"> <br /> </div> <div style="text-align: justify;"> for the fifth year and through its eighteen Published, Third and exists as a separate entity to ovdasnjoj music scene. This unusual musical entity consisting of two members, Nenad and Pedja. In his latest release, "Nice Noise ', Third entity and continues its evolution of ambient experimental music. The 11 new compositions, Third and sent us through a black hole in the distant future, and gives an insight into how the music might sound to some few hundred years. <br /> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> compositions are based on the principle of atonality. That is, their melody and harmony can not concentrate on a specific tonal center, or rather, a basic sound. But by repeating the high and low volume alteration, relocated its field of operation in the subsonic between. The effect of this alternate increasing and decreasing the volume is to create an atmosphere hiperambijentalne. That bringing the listener into a vegetative state, builds a strong hypnotic effect. Furthermore, the compositions are free of rhythm and percussion elements. I live solely on the previously mentioned sound alteration (decreasing volume and increase the tone scale), and many sound samples of infiltration. Which have a role in creating a comprehensive sphericity and the compactness of the individual pieces. Also, in its activities, the composition passes through various stages of the strength and intensity. In doing so, they appear as a meditative sound mantras, minimalist ambient passages and irritating throbbing synthetic sound escalation. Metamorphosis of the previously mentioned states has been slow and some songs are very long build. And often, almost neprimijetno entrance into each other. This gives a feeling that the whole concept album by a comprehensive principle. Through its melodies, the songs evoke a metaphysical way various themes, such as: search for himself ("Where am I"). Or raising the sound life ("Hear us squeak"). Transcendental impression march through the streets of the crowd ("February March"). Sound and morphological "Horse gives birth to a Fly." Minimalistic dark "Heavy Metal". Turbulent "Sewer live report. Psychedelic "Mushrooms are growing like Fungus." Short, but disturbing "Nightmares again. Orbital "Reaching Toward the Light". And two, very long apocalyptic "Cities in Desolation Part I & Part II." </div> <div style="text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> album "Nice Noise" certainly is not for everyone's ears. I'm sure there are many who do not prefer this kind of music. But he is a kind of door, through which passing through them, allowing the listener somewhat different view of music as a means of expression. Door, through which he can refer you to a mysterious musical journey, and whose borders only on can order the grasp. </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> by <b> durden </b> </div> <div style="text-align: justify;"> <a href="http://alternativnadomacamuzika.blogger.ba/arhiva/2011/05/09/2755998"> <b> http://alternativnadomacamuzika.blogger.ba/arhiva/2011/05/09/2755998 </b> </a> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1796459894841285234-2788708946041660828?l=thirdinoise.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-41846357179449365182011-04-26T08:55:00.000-07:002011-06-19T08:13:42.990-07:00Jade Plant Purple Leaves<strong> Miranda. Community astra </strong><br /><br /> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <br /> <div style="text-align: justify;"> <div style="text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8p0RMTTnJy2K6HeQlQLqRUfDZFw2qwAbkj5gj7MgXZ6uAORVmP_jF3uXW_qRcr4bgSE1jJ7x_5DWUsIWDtRqNHjO0iaGNsJ0-EuOZ_ac1lpByi4KHqQSHabG8hjl9D12aWjWd51vO-cc/s1600/m.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8p0RMTTnJy2K6HeQlQLqRUfDZFw2qwAbkj5gj7MgXZ6uAORVmP_jF3uXW_qRcr4bgSE1jJ7x_5DWUsIWDtRqNHjO0iaGNsJ0-EuOZ_ac1lpByi4KHqQSHabG8hjl9D12aWjWd51vO-cc/s320/m.jpg" width="197" /> </a> </div> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> Quite often, reading the various texts okołoutopijne, I have a big problem deciding on this, to which genologicznej pigeonhole a particular title to move - hence probably my little sympathy for the appellants, in fact, terms such as "okołoutopijne </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">" </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">, </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> "</span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> okołodystopijne </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">" </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">, </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> "</span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> quasi-fantastic </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">" etc. When </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <i> <b> <a href="http://www.pbi.edu.pl/book_reader.php?p=40144&s=1"> <span style="color: #3d85c6;"> Miranda </span> </a> </b> </i> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <i> </i> Anthony Lange of 1924 I opened a drawer in the head, however, from the outset: Miranda <i> </i> a utopia because without doubt, but there is no popular technological utopia, feminist or Organic; <i> </i> Miranda is the only Polish (or at least the only one with whom I had the opportunity yet to deal with) utopia esoteric! I must admit that the occult in any form is not a field that could ever be interested in and where I could have (perhaps wrongly, do not judge me) the relationship other than the full distance of amusement, however - perhaps because of this very exotic esoteric - with interest </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> read this written before almost a hundred years ago, quite niepokaźnych sized book. <a name='more'> </a> </span> <br /> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <i> </i> Miranda is simply ideal realization of a utopian scheme. We therefore there isolated from the world of the island, on which way better than the ordinary societies people live much better than ordinary mortals. In <i> Miranda </i> latter aspect is wyrazistszy than earlier utopias - those islanders are wspanialsi from the common man not only morally, in a sense, they are at a higher level of evolution. Clearly arises from the association here Wellsowskimi <i> <b> <a href="http://gutenberg.net.au/ebooks02/0200221.txt"> <span style="color: #3d85c6;"> People like gods </span> </a> </b> </i> of 1923, where the characters go to an alternative world where people are ahead in the development of thousands of years of its guests. Island in the book, Lange </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> interestingly </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> this place, which he described in </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <i> <b> <a href="http://www.gutenberg.org/files/2816/2816-h/2816-h.htm"> <span style="color: #3d85c6;"> Sun City </span> </a> </b> </i> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> Tomasso Campanella: the city, which hit the hero, John elevated (<i> nota bene </i>: cute name), a City of the Sun, after many, many years. Society is under the direction of three ministries: Love, Wisdom and Power. More important than these is only one man: the wise Metaphysics. Traditionally: the state government decides on development, training and education of children and young people, and when you get older - to assign them to a partner or partners. But as it happens in utopias - and what must admit, I like them the most - even in this world appear superidealnym niedobrzy dissenters, who have the audacity to disagree with the views wpajanymi them from birth. And you are so disagree. </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> Jan elevated even in Europe, at the beginning of the war zwieruchy (I mean big war, the story begins in 1915), was interested in the occult. He participated in the secret sessions </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> "</span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> psychic </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">" </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">, during which the medium </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - woman, Miranda </span> title <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> transformed his human form in astral form (and here comes my lack of occult training </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> in the tooth do not know what it is with stars common): a much more beautiful than mere corporeal shell. What was the surprise hero and joy when, after arriving in a town on the island, it turned out that all the adults in the Astral - that is, in some sense superhuman: sweeping the air at will, gifted with sight and hearing far beyond the capabilities of human pożywiający up specifically for this purpose the prepared tablets. Unlike the Europeans are making similar attempts, they led by a substance called </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> "</span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> nirwidium </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">" </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> to crystallize his astral form, which then no longer dematerializowała. All the boys and eighteen All fifteen girls had to undergo a special rite to call and crystallize his astral form and get rid of - thus, of course - all sorts of inappropriate land instincts and vices. </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> Nobody in this society </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> a sentence of one </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> not ask </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;">, individuals resistant isolates </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> from the healthy social fabric. Overt rebels fought with, however, is very beautiful, it must be admitted, because through the exchange of arguments in the open discourse: it is essentially a behavior so wonderfully correct that actually </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> completely utopian. </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> Well, as you can see, I can not get rid of the slightly patronizing tone. Fortunately, I did not, neither does not oblige me, no institution to pursue scientific ethos, or for forced pseudoobiektywizm distance and nobody did not pay. So, back to Miranda <i> </i>: like a terribly annoying is the climate of the Young Poland movement of rotating tables, but they probably never cease to fascinate me, the diversity of ideas on the perfect worlds. Therefore, I am pleased that and he knew. </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> not recommend <i> Miranda </i> all, I would recommend <i> Miranda </i> enthusiasts. Passionate </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> Young Polish literature, a passion </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> psychic seances </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - whatever they may be </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> and, of course, a passion </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> utopia. Let everyone else can forgive yourself. </span> <br /> <br /> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: x-small;"> Author: Antoni Lange <br /> Title: Miranda <br /> Year: 1984 <br /> ISBN: 9788320203301 <br /> Publisher: Oxford University Press Unions <br /> Number of pages: 112 <br /> Size 12.5 x 19.5 </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> <br /> <div align="right"> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> other articles: </span> </span> </b> </div> <div align="right"> <b> <a href="http://odystopiach.blogspot.com/2011/03/pamiec-ziemi-w-drodze-ku-utopii.html"> <span style="color: #f1c232;"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Memory of Earth. The road to utopia </span> </span> </span> </a> </b> </div> <div align="right"> <b> <a href="http://odystopiach.blogspot.com/2011/03/swiat-maego-brata.html"> <span style="color: #f1c232;"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> World Little Brother </span> </span> </span> </a> </b> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <span style="font-size: x-small;"> <br /> </span> </span> </div> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-5661283235645477953?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-31479795886939410942011-04-20T06:03:00.000-07:002011-06-19T08:13:42.317-07:00Cervical Mucus 3 Week Pregnancy<strong> Nice Noise review on terapija.net </strong><br /><br /> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixCxKb7ym-1hTIR9c3NjXPnv_BNHXFerKqZffct5eTzFI2LthZZb-ts7UvHx0-8_7M1ye1S7ZfUwL983SjrQOgl-2CjUd5brUstsR5KwBlbpKddhoMBxzP6hJUg4iW9gYn76C-0Ak8x2c/s1600/nice+noise+front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixCxKb7ym-1hTIR9c3NjXPnv_BNHXFerKqZffct5eTzFI2LthZZb-ts7UvHx0-8_7M1ye1S7ZfUwL983SjrQOgl-2CjUd5brUstsR5KwBlbpKddhoMBxzP6hJUg4iW9gYn76C-0Ak8x2c/s400/nice+noise+front.jpg" width="400" /> </a> </div> <div style="text-align: justify;"> <br /> </div> <div style="text-align: justify;"> <b> THIRD I: Nice Noise (Raw Ambient Pieces) (Nihilthrone, 2011) </b> </div> <div style="text-align: justify;"> imagination of abstraction and reality. Imagination works 100%. Another candidate for best album of the year, at least in the primeval experimental fahu. </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> A good part of it as Throbbing Gristle made during his najznamenitijeg period since 1976. to 1981., I presented the Third in this half hour. Genesis P-Orridgea and Peter Christopherson then really was not easy to understand, especially when they knew saw some concerts per hour with an ad hoc topics, but today this kind of music has itekakve purposes. Third I have not made one half-hour composition, but 11 of them, but it all boils down to common sculpture excellent conceptual unified under the name 'beautiful noise (raw ambient pieces). " </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> highlight of the album are the last two themes, "Cities in Desolation Part I", and "Cities in Desolation Part II" at 7 minutes long compositions that evoke the apocalyptic landscape, the desolation of the towns where there is not a living soul. Just hit themes victim settlements in Japan after the earthquake and tsunami that has befallen the nuclear disaster, although they were not intended as a tragic epitaph, but the coincidence coincided with the period in which they are declared. </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> Otherwise, all the music and sounds on this album are in the abstract linking of reality and imagination through the concept of subjective perception. Third I do not go into banality and prevarication, but given their different artistic vision, for someone might be innocent and preoccupations, but as such they show a remarkable creative achievements in the rank of the psychedelic, real and unreal. Imagination is the 'essence' that is essential in this case and not based on dryness, but in a clean artistic reasoning. With time the Third and reaffirmed their high criteria separating from all those 'bad' music, which is not clear why the bad (bad from the Blue Orchestra, ha-ha-ha). </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> I know that people do not get it this kind of music, ranging from T. Gristle and Coil, and that they do not understand why it is there because they believe that what they think, but I really have a Third 'third eye' which is not a mysterious cult but a collection of top artistic achievements. </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> listen and appreciate. </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> rating albums [1-10]: 10 </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> <b> horvi </b> / / 19/04/2011 </div> <div style="text-align: justify;"> <a href="http://terapija.net/mjuzik.asp?ID=10986"> <b> http://terapija.net/mjuzik.asp?ID=10986 </b> </a> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1796459894841285234-4016617045956313054?l=thirdinoise.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-25368353766032525082011-04-18T08:57:00.000-07:002011-06-19T08:13:43.004-07:00Referral For Real Estate Letter<strong> Margaret Szpakowska: Stanislaw Ignacy Witkiewicz's worldview. Catastrophism (excerpts) </strong><br /><br /> <div> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"> <tbody> <tr> <td style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2qmwsF17gcdwogvRnQINj1URzRxQpCXtDBTa-ABAmhZFoRVToR2QNaOo8-IPXvhSpsEqPjUyACu1hfmmfXQJofaD4aOXSNGTvlRRYCPtHoiodQPuPPMHFkrEmkZZKq_BOgu96lr8HJRk/s1600/jj.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2qmwsF17gcdwogvRnQINj1URzRxQpCXtDBTa-ABAmhZFoRVToR2QNaOo8-IPXvhSpsEqPjUyACu1hfmmfXQJofaD4aOXSNGTvlRRYCPtHoiodQPuPPMHFkrEmkZZKq_BOgu96lr8HJRk/s320/jj.jpg" width="242" /> </a> </td> </tr> <tr> <td class="tr-caption" style="text-align: center;"> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Witkacy <b> Portrait officer </b> </span> </span> </td> </tr> </tbody> </table> <span style="font-size: small;"> <o:p _moz-userdefined=""> </o:p> Playing with fire is nice for the first burns. Witkiewicz was able to (...) to capture a significant tendency of intelligence to the responsible use too radical or revolutionary phraseology. So much is equity in reprymendzie given by Athanasius Sajetana Tempe, the future dictator of the State niwelistycznego "Lubiłbyś the revolution of the box to look like the ground floor show - even better, to make it uinscenizowane by these new quasi-public artists who have everything they want to do pseudoartystyczną crib: the rally, meeting, with street shootings, even the work itself. Idiocy of this idea jumps into your eyes - and yet some serious people still wonder about the possibility that "(PJ 157). For thrill-seeking is - after all - fun. Revolution and is a matter quite seriously. <a name='more'> </a> </span> <br /> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> <b> </b> </span> <br /> <span style="font-size: small;"> </span> <br /> <span style="font-size: small;"> inauthenticity is accompanied by a completely authentic heroes of the tragedy of accidents, a continuous string of violent social upheaval, coups, military and puczów popular revolts, in conjunction with the antics and kabotyństwem Witkiewicz a picture of history turns out to be pure macabre. The dramatic explosions, short-term stabilization, acts of terror, the constant turmoil of the masses - all these convulsions a disintegrating culture are the subject of interest of the Crown and the narrative fabric of literary works most famous. </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> In <i> Farewell to Autumn </i> make a turn: General Bruizora coup, coup carried out by the Socialist-chłopomanów and niwelistyczna revolution Sajetana Tempe. The Shoemakers <i> </i> coup Sajetana Tempe (another) coup faszyzujący Jozek Tempe and the rise of Gnębona Puczymordy. The only exit <i> </i> wield power after the triumphant victory of the revolution PPL Gnębonem Puczymordą (again, probably different from that of the Shoemakers <i> </i>) at the helm, at the same time, however, there are two warring parties notoriously emzetfetystów and deteków, how they are fighting over - unfortunately known, because the continuation Witkiewicz's novel is not written. In <i> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <a href="http://www.polona.pl/dlibra/doccontent2?id=29696&dirids=1"> <b style="color: #3d85c6;"> Insatiability </b> </a> </span> </i> </span> <span style="font-size: small;"> sovereign Syndicate National Salvation, and an unofficial dictatorship - General Sloboluchowicz, provocative novel, in the course of the coup, this struggle for political power so much it is irrelevant that in the end we all die as a result of external invasion. In <i> Maciej Korbowa </i> <em> and </em> <i> Bellatrix </i> game takes place between the parties, trade unionists and Centralists; in <i> ONYCH </i> League comes to power, the Absolute automatism, in <i> <a href="http://www.pbi.edu.pl/book_reader.php?p=2019&s=1"> <span style="color: #3d85c6;"> <b> Mother </b> </span> </a> </i> <i> and Water Hen </i> end are massive riots ; minor coups and political assassinations are not worth even enumerate. There is also no reason to as it's traced back to a litany of policy, even if it were possible to establish the chronology of events, there is little that could have arisen from this. Simply collapsing world culture for centuries formed and, consequently, its distribution has continued without interruption, "the chronic, dull as chronic tuberkuliczne peritonitis, continuous social revolution" (PJ 215.) </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> </div> <span style="font-size: small;"> sophisticated ataxia following after a succession of explosions is not at all a matter of accidental. On the contrary, absurdity, confusion, lack of governance have been highlighted here on purpose, Witkiewicz did everything possible to cast our eyes. To this end, it seems, used the same names for different types of leaders of the revolution: that in order to emphasize the chaos. His position can be explained in two ways. First, emotionally: zrozpaczonemu hard to believe that what is the source of his sufferings, is in reality a deep, hidden meaning, providing a history of anguish is willing to consider as fundamentally absurd, rather than enforcing some hidden outside the "cunning of reason." Coming to terms with reality, the award because of history - would be apostasy, an act of resignation from the date values. But this translation is not the only ones. Witkiewicz had - on the basis of his theory of culture - quite reasonable to suppose that in cases where birth and watching the further development provided, no order should not be inferred. As long as the story was a work of outstanding and intelligent individuals, pursuing through it one way or another your goals - you could see in her order, since then, however, when the engines of historical changes took crazy crowds - in the course of events had also lost all rationality. (...) </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> for the coming revolt of the crowds [Witkiewicz] looked at from the perspective of his characters - "former people", the identity with which in the end poczuwał himself, and for whom the revolution was synonymous with the ultimate end their world, their class and their culture. The only good side of the revolution could be the aspect of spectacular. One could hope that for a while it is able to provide such experiences which break the boredom hopeless pursuit of unreachable values, the one who is directly threatened, usually under the influence begins to notice some fear, the sense in her, no matter how empty and barren and life. So Witkiewiczowscy heroes often express the desire that this, finally approaching the end was inevitable, hence the desire for a disaster in the previously cited Bazakbala expression. </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> Quickly, however, turned out to be generally that the expected strong impression had by no means waking metaphysical experiences. The secret revelation of Being is not born under the influence of panic. Witkacy <i> Insatiability </i> writes: "It's difficult to find such an abstract, metaphysical element in the roaring jedenastocalowych howitzer battery. The real cause of its survival, rather revolution, acting in immediate danger, it is not able to provide disinterested in contact with the absolute "(N2: 222). For that very reason revolution - contrary to the hopes - can not make real art. Firstly, because no one works in a paroxysm of fear or under the influence of terror, and secondly - it is too massive, too mundane, too crowded animal element. It is after all the work the crowd. In Farewell to Autumn <i> </i> Bazakbal says: "Maybe a few Russians in the background of their revolution has created something almost new - there is in Russia, the material is no longer content rhymed, propaganda leaflets - healed with the form, which is like a living germ layers broke the old złożysk" (PJ: 158). </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> Artistic Revolution infertility is not the most dangerous. From the viewpoint of "former people" - except the constant personal danger, of course - the revolution reveals the characteristic of much potworniejszą. Shock, revolutions, terror and horror nothing can not change, and the sensitivity to them quickly waning. The revolution turns out to be just boring. </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> Revolutions in Witkiewicz's dramas and novels are presented, moreover, very uniformly. It is significant here is that most simply take place behind the scenes, are something entirely external to make up the campaign events, they are blank, featureless force, a sort of cosmic catastrophe. So are shown very sparingly - as the sound of gunfire, as the noise and screams from the street - mostly in the lounge, which gathered the heroes. Because the characters are rarely Witkiewicz revolutionaries, but if they have it would happen - either provocateurs or thirsty thrill, "former people" social position does their participation in the revolution is not predestined, but the author also focuses attention on the other, nierewolucyjnej side of their personality. </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> revolution for them is always a kind of anticipated, and indeed boring spectacle, and writer, and those to which he returns, they are only spectators of the spectacle, in a literary work is reproduced Witkiewicz what he repeatedly spoke of himself - that the revolution in Russia looked like a box (ND: 264). Yes, and now tells his readers to look: with chic cafes in the city "in <i> Maciej Korbowa </i> <i> </i> and Bellatrix, in the living room in the Palace Nevermore <i> </i> Water Hen, with resort villa in <i> </i> Farewell to Autumn. This choice is not the point of view, of course, without consequences for the same image: the living room through the window he sees only the "rabble" and senses of his cruelty and no one sees but neither the causes nor the internal organization of the armed flowing through the street crowds. It goes beyond the possibilities of understanding the resources available, "there were people, even when they are entangled in the course of events. Korbowski the Water Hen <i> </i> says, for example: "Let's go to the street. I like the atmosphere of upheaval. Nothing more fun, like swimming in a black sea of \u200b\u200bfrenzied mob "(D2: 61). Someone somewhere is fighting, someone builds a barricade, storming the prison, did not really know who or why, just know that this is a dangerous one. The crowd is cruel. Usually wants to kill someone or destroy something on fire. The butler announces in <i> Maciej Korbowa </i>: "Your Excellency - people are at the gate. Some of them want to blow up everything - others say they can not because [it] is a museum "(D1: 190). The crowd in </span> <span style="font-size: small;"> <i> <b> <a href="http://www.pbi.edu.pl/book_reader.php?p=4741&s=1"> <span style="color: #3d85c6;"> Anonymous Work </span> </a> </b> </i> </span> <span style="font-size: small;"> demands the death of leaders: "At the lighthouse! Hang! Hang! Hang both! At the lighthouse the entire government! Down with the priests! At the lighthouse Giers "(D2: 127). Workers at the Mother <i> </i> make the person of Leon "little lynching in the name of democracy collapses" (D2: 448). It is not even important, what it zrewoltowanym masses, is only known that after the victory prove to be cruel. </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> Some elements of this image Witkiewicz able to draw from his own observations: the sound of machine guns, six Sailors from <i> Maciej Korbowa </i>, maybe the scene in the courtyard of the prison in <i> Anonymous Work </i>. However, worker-revolutionary, not one of the crowd and not "be a man", but an independent literary figure, appears in his work probably only once. It Puzyrkiewicz Oleander, holding a bomb Scary Hyperworkoid of </span> <span style="font-size: small;"> <i> <b> <a href="http://www.wolnelektury.pl/katalog/lektura/szewcy.html"> <span style="color: #3d85c6;"> Shoemakers </span> </a> </b> </i> </span> <span style="font-size: small;">. Witkacy this figure actually built with only three elements. The first of them - a sense of injustice, but, importantly, personal injury: a memory torture and fourteen years in prison. -Mockingly cruel manipulation of the bomb, and indirectly the whole revolution are thus also a kind of personal revenge. The second component - a rhetorical tendency, because although all the characters Witkiewicz characterized them, but in the scene with Hyperworkoid is highlighted by the words of another character (Gnębon Puczymorda asks in despair: "Can not you even a moment to do without the lecture?" (D2: 580) and recorded in the stage directions by the appearance of the plate with the word "boredom." Finally, the third element - a relationship Hyperworkoid with those who actually govern on his behalf: devoid of any unusual banal bureaucrats, Companions of the X and Abramowskim. Continued <i> Shoemakers </i> was written before: the last part <i> </i> Farewell to Autumn. </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> </span> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> In <i> Farewell to Autumn </i> said that the revolution "has become for some a mere pretext to end unnecessary to themselves and to anyone, but similar waste, of life" (PJ 215) . It is called the revolution "fun for the bored, barren waste latter category "(cf. PJ: 215). Permanence of bloody coups or directly applied terror are not able to restore the metaphysical feelings. Also turns out to be impotent in this respect, another form of power revolting masses: a dull and soulless bureaucracy. With such a bureaucracy is met Athanasius Bazakbal when full of good will return to the country where the party took power in the meantime niwelistyczna. Already on the way, writes Witkiewicz - "(...) he was amazed by almost crystalline order zrewolucjonizowanych Germany: work, work and work, angry, bitter, inevitable as the fire well-adjusted artillery battery. Wandering the empty museum Athanasius looked sadly on the works of old masters - it was a grave, life is full of former building, in such recent times, when the painting was still alive. Today, contact between what was and was interrupted by reality - images of withered flowers, even though as physical objects remained the same as before - they were no longer needed anyone "(PJ 407). </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> collapse of art, its utter unsuitability of the new world, accounted for only foretaste of what the new society could be expected. Further observations made by Athanasius, is even more depressing: "Some new people issuing out of the abyss in which they were hiding. But their faces were rather frightened of what was happening. There was none of that mood is not suspended like a rush, that feeling was there, a few kilometers, the border station - obtuseness, suppression, disbelief and fear - this was the general atmosphere, which felt at once </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> (PJ: 408). </span> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div class="MsoNormal" style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> "</span> <span style="font-size: small;"> paid for all the three classes of the same, but the right to comfort was proportional to the quality of the carrying out of functions (...). At the station, tortured him, even though passports Tempego, unheard paperwork (on the border it was a folly in comparison with that). Finally, bear a terrible amount of securities went into the street </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> (PJ: 409). "Everywhere </span> <span style="font-size: small;"> cards, signatures, stamps, photographs, inspection, and testing ględzenia. Pettiness of it all frightened Athanasius straight. He ate it for some paper and had to make so-called "statement of work" without this nothing - die of hunger. (...) What I saw was a little new, but so hopelessly dull, that at times seized with despair, and began to regret that he did not eat a tiger in the jungle ceylońskiej </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> (PJ 411). "He got </span> <span style="font-size: small;"> cards for food, clothing, shoes and flat - at some robotnicznej family, district IV-s, Street Shabbat, an hour away from the office. He was stunned. And these faces, these faces, which he saw everywhere. "God! so is it will look like my action a social </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> - thought with despair </span> <span style="font-size: small;">" </span> <span style="font-size: small;"> (PJ: 412-413). </span> <br /> <br /> <span style="font-size: small;"> similar picture of bureaucratic rule also appears in the output only <i> </i> where the omnipotence of the PPL is a guarantee of stability and stabilization of the totalitarian state. In </span> <i> <span style="font-size: small;"> leaving only </span> </i> <span style="font-size: small;"> also clearly than in the previous </span> <i> <span style="font-size: small;"> Farewell to Autumn </span> </i> <span style="font-size: small;">, shown was the primacy of the state organization over the individual: in the novel later mass, crowd, people just - in nearly all disappear, and at the forefront of their branch is extended Institutional: </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> Somewhere in the distance shot - again, began to storm the emzetfetyści deteków arsenal. Nothing is - PPL is an institution absolutely necessary in every regime, Pe-Zet-Pepu not break anything. It saw no such fight, and reversed: statehood as such, brought to the summit, as a necessary function at the camera every social system (of course samorządzącej syndicalism in the sense of the organization of the workers was excluded), and vigorous intellectual development of all officers [...] - these were two lines of the guidelines of the demoniac, indeed, the institution </span> <span style="font-size: small;"> '(JW: </span> <span style="font-size: small;"> 64). <br /> <br /> </span> <span style="font-size: small;"> " </span> <span style="font-size: small;"> The workers were good - wanted nothing more. Everyone had a house and garden, culture has a slightly withdrawn - drobnorolnictwo was a great counterbalance for industrialization. Really it was good, despite some technical primitive life, but why? Because capital as such, a private, completely taken by the throat. Ruled PPL - is the secret of everything </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> </span> <span style="font-size: small;"> (JW: 101 </span> <span style="font-size: small;"> - </span> <span style="font-size: small;"> 102) </span> <span style="font-size: small;">. </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> Already many a prophet, what he wanted to save the rest of the people, from the idiotic samoomamienia serene, which represented the students-grandchildren Leon Chwistek, hung Citadel [...]. Someone ruled all of this for sure, but a mysterious ghost perhaps, because on the outside but with some </span> <span style="font-size: small;"> lackeys, coarse gold and szamerowanych, there was not anyone </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> </span> <span style="font-size: small;"> (JW: 126 </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> - </span> <span style="font-size: small;"> 127) </span> <span style="font-size: small;">. <br /> <br /> In such a society, completely bureaucratized, zuniformizowanym and institutionalized, metaphysical experiences are, of course, even harder than that achievable in a world of decaying bourgeois culture in decline, which, however, some enclaves in the universal boredom and unsaturation gave sometimes find. <br /> <br /> social upheaval is presented as dangerous not only for those who are its subject, or for those who are thrown overboard; also its most active participants in the revolution is not a metaphysical experience can provide. Indeed revolutions taking place either by a spontaneous outburst of the masses - they are so animal supremacy of the element, by definition <i> </i> metaphysical foreign states, or - more often - are the work of the representatives of the former ex-people </span> <span style="font-size: small;"> "</span> <span style="font-size: small;">, vainly seeking liberation from boredom in staged its bloody fun. This last topic is worth attention, because corresponds well with the views cited here for the philosophers, who study the phenomena of mass, the the role of agitators in the social upheavals. Well, the organizers and initiators of the revolution are not generally considered representatives of the crowd, but members of the elite, with these or other reasons for acting against its interests. Such a view is understandable, since the crowd is attributed to a factor only destructive, eo ipso <i> </i> precluding his organizational skills. That is at Le Bon, so it is in Gumplowicza and Kochanowski, so it is also - though not always - with the famous. <br /> <br /> His revolutionary leaders, moreover, do not derive from the revolutions organized by them no real advantage: their hunger and boredom by the coup are not at all scattered, at most, lose the rest of his view of social illusions of what their activities are led. There are indeed - even for the mere fact of punching above mediocrity - a very dangerous situation. Instructive in this respect may be an example Sajetana Tempe, Shoemakers. As the leader of the revolution is achieved, it is true power, but is then overthrown by his own associates ["Not even you can not talk, as spaces. Discredits ino </span> <span style="font-size: small;"> revolution "</span> <span style="font-size: small;"> </span> <span style="font-size: small;"> (D2: 570) </span> <span style="font-size: small;"> - says one of the Apprentices] and murdered, but also because the crowd needed some mythology, the same cynical Journeymen create it on the hero of the revolution, the flagship character of the new system . <br /> <br /> You could be the next leader of the living, for you have wyprztykał prematurely by those damned papyri and Speak no neuter measure, it will be a sacred mummy, but the dead, cat! We then these remnants your zeskamotujemy forces and create a myth about you [...] </span> <span style="font-size: small;"> (D2: 571) </span> <span style="font-size: small;"> - say Journeymen, and the echoes Hyperworkoid, indicating a freshly murdered corpse Sajetana as the "Great Holy recent revolution of the world, who gave us the way to the Supreme Law" </span> <span style="font-size: small;"> (D2: 580) </span> <span style="font-size: small;">. <br /> <br /> Witkiewiczowska revolution creates, moreover field action not only for the ideologues, but also for ordinary szalbieczy and bastards. All this, however, is devoid of significance. The course of the revolution or upheaval may be more or less bloody, or nuisance, the final result is always the same. Was the revolution described by Witkiewicz have bored "People were </span> <span style="font-size: small;">" </span> <span style="font-size: small;">, careerists or ideowcy honest, the end result turns out to be always the same society, egalitarian, homogeneous, and characterized by the predominance of the spiritual element animalnego: weight, unable to survive or to create metaphysical culture in the old sense, and occupied only satisfying their livestock, biological desires. After a wave of upheaval, relapse, recourses time, uncertain stability bestial terror and explosions, after a long series of shocks, painful for the participants, but less important for the whole process - and finally comes the finale, a nightmare prophesied by katastrofistów: undifferentiated society. That which preceded his birth, is from the perspective of this final vision without much attention. As he says in </span> Hardonne <i> <span style="font-size: small;"> Insatiability </span> </i> <span style="font-size: small;"> "because whether you win or those [...] the result will be a: happy machine </span> <span style="font-size: small;">" </span> <span style="font-size: small;"> (N1: 98) </span> <span style="font-size: small;">. Witkiewicz thought the same thing. <br /> <br /> future happiness of society-the machine is ensured in two ways. As reduced to a purely biological level, it frees itself forever from any kind of metaphysical yearnings, which benefit so much trouble to representatives of the former elite. Egalitarianism and ensure the proper organization and adequate basic needs of all members of society. Accomplishment will see the vision outlined by the hero's departure <i> One </i>: </span> <span style="font-size: small;"> "I will promote </span> <span style="font-size: small;"> now my biological materialism as the only possible philosophy of the official future of humanity, which must be imagined as some kind of communist anthill, with the maximum utilization of every man according to his capacity. The one who * will fulfill these functions, which will be the most talented, will be the happiest on the ground - it will be another in a maximum intensity. And at the same psycho-physical Research Institute will determine the type and quantity of chow, a dose of sleep, reading and the type of sexual intercourse - women will be determined appropriate by the competent authority - to regulate and everything will be all right </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> (JW: 73) </span> <span style="font-size: small;">. </span> <br /> <span style="font-size: small;"> <br /> These words were written after the huge success - even among us - Huxley's Brave New World, which translate may, moreover, the presence of such rare elements in the work of Witkiewicz and eugenic utopias of technological, represented here by the idea of \u200b\u200binstitutional control how the physiological needs. The essence of things, however, is such and such a utopian idea, but primarily on the ground of this negative attitude towards the future, animal happiness, based on a line through these values, which were expensive Witkiewicz, to spread biological dosytu mundane. </span> <br /> <span style="font-size: small;"> <br /> </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> But the future of society, society homogeneous and mrowiskowe, in which decisions will rest in the hands of the masses, representing just animalny element in humanity - a different hierarchy of values \u200b\u200btaken into account simply can not, moreover, there is no reason for doing. Ballast for the abandoned ancient culture is not one to miss. No longer will anyone feel its absence. In <em> Anonymous Work </em> Lopak, the leader of one of the next upheaval, he cried out: We do not need a government of priests under the guise of democracy collapses. We will create your own true self. We will bypass without parliament, organizing labor unions real lazy. We will create paradise on earth with no leaders and no job! My! A uniform, gray, sticky, stinking, terrible mass: The existence of a new individual, in spite of all metaphysics, based on the notion of the individual and the hierarchy! There are no individuals! Down with personality! Long live the one, single WEIGHT! Hurrah! </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> </span> <span style="font-size: small;"> (D2: 126). </span> <span style="font-size: small;"> <br /> <br /> come a paradise on earth, but for the "former people </span> <span style="font-size: small;">" </span> <span style="font-size: small;"> will not place in it. In 1893, then eight, Stanislaw Ignacy Witkiewicz wrote comedy entitled Cockroaches: appeared in her "something gray </span> <span style="font-size: small;">" </span> <span style="font-size: small;">, which "began to approach </span> <span style="font-size: small;">" </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> (D1: 51-54) </span> <span style="font-size: small;">. </span> <br /> <span style="font-size: small;"> <br /> can say further that all his work consistently take the same theme: more and more new stages approaching this gray. In view of the imminent prospects for an end to the culture remains the hands down katastrofiście: kasandryczne predictions are not able to reverse the course of history, are at the most calm one's own conscience. You can bear witness to the collapse of his own world - but this decline can not resist it. You can seek refuge - but without the hope that it will be effective. You can finally pull their views final conclusions - and so did Witkiewicz, najkonsekwentniejszy of the prophets of disaster, when in September 1939, the prospect of the coming "gray </span> <span style="font-size: small;">" </span> <span style="font-size: small;"> simply changed into reality. His was a desperate gesture, he was also in a sense, heroic. If the measure of value is the price to maintain these values decide to sacrifice - Witkiewicz gave witness to the dying culture that values \u200b\u200bwere significantly important for him. Delivery of what predicted in his writings, no longer wanted to see. Since the Book of Revelation began to comply, he preferred not to wait for its end. <br /> <br /> Probably, it was an escape. But what else is left? After all, the only alternative would be - this or that - to accept. And he wanted to avoid this, perhaps it is simply disgusted. He was already too old, too tired to once again try to mock, to turn history moves in a grotesque joke. To reiterate what the thirteen years ago, wrote in the conclusion <i> Farewell to Autumn </i>: </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> But it is good, all is well - What? - Can not you? It is good, damn it, and who say that no, it's him in the throat! </span> <span style="font-size: small;"> "</span> <span style="font-size: small;"> (PJ 450). </span> <br /> <br /> <br /> <span style="font-size: small;"> </span> <br /> <span style="font-size: small;"> author of the text: </span> <span style="font-size: small;"> <br /> <b> Margaret Szpakowska </b> </span> <br /> <div align="left"> <span style="font-size: small;"> </span> <span style="font-size: small;"> <br /> source: </span> <span style="font-size: small;"> <a href="http://otworzksiazke.pl/ksiazka/swiatopoglad_stanislawa_ignacego_witkiewicza/"> <span style="color: #3d85c6;"> Otworzksiazke.pl </span> </a> <br /> <br /> ----------------------------------- </span> <span style="font-size: small;"> </span> </div> <div align="left"> <span style="font-size: small;"> rights to the book <i> worldview Stanislaw Ignacy Witkiewicz </i> <br /> has Szpakowska Margaret. The book is available under the Creative Commons <br /> </span> <a href="http://creativecommons.org/licenses/by-nc/3.0/pl/"> <span style="font-size: small;"> Attribution </span> <span style="font-size: small;"> - </span> <span style="font-size: small;"> Noncommercial 3.0 Poland </span> </a> <span style="font-size: small;"> ----------------------------------- </span> <br /> <div align="right"> <span style="font-size: small;"> </span> <span style="font-size: small;"> <br /> <br /> Other texts: <br /> </span> <span style="font-size: small;"> <a href="http://odystopiach.blogspot.com/2010/12/kobiety-w-powiesciach-witkacego_18.html"> <span style="color: #f1c232;"> Women in the novels Witkacy </span> </a> </span> <span style="color: #f1c232;"> <span style="font-size: small;"> <br /> </span> </span> <span style="font-size: small;"> <a href="http://odystopiach.blogspot.com/2011/04/jerzy-stachowicz-wizje-przyszosci-w.html"> <span style="color: #f1c232;"> StachowiczAn: Visions of the future of the Polish interwar literature </span> SF </a> </span> <span style="color: #f1c232;"> <span style="font-size: small;"> <br /> </span> </span> </div> </div> <span style="font-size: small;"> <br /> </span> <br /> <br /> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-6795582845999534705?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-63213052144608589722011-04-14T12:57:00.000-07:002011-06-19T08:13:42.331-07:00Yamaha Vx Deluxe 2005<strong> "Nice Noise" album OUT NOW! </strong><br /><br /> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq5cchE0CE7PImU7Z6FEHKtyxkDcuEPxHADI8T3RyCmYjRVmm12EU5Dy7GwWDufPKMfh2slLE_OwmgwuHn1Vs27gzg0Brly80zZmrLy3n8y85qKKoWtHCVW4oPp7J9AD4bhWf4Ph0DAUI/s1600/nice+noise.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> <img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq5cchE0CE7PImU7Z6FEHKtyxkDcuEPxHADI8T3RyCmYjRVmm12EU5Dy7GwWDufPKMfh2slLE_OwmgwuHn1Vs27gzg0Brly80zZmrLy3n8y85qKKoWtHCVW4oPp7J9AD4bhWf4Ph0DAUI/s400/nice+noise.jpg" width="400" /> </a> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> http://www.nistavilo.net/nihilthrone/ </div> <div style="text-align: justify;"> Artist: Third I </div> <div style="text-align: justify;"> Title: Nice Noise - Raw Ambient Pieces </div> <div style="text-align: justify;"> Genre: Noise / Industrial </div> <div style="text-align: justify;"> Format: CDr </div> <div style="text-align: justify;"> Release date: 09.04.2011. </div> <div style="text-align: justify;"> Catalog number: NHTR-006 </div> <div style="text-align: justify;"> Status: Available </div> <div style="text-align: justify;"> <br /> </div> <div style="text-align: justify;"> <b> About release </b> : </div> <div style="text-align: justify;"> This new release of Serbian act THIRD I is a collection of raw ambient-industrial noise mixed with disturbing desolated soundscapes. Around 30 minutes of deserted factories, sewers, rats, flies, chains and heavy metal. Limited to 20 copies. </div> <div style="text-align: justify;"> <br /> </div> <div style="text-align: justify;"> <b> Serbia purchasable directly from us at thirdinoise@gmail.com </b> </div> <div style="text-align: justify;"> <b> din 150 - postage included, or better yet TREJD </b> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1796459894841285234-6067790765763050345?l=thirdinoise.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-59359024555218387062011-04-12T09:58:00.000-07:002011-06-19T08:13:43.022-07:00Does H.pylori Cause Sob<strong> StachowiczAn: Visions of the future of the Polish interwar literature </strong><br /><br /> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"> <tbody> <tr> <td style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJny8SkVf37IuO-ZpNo0DUKB1EUkawgXTbuCOoAOTysUWqe-pwkvKTm7RFh0cL4kW8GHO-XJwsNZlstA2tQYTOonv4GRVAoPVm4VMRz6Uds9FtW7YWJEl-viMZaG3GYqYNrmAYcZD0qCU/s1600/Witkacy_Bajka_fantazja.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"> <img border="0" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJny8SkVf37IuO-ZpNo0DUKB1EUkawgXTbuCOoAOTysUWqe-pwkvKTm7RFh0cL4kW8GHO-XJwsNZlstA2tQYTOonv4GRVAoPVm4VMRz6Uds9FtW7YWJEl-viMZaG3GYqYNrmAYcZD0qCU/s320/Witkacy_Bajka_fantazja.jpg" width="320" /> </a> </td> </tr> <tr> <td class="tr-caption" style="text-align: center;"> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Witkacy <b> fairytale fantasy </b> </span> </span> </td> </tr> </tbody> </table> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> As imagined future in the Second World War? Responses to this question provide forgotten science fiction novel written in the 20s and 30 Twentieth century. The extraordinary faith in progress merges with increasing concern about the fate of the world. It is worth remembering this fascinating slice of history Polish popular culture. <br /> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> History of Polish literature, science fiction begins with the average reader after World War II - from the novel by Stanislaw Lem. For this reason, we vacuum the forgotten science fiction novel <i> </i> [1] from the interwar period. In this text I want to present the then visions of the future and wonder why no one remembers that Antoni Slonimski was not only a poet but also an author of fantasy fiction. <a name='more'> </a> </span> <br /> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Determining boundaries of thematic inter-SF is a problem. By Ivor Evans accepted the assertion that science fiction deals with the "possible, though not very probable developments in science and technology never seen before, or natural phenomena" [2]. It should be noted, however, that science and natural phenomena presented in the interwar differently than today. Still alive the interest in spiritualism (contact with rotating tables mitzvah hard nosed realists Boy Zelenski Marshal Pilsudski and the same), attempts were made to study the paranormal in a scientific manner - at the University of Warsaw, held up a world congress on paranormal phenomena. Therefore, considering the interwar SF, you should also replace the tracks moving subjects relevant to today's horror literature. The most famous items of this type are books by Stefan Grabińskiego. His thrillers based on the observation of unexplained phenomena, psychological and removal of bold hypotheses designed to explain them. These hypotheses were not the only products of the imagination of the writer, but sprang from the philosophy of Bergson and William James [3]. A similar type of fiction practiced Antoni Lange </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <strong> <a href="http://www.pbi.edu.pl/book_reader.php?p=40144&s=1"> <span style="color: #3d85c6;"> Miranda </span> </a> </strong> </i> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> where Theosophical topics linked to the reflections typical of science fiction - a reflection on the further development of science and technology. Even in so firmly embedded in the Convention SF book, as <i> City of Light </i> Mieczyslaw Smolarskiego, there is a place for hypnosis and contact with spirits. <br /> <br /> One of the important issues the interwar literature </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> was the future of the world and Polish considered in conjunction with the development of technical civilization. This is the variety of fantasy going to take a closer look. <br /> <br /> Most future-oriented topic combined with the prevailing Polish fantasy currents in world literature. There have always been a glorious relationship. Many less ambitious writers drew handfuls of both specific ideas and schemes of the whole plot [4] of the famous colleagues from abroad. <i> Czandu </i> Stefan Barszczewskiego is Polonised version <i> </i> War in space (1908) HG Wells (the same "wonderful inventions, battles, etc.) complemented by a popular motif Polish defending against the onslaught of the Asians. <br /> <br /> While less ambitious copied, writers such as whether Slonimski Smolarski through his works, took part in the global intellectual debate on the fate of our civilization. <br /> <br /> prose authors </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - inclined to describe the future - feel strongly connected with the actual currents in science and tried to develop the popular theories and inventions. <br /> <br /> worth seeing, as - according to the interwar writers - look everyday in the future. I will start with a futuristic vision of transport. Polish romanticized are not there more 'original popularizers of science. Both one and the others believed in the further development of already invented means of transport, especially cars and aircraft. Richie Calder in his book presents visions of the future well-known English scientists [5] to convince readers that a few decades (in the sixties of the twentieth century), most Londoners will travel their own airplanes or helicopters. Also in <i> How could that be </i> (1926) Barszczewskiego main character is the holder of superfast electric helicopter. Andrew Will the City of Light <i> </i> moving aircraft and spacecraft solar-powered [6]. In a similar way travel imagined Slonimski (Torpedo <i> </i> time). In books Smolarskiego equivalent of today's large passenger aircraft, however, forgotten today, the great airships. <br /> <br /> presents a very interesting vision of new energy sources. Even the scientists of that time [7] quite skeptical about the possibility of obtaining energy from the atom, although the triumph shone physical theories designed to lead to the creation of the atomic bomb. SF Writers </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> saw the future of solar energy. She was to serve as a weapon, drive a vehicle (Smolarski), and even as an equivalent electric lighting (Winawer). Production of all goods had to be fully automated (Lange, Smolarski). An interesting proposal was Smolarskiego videophone. Anyway, this is what the writer was able to provide solutions to many of the future - the future of Warsaw was a city of such great estates. Perhaps the wave of medical research on hormones and vitamins [8], the author of the City of Light <i> </i> believed that in the future you will be guided by the human psyche by means of special substances harmful to health. <br /> <br /> shocking from today's perspective may seem unconscious of the writers on the further development of weapons of mass destruction. The most powerful weapon, which the soldiers under their future, they are usually the machine sending the mysterious rays (Slonimski, Smolarski, Lange) - machines which are a kind of unimaginable power laser (Smolarski) or invisible energy emitter (Slonimski, Lange). In addition, the armies of the future were to use a much improved chemical weapons (CW gases - the biggest bugbear interwar military in the world [9]). <br /> <br /> But it does not describe the amazing inventions, but typing in the current intellectual debate on the future of civilization is characterized by the most interesting, in my opinion, the items of the period of Polish fantasy. <br /> <br /> In this way the invention exploit the unusual theme Bruno Winawer. In his novel Doctor <i> Příbram </i> description of the innovation recedes into the background, and the main theme is "reflection on modern science and its impact on cultural transformation" [10]. The invention Przybrama title, although the phase of the plans seems to be a wonderful, It went into wide use, is controversial (phosphorescent nellit never goes out, the concept of the night is passing away.) The author also notes a problem so far ignored. Although many writers have seen in people of learning for future rulers of the world, Winawer shows how scientists have embraced a passion of knowledge, moving away from the problems of ordinary people. <br /> <br /> issue of the impact of science and technology was a very happy man considered by intellectuals between the wars. SF Writers </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> spoke on this topic also in the novels of a utopian (Utopias, and utopias black - antyutopiach, dystopiach), outlining where their doubts about the future. In the essay devoted to the interwar fiction Andrzej Niewiadomski [11] tries to discern the roots of this trend of thought in the twentieth century a fear of science and technology have created in the era of enlightenment. He begins with Rousseau and return to nature, to come to the conclusion that the optimistic visions of where science and progress are in themselves a source of good and happiness, and evil only comes from ignorance, is always accompanied by the fear that similar thinking is only a pipe dream , that material progress can in fact significantly ahead of the spiritual and moral development of humans. This is a fear that we will be equipped with the barbarians of the technical skills once attributed only to the gods. Worst of all, progress in science may even lead to spiritual decline, and consequently - the downfall of humanity. Niewiadomski I agree with the existence of such deep roots of intellectual debate conducted in two decades, it seems to me, however, that had the greatest influence on her subsequent times. Wymieniłbym here burnout positivist ideas, and above all the cruelty of the First World War, in which technology played a very crucial role. It has always aggravated the existing doubts. At the same time news theme lent enduring a wave of new scientific discoveries and technological inventions to help a man's life. In addition to intellectuals who believe in a utopian future </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> such as Lewis Mumford combining technology and humanity [12] - have grown skeptical and even katastrofiści: Spengler, Ortega y Gasset, Bierdajew and even Florian Znaniecki. <br /> <br /> believed that in modern society already exist in the latent seeds of future decline, or even "historical cataclysm." The only way of salvation would be: rapid mobilization of humanity and an attempt to build a new culture capable of safely coexist with the developing technology. In this vein spoke Znaniecki in his Fall of Western Civilization <i> </i> (1921): "... civilization that threatens the destruction in the near future unless we get to the conscious and planned effort to save it" [13]. He wrote so carefully then submit a negative impact of pervasive materialism, which manifestation was, according to him, including technique. Later in the book <i> People teraźniejsi </i> future and civilization (1934), Znaniecki formulated prescription for the renewal of civilization. In his view, the ideal of humanity can be achieved through the development of spiritual (moral) based on appropriate education of the younger generation, not by the same scientific progress. Most <br /> <br /> SF novel </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> had no intellectual ambitions, but purely for entertainment. The debate about the future of civilization zaczerpnęły they only fear of the machine as something foreign, untamed well-established after World War I, the fear of another big armed conflict. They are not earning any more reflections on the human condition (books Adamowicz Barszczewskiego, Marczynski, Niezabitowski ...). The exception were Lange, Slonimski and Smolarski. <br /> <br /> Lange, associated more with the young Polish, Miranda <i> </i> published in 1924, so it can be easily incorporated into the inter-war fiction. This novel, having the nature of utopian, is a continuation of utopia, I can say classic, because the seventeenth-century: <i> Member of the Sun </i> (1623) Campanella. Lange begins to tell the story of a fantastic country, where it ends the Italian author and spins his story until the end of the First World War. On the occasion of the work carried out criticism of his predecessor, showing the collapse of the system proposed by him. Present Słońcogrodzian a vision for the future while the rest of humanity. Anthony Miranda Lange <i> </i> supports the view that technological development, without concern for the spiritual development leading to the collapse of society (and therefore falls constitution proposed by Campanella). The vision of a perfect life, according to Lange, must be based on balanced development of both these spheres. The first pillar of happiness is to achieve a higher level of human spiritual development (astral body). According to Janina Hasiec [14] can be seen as a symbolic representation of the process of human improvement through education and upbringing. Transformation in the human astral body takes when entering adulthood after leaving school. In adopting this interpretation, it can be concluded that Lange came to the same conclusions as Znaniecki in present day <i> </i> Humans ... The second pillar of happiness in <i> </i> Miranda is an extremely developed technology and science, the total domination of nature. The author believed that such a rule, when in fact advanced technologies and a deep sense of morality of people, can not cause any damage to nature. The progress of civilization and spiritual development of man only by supporting each other, guarantee, according to Lange, happiness. <br /> <br /> Another, also interesting, the voice on the future of Western civilization took Antoni Slonimski. Its two ends of the world <i> </i> (1937) had been deposited in the then present. Including the discussion about What will happen at the same time the author continued his criticism of what is, which dealt with as a writer, "Literary News". His book is a grotesque dystopia which is a polemic against the other, then the loudest antyutopią </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;">, Brave New world <i> </i> Aldous Huxley. Huxley's book was the most popular, fictionalized version discussed earlier pessimistic view of the future. The Brave New World <i> </i> brake technology is the spiritual development of mankind. At the same time it hides antyutopia clearly utopian vision of a return to nature as a cure for the human spirit. In the textbook world of people "savages" remain the most human qualities: sensitivity to beauty, the need to create, moral principles, etc., while the world of material prosperity, progress achieved through advanced technology, leads to a life of happiness, paid for by the stagnation of thought and feelings of loss. <br /> <br /> Slonimski sharply criticized the work of Huxley in "Literary News" [15]. The two ends of the world <i> </i> have the answer to a literary <i> New </i> wonderful world. The poet says there against the overgrowth of technological civilization, and, simultaneously, against the concept of returning to nature. Considers that threaten the world first of all people, not technology. Both modern technology and management program, a return to nature put into the hands of a madman lead to disaster. Retlich, the villain of the book, destroys human-tech weapons to build a civilization, then the nature of having the same negative characteristics, which huxleyowska technological civilization. Even when the "people by nature" liberate themselves from his reign, they are only capable of stupid mass mainly destructive actions. Slonim seems to be saying that since technology is always dangerous the idea of \u200b\u200ba civilization is subjected to pressure units (dictator) or pressure mass disintegrates. People always think Slonimski, will commit the same mistakes. The two ends of the world <i> </i> had to be both criticized Fascism (Retlich name is an anagram of "Hitler") and probably also of communism. Perhaps because the poet has come to a more sinister applications from Huxley, and no one sees the possibility of preventing a catastrophe. Criticism of Brave New World <i> </i> could also arise worship, which he nurtured Slonimski HG Wells [16]. Huxley's works was in some sense, the criticism directed against the ideas of the famous predecessor (in the book <i> </i> People like gods), but the pronunciation pessimistic <i> </i> Two ends of the world (Wells was a skeptic, but not a pessimist - although, as he referred to it that people will commit mistakes, although he believed that the civilization of a happy future) probably influenced mainly feeling approaching war. <br /> <br /> Original, but also gloomy Mieczyslaw Smolarski future created in his two novels: Honeymoon Travel <i> </i> Mr. Hamilton (1928) and the City of Light <i> </i> (1924). With this originality, however, is a problem. All ideas are known to the world Smolarskiego rather Huxley's book. In 1948, the Polish writer, author of English, even accused of plagiarism. Indeed, the books of both authors are very similar (<i> </i> City of Light was published eight years earlier than the work of Huxley). Huxley never ruled on this issue, which according to some Polish researchers [17] would be evidence of his guilt. <br /> <br /> Smolarski (like Huxley) presents in his books the image of civilization with a highly developed technique, the feed to the stagnation in the arts and the spiritual decline of humanity. Only "the people of the forest" conceal the human passions. Honeymoon <i> Mr. Hamilton </i> the grotesque, full of humor coating hides the same message. Deprived of grotesqueness City of Light seems to be a vision of a much more sinister than that contained in the book, Slonimski, despite the fact that conceals a hope to return to nature. Smolarski, how many people in those times, he realized that the end of World War I period will not result in lasting peace in the future lurks a much more terrible conflict. This great war was to launch a band of bloody wars with weapons of mass destruction (chemical) that destroys humanity. Unfortunately, it was not a baseless hunch. <br /> <br /> Looking toward the whole of Western civilization, SF writers </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (especially those less ambitious!) Also tried to create a picture of the future Polish. According to Janina Hasiec [18], even with the City of the Sun <i> </i> Miranda Lange is a proposal to designate the direction of the newly formed Polish state. Smolarski in <i> Travel Honeymoon ... </i> he depicts Polish, part of the United States World countries lacking capital. President of the united world, like a feudal lord, during his term of office of all the major tours of the city. U Barszczewskiego (<i> Czandu </i>) Warsaw is the capital of a united Europe. In addition, the literature </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> circling the old idea of \u200b\u200bPolish "bulwark of Christianity" - a lot of books about catastrophic, using popular then the topic of flooding in Europe by the yellow race, describes a heroic role in defending our country against the new scourge of the continent (eg Barszczewski Czandu, Adamowicz <i> Yellow Triumph </i>). The tabloid fantasy literature eagerly preached then used the politicians' idea of \u200b\u200bPolish superpower. It was not meaningless - history has shown that the power actually belonged to the Polish realm of fantasy. <br /> <br /> Native science fiction is, in my opinion, the most forgotten part of the inter-war literature, but underlined the fact interesting visions of the future. Causes of falling into oblivion, you can look at the low values \u200b\u200bof literature - most books </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> belonged to the typical specimens of pulp fiction. Stanislaw Lem in the introduction to <i> Torpedoes Time </i> Slonimski [19] rightly, in my opinion, notes that this is a problem at all over the world of fantasy, unless the current today. In the flood of minor works are lost valuable items. Moreover, sf theme deals with the distant future, however, narrative lies in the nineteenth century. Indeed, while </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF writers sharing the fascination with modernity - futurists [20] experimented with form, romanticized by the entire interwar period regarded as the ideal style of Young Poland. What's more, the authors </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> engine instead of adoration, which persuaded Marinetti, chose, as I wrote, but rather the fear of the machine as a tool of the new apocalypse. As it turned out, quite reasonably. <br /> <br /> seems to me that there is another, more important, reason for forgetting the pre-war fiction. Polish prose </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> SF </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> take for the current problems of his day - issues that marginalized after the outbreak of World War II, never returned with such force. The turnaround in fiction resulted primarily use of nuclear weapons by the U.S., which was related to transcend (or at least catch up) the fantastic imaginations future. The great war described in the novels of Chemical fiction suddenly seemed unimaginable in the face of the Holocaust and the atomic bomb. New postatomowa fantasy, instead of describing the destruction of the world, began to focus on what happens after this destruction, and with more energy turned to the topic of space exploration. <br /> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [1] Next I used the abbreviation </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;"> SF </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;">. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [2] John Griffiths, </span> <i> <span style="font-size: x-small;"> What is science fiction? </span> </i> <span style="font-size: x-small;">, [in:] </span> <i> <span style="font-size: x-small;"> Dispute SF (anthology of essays and essays on science fiction) </span> </i> <span style="font-size: x-small;">, edited by R. Handke, ed. Poznań, Poznań 1989, s. 87th </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [3] At the base currency. Andrzej Niewiadomski, Anthony Smuszkiewicz, </span> <i> <span style="font-size: x-small;"> Lexicon of Polish literature fiction </span> </i> <span style="font-size: x-small;">, Ed. Poznan, Poznan 1990. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [4] At the base currency. Andrzej Niewiadomski, </span> <i> <span style="font-size: x-small;"> concepts of collective extermination (the Polish subjects of science fiction) </span> </i> <span style="font-size: x-small;">, "Review of the Humanities," 1982, No. 10 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [5] Ritchie Calder, </span> <i> <span style="font-size: x-small;"> Birth of the future (in the retort scholars) </span> </i> <span style="font-size: x-small;">, Trzaska, Evert and Michalski SA, Warszawa [no date]. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [6] Mieczysław Smolarski, </span> <i> <span style="font-size: x-small;"> City of Light </span> </i> <span style="font-size: x-small;">, Ed. Poznan, Poznan 1988. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [7] Ritchie Calder, op. Bogan, 106th </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [8] Ibid., P. 55 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [9] See the essays Slonimski (Antoni Slonimski, </span> <i> <span style="font-size: x-small;"> weekly Chronicles 1927-1939 </span> </i> <span style="font-size: x-small;">, PIW, Warszawa 1956). </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [10] Andrzej Niewiadomski, Anthony Smuszkiewicz, op. cit, p. 214 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [11] Andrzej Niewiadomski, op. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [12] L. Mumford, </span> <i> <span style="font-size: x-small;"> technology and civilization </span> </i> <span style="font-size: x-small;">, trans. E. Daniecka, Oxford University Press, 1966. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [13] Florian Znaniecki, </span> <i> <span style="font-size: x-small;"> collapse of Western civilization </span> </i> <span style="font-size: x-small;">, [in] the same, </span> <i> <span style="font-size: x-small;"> Philosophical Writings T. II </span> </i> <span style="font-size: x-small;">, Oxford University Press 1991, p. 931st </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [14] Janice Hasiec, </span> <i> <span style="font-size: x-small;"> around </span> </i> <span style="font-size: x-small;"> Miranda </span> <i> <span style="font-size: x-small;"> Anthony Lange </span> </i> <span style="font-size: x-small;">, "Review of the Humanities," 1977, No. 4 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [15] Antoni Slonimski, </span> <i> <span style="font-size: x-small;"> weekly Chronicles 1927-1939 </span> </i> <span style="font-size: x-small;">, PIW, Warszawa 1956, p. 302nd </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [16] Often praised it in his newspaper columns. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [17] More A. Prussian, the City of Light </span> <i> <span style="font-size: x-small;"> Mieczyslaw Smolarskiego a </span> </i> <span style="font-size: x-small;"> </span> Brave New World by Aldous Huxley <i> <span style="font-size: x-small;"> </span> </i> <span style="font-size: x-small;">, "Review of the Humanities," 1983, No. 3 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [18] Janice Hasiec, op. cit </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [19] Antoni Slonimski, </span> <i> <span style="font-size: x-small;"> Torpedo </span> </i> <span style="font-size: x-small;"> time, reader, Warsaw 1967. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> [20] At the base currency. Tadeusz Peiper, </span> <i> <span style="font-size: x-small;"> City, the weight of the machine </span> </i> <span style="font-size: x-small;">, [in:] Tadeusz Peiper, </span> <i> <span style="font-size: x-small;"> Selected Writings </span> </i> <span style="font-size: x-small;">, Wrocław 1979. </span> <b> <span style="font-size: x-small;"> </span> </b> </span> <br /> <span style="font-size: x-small;"> <br /> </span> <br /> <span style="font-size: x-small;"> <br /> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <b> <span style="font-size: x-small;"> Bibliography </span> </b> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Ritchie Calder, </span> <i> <span style="font-size: x-small;"> Birth of the future (in the retort scholars) </span> </i> <span style="font-size: x-small;">, Trzaska , Evert and Michalski SA, Warsaw </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;"> [</span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;"> no release date, the book is not in any library, so I was unable to determine when it was granted]. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Julius Garztecki, Tadeusz Gosk, </span> <i> <span style="font-size: x-small;"> Mirror fear and doubt </span> </i> <span style="font-size: x-small;">, "Literary Monthly" 1967, No. 4 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> John Griffiths, </span> <i> <span style="font-size: x-small;"> What is science fiction? </span> </i> <span style="font-size: x-small;">, [in:] </span> <i> <span style="font-size: x-small;"> Dispute SF (anthology of essays and essays on science fiction) </span> </i> <span style="font-size: x-small;"> , Edited by R. Handke, ed. Poznan, Poznan 1989. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Hasiec Ioannina, </span> <i> <span style="font-size: x-small;"> around </span> </i> <span style="font-size: x-small;"> Miranda </span> <i> <span style="font-size: x-small;"> Anthony Lange </span> </i> <span style="font-size: x-small;">, "Review of the Humanities," 1977, No. 4 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Charles Irzykowski, </span> <i> <span style="font-size: x-small;"> Fantasy (Because the book by Stefan Grabińskiego </span> </i> <span style="font-size: x-small;"> roses on the hill. Novels, [in:] Charles Irzykowski, </span> <i> <span style="font-size: x-small;"> selection of literary essays </span> </i> <span style="font-size: x-small;">, Wroclaw 1975. </span> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Antoni Lange, Miranda </span> <i> <span style="font-size: x-small;"> </span> </i> <span style="font-size: x-small;">, Universitas, Kraków 2002. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Bogdan Mazan, </span> <i> <span style="font-size: x-small;"> Antyutopia as negative and the latent variant </span> </i> <span style="font-size: x-small;"> utopia, "The work of Polish Language," cheese. XXXI, Łódź 1975. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Andrzej Niewiadomski, </span> <i> <span style="font-size: x-small;"> concepts of collective extermination (the Polish subjects of science fiction) </span> </i> <span style="font-size: x-small;">, "Review of the Humanities," 1982, No. 10 </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Andrzej Niewiadomski, Anthony Smuszkiewicz, </span> <i> <span style="font-size: x-small;"> Lexicon of Polish literature fiction </span> </i> <span style="font-size: x-small;">, Ed. Poznan, Poznan 1990. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Tadeusz Peiper, </span> <i> <span style="font-size: x-small;"> City, the weight of the machine </span> </i> <span style="font-size: x-small;">, [in:] Tadeusz Peiper, </span> <i> <span style="font-size: x-small;"> Selected Writings </span> </i> <span style="font-size: x-small;">, Wrocław 1979. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> A. Prussian, the City of Light </span> <i> <span style="font-size: x-small;"> Mieczyslaw Smolarskiego a </span> </i> <span style="font-size: x-small;"> </span> Brave New World by Aldous Huxley <i> <span style="font-size: x-small;"> </span> </i> <span style="font-size: x-small;">, "Review of the Humanities," 1983, No. 3 </span> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Antoni Slonimski, </span> <i> <span style="font-size: x-small;"> two ends of the world </span> </i> <span style="font-size: x-small;">, book and Knowledge, Warsaw 1991. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Antoni Slonimski, </span> <i> <span style="font-size: x-small;"> Weekly Chronicle 1927 </span> </i> </span> <i> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: x-small;"> - </span> </span> </i> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <span style="font-size: x-small;"> </span> </i> <span style="font-size: x-small;"> 1939, PIW, Warszawa 1956. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Antoni Slonimski, </span> <i> <span style="font-size: x-small;"> Torpedo </span> </i> <span style="font-size: x-small;"> time, reader, Warsaw 1967. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Mieczyslaw Smolarski, </span> <i> <span style="font-size: x-small;"> City of Light </span> </i> <span style="font-size: x-small;">, Ed. Poznan, Poznan 1988. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Mieczyslaw Smolarski, </span> <i> <span style="font-size: x-small;"> Honeymoon Mr Hamilton. Fantasy novel from the year 2500 </span> </i> <span style="font-size: x-small;">, Library of the Polish Home, Warsaw 1928. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Bruno Winawer, </span> <i> <span style="font-size: x-small;"> Doctor Příbram </span> </i> <span style="font-size: x-small;">, penny's, Warsaw 1928. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Florian Znaniecki, </span> <i> <span style="font-size: x-small;"> teraźniejsi People and the future of civilization </span> </i> <span style="font-size: x-small;">, Oxford University Press, 1974. </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> </span> <span style="font-size: x-small;"> <br /> </span> <span style="font-size: x-small;"> Florian Znaniecki, </span> <i> <span style="font-size: x-small;"> collapse of Western civilization </span> </i> <span style="font-size: x-small;">, [in] the same, </span> <i> <span style="font-size: x-small;"> Philosophical Writings T. II </span> </i> <span style="font-size: x-small;">, Oxford University Press, 1991. </span> </span> <br /> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> author of the text: </span> <br /> <b> <span style="font-family: "Arial", "Helvetica", sans-serif;"> StachowiczAn </span> </b> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> source: </span> <a href="http://www.kulturaihistoria.umcs.lublin.pl/archives/1480"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="color: #3d85c6;"> Kulturaihistoria.umcs.lublin.pl </span> </span> </a> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="color: #3d85c6;"> </span> </span> </div> <div align="justify"> </div> <br /> <div align="justify"> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> ------------- ---------------------- </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> material released under the license </span> <a href="http://creativecommons.org/licenses/by-nc-sa/2.5/pl/"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Creative Commons Attribution - Usage Noncommercial - Share Alike 2.5 Poland </span> </a> <span style="font-family: "Arial", "Helvetica", sans-serif;">. </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> --------------------------------- - </span> <br /> <br /> <div style="text-align: right;"> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Other texts: </span> </span> </b> </div> <div style="text-align: right;"> <b style="color: #f1c232;"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <a href="http://odystopiach.blogspot.com/2011/01/szczescie-w-proszku.html" style="color: #f1c232;"> Happiness powder </a> <br /> <a href="http://odystopiach.blogspot.com/2010/12/wadza-ktora-patrzy-czyli-o-sposobach_8937.html" style="color: #f1c232;"> Power, which looks at, or about how the surveillance and dystopiach antyutopiach </a> </span> </span> </b> </div> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> <a href="http://www.kulturaihistoria.umcs.lublin.pl/archives/1480"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="color: #3d85c6;"> </span> </span> </a> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-7797007193710219048?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-82388856555256773342011-04-08T04:31:00.000-07:002011-06-19T08:13:42.341-07:00Something Funny To Say On A Get Well Soon Card<strong> Our labels on Croatian Television </strong><br /><br /> <div dir="ltr" style="text-align: left;" trbidi="on"> <h6 class="uiStreamMessage" data-ft="{"type":"msg"}" style="font-weight: normal; text-align: justify;"> <span style="font-size: small;"> <span class="messageBody"> TV report (in Norwegian) about independent labels in Croatia featuring Peter Pecur from Circumanalis Records and Zdenko Franjic from Listen Loudest! / Listen Loudest!. Shown on HRT (New Radiotelevision) show named Briljanteen on January14 2011th </span> </span> </h6> <h6 class="uiStreamMessage" data-ft="{"type":"msg"}"> <span class="messageBody"> </span> <iframe allowfullscreen="" frameborder="0" height="390" src="http://www.youtube.com/embed/H2F54FL_OqY" title="YouTube video player" width="480"> </iframe> </h6> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1796459894841285234-3151412254127898314?l=thirdinoise.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-27570916604951165302011-04-04T14:23:00.000-07:002011-06-19T08:13:43.042-07:00Unlock Internet On Tracfone<strong> SF Herland. Chapter I: A special project </strong><br /><br /> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"> <tbody> <tr> <td style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiebvDPCV5jdKTyWAHMGD6ZBB30r2G97c4BN_6umyrIfuzvEZWmW7K9Uc8wYiiIEAi5J9U18IfD8kKua6RADq15ooXGw_vgQ9K1oy2qOxx-G6zkeBvmB5fyHNkWTW7Azbj-96Vc4fCIgxA/s1600/Amazon_Views.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"> <img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiebvDPCV5jdKTyWAHMGD6ZBB30r2G97c4BN_6umyrIfuzvEZWmW7K9Uc8wYiiIEAi5J9U18IfD8kKua6RADq15ooXGw_vgQ9K1oy2qOxx-G6zkeBvmB5fyHNkWTW7Azbj-96Vc4fCIgxA/s320/Amazon_Views.jpg" width="320" /> </a> </td> </tr> <tr> <td class="tr-caption" style="text-align: center;"> <b> <span style="font-size: xx-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> Llc Beyond The Ultimate Race Director Wes Crutcher (<a href="http://creativecommons.org/licenses/by/3.0/deed.pl"> CC BY 3.0 </a> ) </span> </span> </b> </td> </tr> </tbody> </table> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> All this constitutes the only record from memory, unfortunately. If I could bring her so carefully prepared notes, it would be a different story. Book full of handwritten notes, carefully copied documents, reports first-hand, and photos are our worst losses. We had photographs of cities and parks, lots of beautiful views of streets, buildings, their facades and interiors, and also photographed some of these wonderful gardens, and most importantly - portraits of women themselves. </span> </span> </div> <div align="justify"> <br /> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> Nobody never believe how they looked. Names are never adequate, when it comes to women, and I've never been so good at describing. <a name='more'> </a> However, in some way, you need to do - the rest of the world must learn about this country. I will not say exactly where I was, out of fear of some self-appointed missionaries, traders and thirsty land conqueror. Potępiłbym encroachment them there. But I think that they do not want it to happen: I can always tell them that if they found a place for them would not have any value. </span> </span> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> It all began so - were three of us: Terry O. Nicholson, not without reason that we called Old Nick, Jeff Margrave, and I, Vandyck Jennings. We were school mates and friends. We knew each other for many, many years and despite the undeniable differences we had a lot in common. All interesowaliśmy in science. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Terry was rich enough to do exactly what he wants. Its main aim was to experience. Carried out all in turn. "Nothing has been already discovered, now just joining and completing the" - used to say. Terry had many talents, but the best was the mechanics and electricity. He knew all kinds of ships and cars, was also one of the best pilots. Never done it all without Terry. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Jeff Margrave was born as a poet or a botanist - or maybe better to say simply that as and this and this - but his parents persuaded him to become a doctor. As for his age was in this pretty good, but his real interest was what he liked to call "miracles of science." </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> As for me, mainly dealing with sociology. In sociology you </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> to </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> but </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> support knowledge of other sciences. Fortunately, I'm interested in them all. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Terry was strong in the particulars - in geography, meteorology, etc. Jeff overcame him every time in biology. This is what was said, but I did not care as long as it does not connect to it in some way with the man. There are a few things that does not interest me. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> three of us were lucky and we were able to join a large scientific expedition. What was needed was a doctor there, which gave Jeff an excuse to abandon just open practice. Organizers also need experience of Terry, its equipment and money. As for me, I owe to the influence of the presence there, Terry. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> terrain of our expedition were around one thousand tributaries, and the huge mouth of the great river. Participants of the expedition were asked to create a map, refer to the dialects of the natives, and explore all kinds of strange fauna and flora, which was expected to see there. The story I tell, but will not devoted to this trip. This entry was nothing more than just a sort of starting point for a story about us. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> One immediately aroused my interest in the conversation of our guides. Quickly learn the languages, they are easily assimilated and many I know quite well. Also we had a really good interpreter, through which I met a lot of myths, legends and folk scattered local tribes. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Wdzieraliśmy farther and farther up the stream, in a dark maze of rivers, lakes, swamps and mighty forests, with here and unexpected failures of mountainous terrain, which could be seen behind the high peaks. I noticed then that says more and more natives a strange and terrible land of women held high in the mountains somewhere. "Down", "out there", "higher" - they could not precisely identify the direction in which one would go to find it. Their legends in the main point, however, were consistent: there was somewhere in a strange land, where there were no men - lived there only women and girls. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> None of the natives never seen before. In their view, taking such an attempt would be dangerous, even deadly for the daredevil. But there were stories from many years ago that a few brave researchers reached this place. They saw a big country, big houses and many people - only women. <br /> - Does nobody has ever tried to get there? <br /> - Many have tried. But no one ever came back. <br /> It was not a place for men - the natives were unsure. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> boys told the story. They laughed at her, I </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> - obviously </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> well. I was convinced stories that the natives are just a product of their imagination. But when the expedition reached the farthest point and was only a day to return to the house - and he comes at a time and during the best trip - the three of us made some discoveries. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> main camp was located on land near the river or the mainstream of what we thought was the mainstream. For several weeks, ever seen the same muddy color, we felt the same taste. As it happened, I started a conversation on this river with one of our guides, or you prefer a man whom you identify the most important in their group. He was restless, bright eyes. He told me that and then there is another river. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - When a short river, sweet water, red and blue. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> that intrigued me. I wanted to know what I mean by that, so I showed him the red and blue pencil, which I had with me, and asked for it again. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> - Yes. - A guide turned toward the river, and then southwest. - River, a good water: red and blue. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Terry was close by and interested in showing it on the river man. <br /> - What does he say, Van? <br /> I told him. Terry burned with sudden curiosity. <br /> - Ask him how far away it is. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> </span> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> with </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> apytany man found that a relatively small distance. In my opinion it was a place, which is about two, maybe three hours away. <br /> - Let's go! - Terry cried. - Only three of us. Maybe we can really find something. Maybe there cinnabar ... <br /> - maybe indigo - Jeff suggested that with his quiet smile. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> It was still quite early, only had breakfast. We gave the word, we'll be back before nightfall, and we'll keep quiet. We did not want to be considered naive, if we would have failed, so we left only with the secret hope that we can hit some nice little discovery. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> It was a long two hours, and even almost three. I suppose that only a native could go this route sooner. Struggled through the dense tangle of trees, rivers, swampy paths - certainly none of us </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> never </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> that way should not wander alone. But there was, however, a road and I saw Terry, with compass and notebook, determine the directions and trying to highlight some points of interest. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> After some time we got to something like a marshy lake. It was very large, so that the surrounding forest looked quite low and relatively small. Our guide told us that boats </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> here </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> may indeed reach out to our camp, but "it's a long way - all day." </span> </span> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> water from the lake was a bit brighter than those in the river, although we could not judge it well, being away from our campsite. We walked for another half hour or more, and The farther we were, the ground became firmer. We turned at the end of a wooded hill, and then appeared before us a completely different landscape: we saw mountain, steep and bare. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> quickly left and went around the lake toward the rocks. We heard running water, even before it arrived. Finally, our guide proudly pointed to his river. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> </span> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> was short. We could see them falling into the water from flowing waterfall in a narrow vertical from the hole in front of the cliff. The water was sweet. Man drank eagerly, and so we just did. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - This is the snow water - said Terry. - Must come from the same mountains. <br /> </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> River, however, was to be red and blue, and this was after all a greenish tint. It seemed, however, that the guide is hardly surprising. He showed us a small reservoir on the sidelines, on whose shores were visible traces of red and blue. Terry took out his magnifying glass and went downstairs to investigate. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - A chemical compound ... I can not specify here. According to me it looks like the colors. Look closer - encouraged - it is here somewhere dropped. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Przemieszczaliśmy cautiously along the steep banks of this small basin, in which pieniły up and rustled the water falling from the top. We searched for a mysterious land border here, and we found only traces of color from outside our interest. While, however, also something else - Jeff picked up quite suddenly, an unexpected trophy. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> It was just a rag: a long, tangled piece of cloth. But it was a fragment of an expensive fabric, with a pattern of bright scarlet color, which - interestingly - not faded into the water. We did not hear that some indigenous tribe performed such fabrics. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> Guide <br /> standing quietly at the shore, but I enjoyed it to our excitement. <br /> - One day: blue, one day </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;">: </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> red, one day </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> : </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> green - he told us of his pocket and pulled out another piece of bright colored </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> fabric </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;">. <br /> - This is from the top - he said, pointing to the waterfall. - Land of women. There! </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> We are very intrigued. We rested a bit, ate dinner and we asked our guide, to give us additional information. He could tell us only what they told the others: in the land of women, there were no men. There have been children, but only girls. For men it was a place very dangerous. Many of them went to see this land - none of them returned. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> I saw Terry clenches his teeth. The place is not for men? Dangerous? It looked as though he intended to have here in this place to begin to climb up the waterfall. A guide did not want to hear about it, even if there were a way to climb the steep cliff and return to camp before nightfall. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - perhaps the expedition could have been here longer, if you tell them everything? - I wondered out loud. Terry stopped suddenly. <br /> - Think about it, boys - he said. - This is our discovery. You can not just like that to talk about this issue that zadufanym old professors. Let's go home with them, as it was established, and then go back - no longer alone. Let's take your own little trip. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> looked at him surprised, we were impressed. The thought of a few intrepid young people departing in search of undiscovered lands in the heart of the Amazonian nature was irresistibly attractive. Of course, none of us believed in this story, but anyway! </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - Such fabrics certainly did not create any of the local tribes - I found studying with great diligence material. - Somewhere up there someone uprządł thread, woven fabric, and tinged it exactly how we do it. <br /> - This would mean, Van, that there is some advanced civilization. It is impossible that there was such a place, and we do about it we do not know. <br /> - Okay, I admit it: I do not know. But as the name of this old country somewhere in the Pyrenees - Andorra? Very few people know anything about her - she's well looked after his affairs for a thousand years. And Montenegro - wonderful little small state! And here, in these large areas and can accommodate a dozen such Montenegro. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> talked about this extensively on the way back to camp. We talked about it carefully and during the voyage home. We talked about this and then only among themselves, and Terry did some its preliminary findings. <br /> </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> It was a pressing issue. Fortunately, Terry had enough money - otherwise zbieralibyśmy funds and for a year to start anything, and then our trip would be a good medium for the press and entertainment for the readers. TO Nicholson, however, easily made his big boat, loaded on board the specially made for us a large motor boat, and on it zakamuflował his biplane, not anyone paying much attention. <br /> </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> We got all the necessary permits, think about the various security, as well as to prepare all such supplies. Terry's experience from previous expeditions very imparted. Requisites for our little trip was properly completed. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> We were going to leave the boat in a safe harbor and sail boat up the river of infinite only with the guide who took us to leave when we reach the last stop of our previous expedition. Then we will have ourselves a bright stream of the river to search. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> wanted to leave the boat anchor in the shallows lake, which we found previously. Speedboat cover specially designed armor: he was thin, but strong, and surrounded her like a clamshell. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - count no natives will not be able to get the boat here. No one can damage or even move - Terry explained proudly. - Will leave it there and will be treated as our base. <br /> - If we go back ... - I joked. <br /> - Are you afraid that women will want to eat you? - Sneered Terry. <br /> - We are not sure of anything in connection with these women, you know it - said Jeff. - There is a possibility that there is a whole army of gentlemen with poisoned arrows or something in that style. <br /> - You do not need to go there if you do not want - Terry said dryly. <br /> - Do not go? Unless you need to have a court order to stop me! - Yes, Jeff and I were not sure. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Throughout a long way, however, our opinions are completely different. Cruising on the ocean is the perfect time for discussion. Now, no one listened, we could relax on our deck chairs and chat, talk and talk. There was nothing else to do. The total ignorance of the subject under discussion, paradoxically, meant that our conversations were the more fierce. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - We need to leave the papers with our consul where the yacht will dock. - Planned to Terry. - If you do not come back, so let's say a month, will be able to send a team to rescue us. <br /> - I think a team of criminal law - stated - If the honorable ladies we eat you will need to claim justice! <br /> - Finding our last place of residence should be pretty easy. I did sort of a plan of this lake, the surrounding rocks and waterfalls. <br /> - Well, yes, but how do they get there? - Jeff asked. <br /> - Just like us, of course. If three valuable American citizens lost, somehow I get there. Not to mention the additional spots in the feminine form of land, which we call ... Feminizja - finished. <br /> - That's right, Terry. When you get out of this story to light, the river zaroi from the expedition. Airships will resemble a swarm of mosquitoes. - I laughed at the thought. - We made a big mistake by not informing Mr. tabloids about the case. "Save us." What would have been the headlines ... <br /> - Just ... - said Terry with menacing mien. - This is our journey. We want to find this place in peace. <br /> - What you want to do once you find something? Unless of course you find something? - Jeff asked. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Jeff was a sensitive soul. I suppose he thought, that this region - if it really existed - a place only blooming roses, babies, canaries and such nice things. Terry while in the depths of his heart had a vision of some kind of holiday resort: only girls, girls, and girls, and he among them. Terry was very popular among women, even when they were around other men, so I am not surprised that he had such pleasant dreams about what awaits us at the destination. I saw it in his eyes as he lay looking at the blue waves glide stroking his impressive mustache. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> But I was confident I can play a much more reliable vision of a mysterious land, which was before us, than any of them. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - You are wrong, boys - he argued. - If this place actually exists, and it seems that we have some reason to believe so, I expect to be there the community, built on a matriarchal, that's all. Men likely to live alone, are less socially evolved than men and make them the only annual visits: it is probably some kind of wedding arrangements. Such visits are a necessary condition - it's about biological survival. Women probably live in some isolated valley or on the plateau, so that their original habits have survived. That's it! <br /> - Well, well, what about young boys? - Jeff asked. <br /> - Men take them to him as soon as the end of five or six years, for sure. <br /> - And what, then, with this theory about the threat to men, to which all our guides were so confident? - Interested in Terry. <br /> - Dangers certainly enough for us. We must be very careful. Women at this stage of development can be very aggressive, and </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> off-season </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> probably not too pleased to welcome male guests. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> We talked and talked, until finally I had the feeling that with all my sociological mądrościami I was not closer to the truth than any of them. These detailed descriptions of the land of the women were very funny in light of how little knew. But it was hard to tell your friends - even to each individual - that a matter of fact they are just idle discussion. We were absorbed in idle, so We were telling visions: the case during the ocean voyage, and later in the course of a river trip. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - It's beginning to learn something incredible - we began solemnly, after a while to restart our imagination. <br /> - They will fight among themselves - said Terry. - Women are always fighting. It makes no sense to look there any order or organization. <br /> - You are mistaken - Jeff protested. - It will be like a monastery under the authority of the Abbess: peaceful, harmonious sisterhood. <br /> snickered. <br /> - Nuns, really! Your silent sisters live in celibacy, Jeff, and vows of obedience. Here are ordinary women, too, and his mother. And where there is motherhood, you will not find too many sisterhood. <br /> - Of course not. It will be a total mess - Terry agreed. - It makes no sense to look for and any inventions whether the evidence of progress. Everything there will surely be completely primitive. <br /> - How can we wyjaśnicie issues this fabric? - Jeff asked. <br /> - Yes, clothes, dresses ... These women live in the state after her maiden </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> ... </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> But soon cease, I assure you. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> joke from the very modest expression of Terry himself, but he did not give a baffle. <br /> - You'll see - convinced - I played with jedymi against one another. Quickly choose my king! Solomon will be with me, nobody. <br /> - How do they explain where we came from and what matters? - I asked. - We say that we are wezyrami or something like that? <br /> - There is no need - he said. - You can start a revolution. But then you have to prepare for the beheading, hanging, or other such type of enforcement. <br /> - You would have to make the revolution yourself, remember - Jeff smiled. - We do not have strong or Mamluk slaves. And the three of us would only be two or even one, because I do not know what </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> Van </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> think about it. <br /> </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> It happened that Jeff and Terry's ideas were so far apart that I did everything I could, just to avoid a quarrel. Jeff idealized women in the best Southern style. He was full of chivalry, sentimentality, etc. It was a really good boy, he lived like that with those ideals. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> can say that Terry and his veins, though I do not know whether his views on women can be called such a lovely word, like "ideals." I always liked Terry. He had a lot of typical male characteristics: he was generous, brave and wise, but still do not think we were in college, especially during happier if Terry met with the sister of one of us. We did not have some radical views about the heavens, no! But Terry and that was on their border. Then we came to the conclusion that it was his business: human life belongs to him. There is therefore no longer asking any questions. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> but not counting probable exceptions in the form of potential mothers, wives or women close to one of your friends, Terry beautiful women treated purely as a game, and this average does not devote even a moment of attention. Sometimes I felt really uncomfortable when you realized that Terry had views. But I tried to show him patience, Jeff, moreover, too. Jeff made pink aureolki on his vision of a woman. I stuck to the ground and in a very scientific, of course, I felt I learn about the physiological limitations of gender. In fact, we were not specifically advanced in the woman question, none of us. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> So we joked, we talked and imagined purpose of the expedition, and finally - after a seemingly endless journey - we arrived at our previous place of camping. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Finding the river did not cause us difficulties. We sailed along it to the place from which we set out previously. Żeglowało us easily as we sailed on the lake. When we got to the end and moored the boat on the high-gloss shallow, and the high gray promontory was so close to us that his simple white edge was clearly visible, it started to be really exciting. A little talked about how to move. We tried to avoid the rocky road through the wall, looking for possible routes on foot, but moving through swampy jungle, so the method was not only difficult but also dangerous. Terry </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> definitely </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> dismissed this possibility. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - Nonsense, fellows! Previously, we made some decisions yet. Walking trip could take months, and we are not prepared. No, gentlemen, we have to try and take advantage of our opportunity. If we go back safely - great. If not, we will not be missing the first explorers. Many will come after us. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> We thus take advantage of the great biplane. Loaded it with our instruments for scientific research: of course we had a camera, sunglasses, and food supplies. Our pockets were smaller stores products of first necessity. We also had a gun, of course, you never know what can happen. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Szybowaliśmy and szybowaliśmy, until finally we could see the mountain terrain and take notes. In addition to the dark green sea of \u200b\u200bdense forest was visible high steep mountains. This view was on our sides. Areas until the distant white peaks that probably were completely unavailable, </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> covered forests </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;">. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - Let's first trip only to identify the area - suggested. - Let's explore this land and przylećmy more gasoline. With your unmatched speed will be able to safely reach the target and return. We'll be able to prepare some kind of map and leave it on board in case you really needed was some kind of a rescue expedition. <br /> - That's right, you're right - agreed Terry. - I think I can move one day at his coronation in Ladylandzie. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> prepared a long trip. We left at the bottom of the headland, which was close to our boat, and flew, as fast as he could, toward the high mountains. We were going to come back by moonlight in our lake. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - That would be a pretty good little kingdom - we agreed to when you plan and produced a measured area. We knew the size of the area only through the identity of our speed. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> - Only very enterprising native could get there - said Jeff. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Of course, I looked eagerly to the ground, but we were too high and flew too fast for me to much to see. The area seemed to be well wooded on the edge, but inside there were wide plains, meadows and other open spaces. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> were also of the city. With high it looked pretty good - like any other country, civilized country, of course. We went to bed late, we went for a long time Indeed in the air. The next day we left early. Again, a highly unieśliśmy happy we saw the trees and extensive green space. </span> </span> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> - Average tropikalnie. Superb atmosphere. It's amazing what a small amount does the temperature - Terry led the research forest growth. <br /> - A small amount! You call this small? - I asked. Our instruments measured everything correctly. We did not realize you can make a long step toward the top flight. <br /> - I think it's a great piece of decent ground - said Terry. - And now, folks, enjoying the view. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Yes sunęliśmy low in the air, a little one way, some another, dividing the land in his head to pieces and examining them. We saw - I do not remember now how much of that we saw and how many have supplemented </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> later </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> with knowledge, but we were so excited watching all of this fascination that we do not need to be completed - the earth in perfect condition , where not only growing, but even the forests looked as if someone is not to care. Land the impression of a huge park, or even more: a large, neat garden. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - I do not see any animals - I noticed, but Terry was silent. We were approaching the village. </span> </span> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> I must admit that after a while we stopped to pay attention to clean, well-built roads, an attractive architecture for the town. We had a pair of spectacles, too, and Terry, who piloted a biplane in front of pince-nez. Roar of our engine </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> soon heard living in </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;">. They went out of their homes, gathered in the fields: we have seen little running figures, which have begun to create quite a collection. They look at us, while we looked at them. We looked and looked, very nearly, that it turned out that it is too late to grab the handle and fly away. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - Oh! - Terry whispered after a good time. <br /> - There are only women and children! - Jeff shouted excited. - But it looks as if there was any civilization? Why? In that case, there must be men after all! <br /> - of course they are - said Terry. - Let's go there Let's find out. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> Terry did not want to listen to Jeff's suggestion that it would be more accurately assess the situation before it ventures out of the plane. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - One is a place well suited to landing - he argued. In fact, our airport was perfect: a wide, flat piece of rock, with good overlooking the lake, completely invisible from the outside. <br /> - they will not find it soon - Terry said, trying with great care to land safely. - Come on, boys, there was actually some pretty girls. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> course, this finding was not too clever. You will notice that our wonderful plan to examine more before leaving the land of our biplane burned in the pan. We were, however, three young men. We talked about this country for over a year, believing that such a place exists, and now we in it. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> seemed that we are in a safe and civilized, and that among those facing upwards </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;">, some frightened, </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> face was bought quite a number of pretty face, it was enough for us to everyone agreed. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> - Come on! - Terry yelled, speeding. - Oh, come quick! Herland before us! </span> </span> </div> <br /> <div align="justify"> <br /> </div> <div align="justify"> <div align="right"> <div style="text-align: left;"> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> author <i> Herland </i> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> (1915) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;">: </span> </span> </div> <div style="text-align: left;"> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <b> Charlotte Perkins Gilman </b> </span> </span> </div> <div style="text-align: left;"> </div> <div style="text-align: left;"> <br /> </div> <div style="text-align: left;"> <span style="font-size: x-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> translation of the chapter (marnawe notch, but the other is missing): udobrzanska </span> </span> </div> <div style="text-align: left;"> <span style="font-size: x-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> all in PDF in </span> </span> <span style="font-size: x-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> English </span> <span style="font-family: "Arial","Helvetica",sans-serif;"> - </span> <span style="font-family: "Arial","Helvetica",sans-serif;"> <a href="http://www.feedbooks.com/book/3610.pdf"> <span style="color: #3d85c6;"> Feedbooks.com </span> </a> </span> </span> </div> <br /> <b> <span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"> Other texts: </span> </b> <span style="font-family: "Arial","Helvetica",sans-serif;"> <span style="color: white;"> <span style="font-size: small;"> <b> <br /> </b> </span> </span> </span> <br /> <span style="font-family: "Arial","Helvetica",sans-serif;"> <span style="font-size: small;"> <b> <a href="http://odystopiach.blogspot.com/2010/12/kobieta-w-swiecie-gileadu.html"> <span style="color: #f1c232;"> woman in the world of Gilead </span> </a> </b> </span> </span> <br /> <span style="font-family: "Arial","Helvetica",sans-serif;"> <span style="font-size: small;"> <b> <a href="http://odystopiach.blogspot.com/2010/12/kobiety-w-powiesciach-witkacego_18.html"> <span style="color: #f1c232;"> Women in the novels Witkacy </span> </a> </b> </span> </span> <span style="font-size: xx-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <br /> </span> </span> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-4152128874268541857?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-25340783612325211532011-03-28T08:10:00.000-07:002011-06-19T08:13:43.059-07:00Dermatologist Recommended Foundation And Powder<strong> Memory of Earth. The road to utopia </strong><br /><br /> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsO9mK2jvURG1HYVTg5VRcTab23jLu8o4HO8T9IXTnZd0FsLTAh2yYIDCqpfTkZ7GkDetN7UUtV_5ia_WJYvw6I74qxpYuUH3hOcdVC4w69qnu64KGf_FGFcVmJ04o352SaFE4Pzia7oM/s1600/1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsO9mK2jvURG1HYVTg5VRcTab23jLu8o4HO8T9IXTnZd0FsLTAh2yYIDCqpfTkZ7GkDetN7UUtV_5ia_WJYvw6I74qxpYuUH3hOcdVC4w69qnu64KGf_FGFcVmJ04o352SaFE4Pzia7oM/s1600/1.jpg" /> </a> </div> <span style="font-size: small;"> When a man by the end destroys the home planet, perhaps somewhere he is able to create new and better world. A world where people will overcome the space in a few hours in order to throw off a bomb that kills thousands other people. A world where technological advances will serve the development of culture and art, not including branches of science, the effects of which can be used to inflict death. Perhaps he will be able to create a world in which physical strength of men will not serve the cause of social domination. Perhaps he can even create your own god, who will guard the frontiers of human knowledge, never in human history did not repeat the story of total destruction. </span> <br /> <br /> <span style="font-size: small;"> But even such people actually furnished anything will be different from their ancestors who had the opportunity to call yet </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> Earthlings? </span> <br /> <br /> <span style="font-size: small;"> <a name='more'> </a> </span> <br /> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <span style="font-size: small;"> Like Orson Scott Card. A bit of tale (usually), some things to think about, and very skillfully conducted and interesting narration of the story is definitely a good combination. In this respect, Card is a brand, there are no disappointments. In Memory of Earth <i> </i>, which is the first volume are </span> <span style="font-size: small;"> Agi Back home, the world is made of Harmony, in which 40 million years since they live people after they destroyed and left the Earth. To prevent a repetition of the tragedy, the first refugees have created a giant computer, which was to store the achievements of their mind, and so direct their thoughts to move all those dangerously close kierowałyby toward inventions related to the work of destruction. This computer - Oversoul (originally <i> Oversoul </i>) - was designed for 20 million years. After this time, humanity is on schedule with the help of Oversoul had better return, transformed to its home planet. It took, however, twice as much time, and people do not become to others. </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <span style="font-size: small;"> Harmony depicted in the novel Carda, in some sense realized utopia. People live according to the immutable rules, which have conditioned the public peace and stability. Leaving the city or returning to it is recorded through biometrics. On the Harmony of there marriage, couples sign contracts to be temporary, but can easily be extended. Women and men do not keep the household together, live apart. Boys of a certain age living in his mother's home, where he charge science, and then move to her father. When you grow up, parents are </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> them "aunty", ie trained prostitute who brings them into the secrets of sensual delights. P </span> <span style="font-size: small;"> about the city or in its vicinity </span> <span style="font-size: small;"> wander </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> naked women, facing the religious vision dzikuski, known as sacred, that may lawfully be sexually abused, and simply raped. Traditionally </span> <span style="font-size: small;"> relations between residents and residents of depends on their social status, but primarily on gender. </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <span style="font-size: small;"> At Harmony we look from the perspective of a teenage Nafaia to be wybrankiem Oversoul. Gradually we learn the reality in which the boy lives. Harmony is a world run by women. A man who has not signed a contract with a suitably important citizen or who is the son of major-in women, little can be achieved: not even the right to purchase the property. It is fair sex </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> but have a decisive voice in the matter of the contract. This particular item </span> <span style="font-size: small;"> </span> <span style="font-size: small;"> women in the society described is related to the dominant religion in Harmony: generally only one - by taking part in the ritual bath in the holy lake come into regular contact with the deity - Oversoul. Oversoul however, become increasingly weaker, and therefore weaken the principle upon which the social structure in the city. May soon start a new massacre, re-quest for annihilation. Harmony Residents sometimes wonder about the existence of his deity, but even if you doubt concerning, it is not accepted to speak out. The cult of men and women differ, although both sexes believe in the Oversoul. Interestingly, as men and women give the impression that they are not aware that it is a product of a mind of their ancestors. </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <span style="font-size: small;"> world depicted in <i> Memorial </i> Earth is an interesting combination of many typical fantasy elements, including utopian themes, travel, star, and the theme of taking control of body and mind by another, higher being. How do u Card, one needs to ask when reading a few questions. Is the government putting anything on them may actually contribute to jakiekokolwiek good, or maybe when the game comes a choice: kill the body, usually to save, just about alleged welfare? If this man created a god, not necessarily in his own image and likeness and </span> <span style="font-size: small;"> although that it not be named, </span> <span style="font-size: small;"> why allow this, that the god so easy to take over control of it? </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <span style="font-size: small;"> And so I passed by the thought that maybe this computer depicted in the novel quasi-god of Harmony is only a tool of god correct? Because maybe it is It is a mythical guardian of the Earth, waiting patiently for the prodigal humanity in paradise from which man emerged at the beginning? </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <span style="font-size: small;"> decent piece of prose. I recommend. </span> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> </div> <div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"> <br /> <br /> <span style="font-size: x-small;"> Author: Orson Scott Card </span> <br /> <span style="font-size: x-small;"> Title: Memory of Earth </span> <br /> <span style="font-size: x-small;"> ISBN: 978-83-7648-538-6 </span> <br /> <span style="font-size: x-small;"> Original title: The Memory of Earth </span> <br /> <span style="font-size: x-small;"> Publisher: Zebra i S-ka </span> <br /> <br /> <div align="right"> <span style="font-size: small;"> <strong> Other texts: </strong> </span> </div> <div align="right"> <span style="font-size: small;"> <strong> <a href="http://odystopiach.blogspot.com/2011/03/swiat-maego-brata.html"> <span style="color: #f1c232;"> World of Little Brother </span> </a> </strong> </span> </div> <div align="right"> <span style="font-size: small;"> <strong> <a href="http://odystopiach.blogspot.com/2011/02/nieznosna-lekkosc-wiecznosci.html"> <span style="color: #f1c232;"> Unbearable Lightness of Eternity </span> </a> </strong> </span> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-5798254627489807900?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-56136848614642431362011-03-25T01:12:00.000-07:002011-06-19T08:13:42.871-07:00Best Amp Kit For Bazooka<strong>Card menu. </strong><br /><br /><div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEideBFsdr1Xr74hIfoWsh0nMyRmKK7CUnKtt1yVe0cM2-VPPOmXJ3IpyAEHmZf7lr5cxV1-8Cq0Ieyentw79AgXYzoUYmOjwAd39e7nfWcSB66ch5-VdP3fgyCP5bZqC2M8EFI4LBOb2ZA6/s1600/karta+menu+melisaSTR1+copyINTER.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEideBFsdr1Xr74hIfoWsh0nMyRmKK7CUnKtt1yVe0cM2-VPPOmXJ3IpyAEHmZf7lr5cxV1-8Cq0Ieyentw79AgXYzoUYmOjwAd39e7nfWcSB66ch5-VdP3fgyCP5bZqC2M8EFI4LBOb2ZA6/s320/karta+menu+melisaSTR1+copyINTER.JPG" width="226" /> </a> </div> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnNJ3-pMRjpGX6SaqQFZeM5T2cZpx1hzaJREB6Lhr5hT_iB_EcCSh-7FUjm-VJGxECiIy0jbTb9LQV_oPGNi6LcdF8WKV25z7TJ_9vQfMl6-qkwa4Il4vL0H26-HL7a_MlRTM4GXwbifxq/s1600/MENU+MELISA+STR2+copyINTER.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnNJ3-pMRjpGX6SaqQFZeM5T2cZpx1hzaJREB6Lhr5hT_iB_EcCSh-7FUjm-VJGxECiIy0jbTb9LQV_oPGNi6LcdF8WKV25z7TJ_9vQfMl6-qkwa4Il4vL0H26-HL7a_MlRTM4GXwbifxq/s320/MENU+MELISA+STR2+copyINTER.JPG" width="226" /> </a> </div> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN_jPl8rMvxdjsVoNy6yWk_UgO3kdrnEUhW-IKs3NhaWBOQmwWbDi-9MPhJUErW8miDbD52byb0K-jNLU_pA-LPqf8xenzRIh5Khp0AMSm2MHika6awxKmnDrA52IDwcjrYi8FbgTsjaQT/s1600/MENU+MELISA+STR3+PIWO+copyINTER.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN_jPl8rMvxdjsVoNy6yWk_UgO3kdrnEUhW-IKs3NhaWBOQmwWbDi-9MPhJUErW8miDbD52byb0K-jNLU_pA-LPqf8xenzRIh5Khp0AMSm2MHika6awxKmnDrA52IDwcjrYi8FbgTsjaQT/s320/MENU+MELISA+STR3+PIWO+copyINTER.JPG" width="226" /> </a> </div> <br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHt7RjkF3fb5Eu7XS-ePDOG5KSVeBtPnzE5guvudQLIapO9p08ciHBC2B_Wj4wTtcmwV8evDXHuy0sD9hum4UPqzIh5oTQ03BqD5F1qw9JdghtwpMW-x7iMCoP701wPKQRg9rlV87WviJK/s1600/MENU+MELISA+STR4+driny+copyINTER.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHt7RjkF3fb5Eu7XS-ePDOG5KSVeBtPnzE5guvudQLIapO9p08ciHBC2B_Wj4wTtcmwV8evDXHuy0sD9hum4UPqzIh5oTQ03BqD5F1qw9JdghtwpMW-x7iMCoP701wPKQRg9rlV87WviJK/s320/MENU+MELISA+STR4+driny+copyINTER.JPG" width="226" /> </a> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgskB1WV8pJAAdISclJQ9TSmxDz3DAjAzVw_LFTq_BQ21ExHREFQgyKqrXo5nKJ3W9doINubnKUIFR7pUwClc_m4e6BZUamUNLTTQ3xX_dGA7NUBX3N-gRjYITRP5lM6LS1IFzA-l0_NRQj/s1600/karta+menu+melisaSTR1+copyINTER.JPG" imageanchor="1" style="margin-left: 1em; 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margin-right: 1em;"> <br /> </a> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2792493157672662241-2213218884224630979?l=kawiarniamelisa.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-72418827514185944522011-03-14T14:00:00.000-07:002011-06-19T08:13:43.072-07:00How To Make A Bouncer<strong> Meeting Incentives Panoptikum "dys (u) </strong><br /><br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7gdddgHoAYAeAmSdieNdHQ3LVcqPJc8v3Y9QX3KEmdbOewuelqilfJsKLm-hrI9tNLKrM_eeZiQMdyr47IAoavHafZOHdfY-s1e5_kfQycrw58S89Syji7KEYUViTsStqUTxkKvNiGS4/s1600/okladka+PANOPTIKUM.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7gdddgHoAYAeAmSdieNdHQ3LVcqPJc8v3Y9QX3KEmdbOewuelqilfJsKLm-hrI9tNLKrM_eeZiQMdyr47IAoavHafZOHdfY-s1e5_kfQycrw58S89Syji7KEYUViTsStqUTxkKvNiGS4/s1600/okladka+PANOPTIKUM.jpg" /> </a> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> March 17, 2011 (Thursday) </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> the chair. 15:30 </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> held a promotional meeting the latest issue of the journal Panoptikum. This time has been devoted to dystopia. Promotional meetings combined with a panel discussion involving a number of authors. It will take an important </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> hives <span style="font-size: small;"> 1.43 </span> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Faculty of Philology, University of Gdansk (St Veit Stoss 55 in Gdansk). The meeting will be: mgr Grażyna Świętochowska (Chief Editor), Dr. Monika Bokiniec (scientific editor). The guests are: prof. dr hab. George Szyłak (UG), Dr. Chris Kornacki (UG), Dr. James Sebastian Konefał (UG), Dr. Paul Sitkiewicz (UG), Chris Lipowski (writer). </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Admission is free. <a name='more'> </a> </span> </span> <br /> <br /> </div> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <br /> </span> </span> <br /> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <br /> "Panoptikum" is a young nation-wide audio-visual magazine for enthusiasts and talented film and art critics who are looking for an area of \u200b\u200bpublishing. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <br /> starting point for the new issue of "Panoptikum" The concept was not a utopia, but in the face of the proliferation of kin: dystopia, atopy, or heterotopia ekotopii project seems logical presentation of the topography, the implications of the process of language shift, statements, counter-proposals. Starting from the core of a "space", each of the newly neutralizes or reverses the relationship with the other, while negotiating their relationship with time and space, so that - eventually - to acquire the status of conflicting or niemiejsc. We are dealing with a break with the traditional time, opening up the layers of time, its liquidity, or accumulation. <br /> <br /> Utopia has always flourished in times of great crises, violent social, political and cultural. Coincidence that the greatest flowering of utopia as a literary form for the period of the Renaissance, when the old order no longer functioned, and the new has not yet emerged: the project required and it is the task was to meet utopia - next to the satire, by definition, most probably involved socially and politically species. The new world requires a new society, a new society - a new citizen: this is a simple way to utopia. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <br /> is no coincidence that the twentieth century dystopian realm: disillusionment with human nature, the impossibility of revolution or the monstrosity of its embodiment. Although each of utopia, from Plato onwards, wants justice, fairness, this does not necessarily mean egalitarianism, and sometimes on the contrary, can only be done at the cost of isolation and exclusion, social and geographical. In this sense, each utopia already contains a potential dystopijny. </span> </span> </div> <div align="justify"> <br /> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Bokiniec Monica, Grazyna Świętochowska </span> </span> </div> <div align="right"> <br /> </div> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="center"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> source: <a href="http://www.dkf.ug.edu.pl/dkf-ug-milosc-blondynki-archiwum-2011-spotkanie-promocyjne-panoptikum-dysutopie,178,2,249.html"> <span style="color: #3d85c6;"> Dkf.ug.edu.pl </span> </a> </span> </span> </div> <div align="center"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> text, graphics: © 2011 </span> </span> <span style="color: #3d85c6;"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <a href="http://www.panoptikum.pl/"> Panoptikum </a> </span> </span> </span> <br /> <br /> <div align="right"> <strong> <span style="color: white;"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> Other texts <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </span> </strong> </div> <div align="right"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <strong> <a href="http://odystopiach.blogspot.com/2010/12/kobiety-w-powiesciach-witkacego_18.html"> <span style="color: #f1c232;"> Women in the novels Witkacy </span> </a> </strong> </span> </span> </div> <div align="right"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <strong> <a href="http://odystopiach.blogspot.com/2011/03/pamiec-ziemi-w-drodze-ku-utopii.html"> <span style="color: #f1c232;"> Memory of Earth. The road to utopia </span> </a> </strong> </span> </span> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-984036775611593036?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-83809449438675495952011-03-09T09:17:00.000-08:002011-06-19T08:13:43.086-07:00Carl Zeiss Jenazoom Ii 28-200mm<strong> top Anime Film Review - 2 edition of World of Little Brother </strong><br /><br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTQepRjsQ3isleFhkm4yLxlEMS9r8nDnd-C49tajCtQ8CymNqB15m4Cl-BvFriNZZKJbIlUFG834jfuqCOYsdqgbY1BqsBbjuZr09RnDzOM2F3nUSiuALO77ZwTQKsuqP7RL9vEzJ8VBM/s1600/ri-anime.jpg.605x200_q90_crop_sharpen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTQepRjsQ3isleFhkm4yLxlEMS9r8nDnd-C49tajCtQ8CymNqB15m4Cl-BvFriNZZKJbIlUFG834jfuqCOYsdqgbY1BqsBbjuZr09RnDzOM2F3nUSiuALO77ZwTQKsuqP7RL9vEzJ8VBM/s1600/ri-anime.jpg.605x200_q90_crop_sharpen.jpg" /> </a> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAoaiJglzN1n1-ZnktzIvOLIo2M50Xuxdv_xCGdeu4pgP48u0m3kmyWLts4KWwbP_2ohq66BZhh46-fsC_yO4UPr5Z3sU8G1fcIeplXWAVrT0dzwAL0ZwHcZczm40PA0648tYpVAIX4no/s1600/ri-anime.jpg.605x200_q90_crop_sharpen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <br /> </a> </div> <div align="justify"> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> March 26-27, 2011 in Multikino will be the second edition of Film Review, Anime. The event is organized </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> in 8 cinemas Multikino, namely in Bydgoszcz, Gdansk, Krakow, Wroclaw (SEMI), Poznań (Stary Browar), Szczecin, Warsaw (Golden Terraces) and Lodz (Silver Screen). <a name='more'> </a> </span> </span> <br /> </div> <div align="justify"> </div> <div align="justify"> </div> <div align="justify"> </div> <div align="justify"> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <b> DAY REVIEW </b> </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <b> <br /> </b> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <b> Evangelion 1.11 </b> </i> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (2007 ) </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> dir. Hideaki Anno, Kazuya Tsurumaki </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </div> <div align="justify"> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> is a renewed version of the famous theatrical anime series Shin Seiki Evangelion <i> </i>, issued in 1995 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 1996. Writer / director Hideaki Anno and produced by Studio Gainax. This time, are produced by Studio Khara in collaboration with the Studio Gainax. The action takes place in 2015, fifteen years after the disaster known as the Second Impact, reportedly caused by the collapse of the Antarctic meteorite that led to the displacement axis of the Earth, climate change, flooding and reduce the human population by half. When humanity manages to partially repair the damage caused by the disaster, the New Tokyo-3 - military town located in the arid regions of Japan's past - attack the strange creatures called Angels. Conventional weapons, it appears to them useless. To fight in defense of the Earth was the organization NERV, who constructed a biomechanical robots Evangeliony, controlled by the designated for that child. In addition to defending against attacks by the Angels, NERV has one more task to perform, Complementation of Humanity Project, a major force vigilant on the project is a secret organization SEELE. The main character is a boy of fourteen, Shinji Ikari. After years of separation from his father is summoned to the headquarters of NERV, where he learned that to be a pilot of Evangelion. Will be ready to take on this task, which depend on the fate of the world? </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (100 min.). </span> </span> <br /> <br /> <div align="center"> <iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/Cx91Rsnt6cM?feature=player_embedded' frameborder='0'></iframe> </div> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </b> </i> <br /> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </b> </i> <br /> <br /> <br /> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> crimson pilot </span> </span> </b> </i> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (1992) </span> </span> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> </b> </i> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> dir. Hayao Miyazaki </span> </span> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> </b> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Italy, 30th year the last century. Behind the wheel of a red airplane sits a man with the head of a pig. It is famous as the skies, known as Porco Rosso or crimson pirate. Excellent remote and surrounded by a widely respected character, which are extremely effective in fighting air pirates, rabujących and compelling people for ransom. But you do not stay idle. Rent as talented pilot, Donald Curtis, an American, to liquidate the problem, which is crimson Pilot. Curtis ruthless will stop at nothing to win with our hero not only duel in the skies, but also compete for the favor of a beautiful woman. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (94 min.) </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> <b> <i> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Ghost in the Shell </span> </span> </i> </b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (1995) </span> </span> <i> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> </i> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> dir. Mamoru Oshii </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> The year is 2029. Computers changed the whole society. They are present almost everywhere. Changed the definition of the crime. It is the worst crime of hacking into the network. To prevent this set up a special unit Section 9, consisting of the cyborgs that have access to the network from anywhere on Earth. <i> Ghost in the Shell </i> talks about the search for a couple of dangerous agents of hacker hiding behind a pseudonym Lord of the puppets. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (83 min.) </span> </span> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </b> </i> <br /> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </b> </i> </div> <div class="separator" style="clear: both; text-align: center;"> </div> <div align="justify"> </div> <div align="justify"> <br /> <br /> </div> <div align="justify"> <i> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Ghost in the Shell 2: Innocence </span> </span> </b> </i> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (2004) </span> </span> <b> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> </b> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> dir. Mamoru Oshii </span> </span> </div> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> on Earth in 2032, the androids and robots exist almost on a par with men, and govern the world of large corporations, crime syndicates, and an absolute genius criminals. Batou is a cop - cyborg working for the elite section of the 9th Along with the detective Togusą begins investigating the mysterious murders that lead them to where the boundaries between man and machine no longer exist. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (100 min.) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> <br /> <br /> <b> <i> Blood the Last Vampire </i> </b> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (2000) </span> </span> <br /> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> dir. Hiroyuki Kitakubo </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Japan, the year 1966. Saya is one of the secret unit in charge of fighting demons. Is sent to American military base in Yokocie, in the guise of a student to investigate. He discovers that two people from the class are vampires in disguise, at the time have decided to try an attack on a school nurse. At the same time, colleagues Sayi the branch, there are another demon, this time pretending to be a bartender in the red light district. This leads to a spectacular battle. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (48 min.) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> <b> </b> </span> </span> </div> <div align="justify"> <br /> </div> <div align="justify"> <br /> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <b> DAY REVIEW </b> </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> <b> Ponyo <i> </i> </b> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (2008) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> dir. Hayao Miyazaki </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Wonderful, unpretentious and has the incredible magic of animation coming out from the Studio Ghibli sign a sensational master director Hayao Miyazaki (Princess Mononoke, Spirited Away: In the land of the gods, Howl's Moving Castle). The film tells the story of extraordinary adventures, and small fish Ponyo year-old boy named Sosuke, who is her best friend. It's about fulfilling dreams and observing the innermost secrets of the largest secrets. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (101 min.) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> <br /> <br /> <b> <i> Laputa - Sky Castle </i> </b> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (1986) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> dir. Hayao Miyazaki </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Pazu Life, an orphaned boy from the mining settlements, changes in a moment when his arms straight in from the sky drops a girl around your neck with a light green stone. It turns out that sheet and its mysterious necklace are the keys to find the mythical, floating somewhere among the clouds, full of secrets and treasures Laputa Castle, according to legend, once inhabited by a highly developed civilization. Sheet must flee before the army and the air pirates, who at any price they want to find the legendary castle. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (124 min.) </span> </span> </div> <div align="justify"> <br /> </div> <div class="separator" style="clear: both; text-align: center;"> <iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/860pEuwHgCw?feature=player_embedded' frameborder='0'></iframe> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <b> </b> </i> </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <b> </b> </i> Sky Blue (2003) <br /> dir. Kim Moon Saeng </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> most expensive animated film in the history of Korean cinema. The story is set in the future. Human civilization as a result of continuous wars and environmental pollution has been destroyed. Some people managed to escape and start a new city Ecoban, which draws its power precisely from contamination. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (86 min.) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> <br /> <br /> <i> <b> Perfect Blue </b> </i> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (1998) </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> dir. Satoshi Kon </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> Mima, a famous singer decides to try out his acting capacity, as a result leave their current job. Quickly, however, it appears that the work is not an actress so that she imagined, and films in which the game are filled with sex and brutality. Torn internally Mima begins to have hallucinations and haunt her past in an imaginary person mimy singer. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> (81 min.) </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> </span> </div> <div align="justify"> <br /> </div> <div align="center"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> March 26 (Saturday) <br /> <br /> 11:00 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 12:40 <i> Evangelion: 1.11 You Are (Not) Alone </i> <br /> 12:55 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 14:30 <i> crimson pilot </i> <br /> 14 : 45 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> 16:00 Ghost in the Shell </i> <br /> 16:15 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> 17:55 Ghost in the Shell 2: Innocence </i> <br /> 18:10 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 19:00 <i> Blood the Last Vampire </i> <br /> <br /> <br /> March 27 (Sunday) <br /> <br /> 11:00 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 12:40 <i> Ponyo </i> <br /> 12:55 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 15:00 <i> Laputa - Sky Castle </i> <br /> 15:15 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 16:40 <i> Sky Blue </i> <br /> 16:55 </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> 18:15 <i> Perfect Blue </i> </span> </span> </div> <div align="justify"> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> </i> </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Tickets and passes available at the theaters organizing Review: 12 zł </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> ticket for a single session, 60 zł </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> - </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> two-day pass. </span> </span> </div> <div align="justify"> <br /> </div> <div align="justify"> <br /> </div> <div align="center"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> movie summary, poster: © 2011 Multikino </span> </span> <br /> <br /> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <strong> Other texts: </strong> </span> </span> </div> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <strong> <a href="http://odystopiach.blogspot.com/2011/03/swiat-maego-brata.html"> <span style="color: #f1c232;"> World of Little Brother </span> </a> </strong> </span> </span> </div> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <strong> <a href="http://odystopiach.blogspot.com/2010/12/wadza-ktora-patrzy-czyli-o-sposobach_8937.html"> <span style="color: #f1c232;"> Power, which looks at, or about how surveillance in antyutopiach and dystopiach </span> </a> </strong> </span> </span> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-6421765226179612137?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-40208806245638169032011-03-07T11:28:00.000-08:002011-06-19T08:13:43.102-07:00Insert Image Into Autocad 2010<strong> </strong><br /><br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgktotTMSkO5BLLWBQC1es5Ujps0xSCsDHYRnKB-lBSb3KX6wNfhUXGoMlmgI2V2Yrf8db9CB3bd_l6Q7_rilyzCGJBfQZ8bR7-1p9P81u-2clqeZdyMDtAlk3lMHK45TA0nhy8SxPIeew/s1600/MayBrat.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgktotTMSkO5BLLWBQC1es5Ujps0xSCsDHYRnKB-lBSb3KX6wNfhUXGoMlmgI2V2Yrf8db9CB3bd_l6Q7_rilyzCGJBfQZ8bR7-1p9P81u-2clqeZdyMDtAlk3lMHK45TA0nhy8SxPIeew/s320/MayBrat.jpg" width="213" /> </a> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> Little Brother Cory Doctorow </i> starts badly. The fact that a group of kids grabs the devil knows why the metro area after the terrorist attack in San Francisco and its prison by the U.S. Department of Homeland Security would not cause fear or anger at a bad legitimate power, and irritation to the workshop of the author. Definitely it was necessary to attempt to refine the initial batch of novels such details, so that the reader would clear that the nasty ultraamerykańscy DBW officers can really be convinced that a terrorist attack is the average seventeen. And yes, smells a bit cheap to me kafkowością: "if the system will draw on your feet, after you, a little." Kind of catchy, but not at all passed the test performed. Besides started my reading with the hope of an intertextual relish as batting an eye toward Orwell's also a certain level of detail: But beyond the discussion in a controlled and kept under surveillance society, and novel way of referring explicitly to <i> Year 1984 </i> nickname, which initially uses the hero (oh, he could play it differently Doctorow and leave by the end of Marcus w1n5t0nem), there was too many of the elements of the world famous Orwell novel - and certainly nothing of the rebel terror units conversion for love to Big Brother. <a name='more'> </a> </span> </span> <br /> <br /> <br /> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> not necessarily a serious objection right away, of course, although it is difficult to require that the lover has not sought dystopijnych worlds in the novel traces Orwellowskich headed this way and not otherwise. I will not however, fall into the extreme and say right away that the longer one reads, this is better. And even </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> - much better. </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Although it must be borne in mind that <i> Little Brother is </i> <i> de facto rather </i> detective story for young people, and not prophetic dystopia. I read with this approach, this book is pretty nice. It seems to me that this attitude may also be useful to others: especially those who have the twenty-fifth birthday already. <br /> <br /> The story begins at school. This institution is a pretty good symbol of a world in which the hero lives with his family and friends. Marcus School is a building guarded by cameras. Since the automatic face recognition has been recognized as unconstitutional, these cameras include gait detectors. "As far as I know, no court has yet determined whether the gait-recognition cameras are more judicious [than recognizing faces], but as long as this does not resolve, we are no flaws" - conclusion: Marcus. To get out of the building unnoticed, it must trick the ubiquitous, but they definitely dumb (Anything that </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> not written </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> on the package) device, pouring gravel to the shoes. With gravel in the shoes can not be run in a standard way. <br /> <br /> In this school, this is fiction - as well as many ordinary, non-literary, which the authorities urgently seek to achieve a miraculous act of surveillance without ever having to strain and to implement the process (never declaratively, of course) unification controlled - promotes a conformist behavior, and, unless niewychodzące never out of fashion, informing. There are websites where the friendly colleagues and casual passers-by can post photographs of truants encountered, and any action taken by pupils in the school PCs is readily monitored by teachers. Obviously, handling blockages and brings the school to remain anonymous to the god of gods, the venerable director of Benson, to rage. <br /> <br /> Cory Doctorow in a story about teenagers, where the passion and faith in freedom to manage to escape from the power of the seemingly omnipotent DBW unobtrusively presents a whole host of problems facing society today in many countries. The modern world is built in a certain sense no longer the fear of terrorism as such, but for fear of what is different and strange: no accident that the vast majority of detainees by the DBW in <i> Little Brother </i> is color. The novel forces, probably for many of us, once again, to reflect on this, as far as the desire for security may justify restricting human freedom and the seizure of the private sphere. The Little Brother <i> </i> were presented real dangers, real fears. The author vividly showed the world in which people are increasingly using technological achievements against other people in theory "for their own good. " Limiting the possibility of cash payments, monitoring the scale of the total, including tracking of individuals through their cards to the subway, the widespread acquisition of biometric data, a total lack of awareness of anonymity on the web is not just novel issues. Well a little bit more details CONCERNING these and similar problems to later INDECT not specify the-u (intelligent information system to support surveillance, search and detection for the safety of citizens in urban areas), if, and only as curiosities. Popularization of this type of information This is a great advantage of the novel, that can never be too much. And so completely on the margins of excess again that the name of the operating system invented for the Little Brother <i> </i>, ParanoidLinux, sounds przeuroczo. <br /> <br /> Despite imperfections fiction novels have mentioned, the stress and deep bow to the author deserves the ability to juggle a very slim wide range of subjects. And so: in addition to technological themes accented everywhere in <i> Little Brother </i> discussed related issues are widely understood counter-culture, such as: </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> characteristics </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> yippisów, anarchism, feminism, freeganizm. Refers to the famous year 1968, there are quotes from Allen Ginsberg, Jack Kerouac. And besides all this, nor boring, nor is poured sauce on the strength of didacticism. <br /> <br /> Apparently nothing surprising in the fact that the sensational novel for young seventeen must save the world, who knows. Unfortunately, the kid who fought in the network with the government of his empire, smacks to me a bit Card and Ender's siblings conquering power of the Internet, which is the story always makes me a bit rozczulała kind of naive - though perhaps in an era in which millions of voluntarily give up possession of the kindness of our reigning Mr. Zuckerberg (born 1984), it should not. I seriously offended some kind of simplifying the problem of polarization. We, the citizens and their government-are portrayed as totally separate worlds. Interestingly, this second world is not only omnipotent DBW, but even the director of the school. And that's a major simplification, even for the fictional reality: that the world powlekła mesh from a wide variety of tools for surveillance, people must accept it. <br /> <br /> on video surveillance in schools (these very real) agrees teachers' council. Parents did not object to the provincial school children belonged to the building for the production of relevant ID with a barcode (when adult strangers - believe me I do not want that legitymowanych - lets you Woźna). Supplemental Monitoring is becoming one of the local mayor's election promises. We are not so distant from the world of Doctorow's novels, as surely we would like. Marcus says: "Benson, along with other school administrators paranoicznymi released (...), money spent on our books for those idiotic camera." In our world, money that could be used many meaningful projects, it seems idiotic to other cameras. <br /> <br /> Proponents of government action (which it very simply for their own use may be called "camera enthusiasts") presented in the novel express such cliches starting formulaic, predictable issues, it is difficult to treat them as people who have their own views. I sincerely hope it's imperfections, however, Doctorow's writing and in creating a schematic, not a sad representation of reality. Oh, how not to treat even the protagonist's father as a dummy or a total idiot, when he says: "I do not Time to rip a lawyer and talk about the Charter of Rights. The time has come where we all need a little give, so the city could still be safe "in the context of chaotic, aimless police raids. A little scary, however, is the vision that such views, in fact, </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> may </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> dominate the mainstream. And given the lack of high-profile debate </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> beyond the third sector </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> to the issues of security and privacy, far from it can not be ruled out. <br /> <br /> And so at the end, I think the punch line of one of the last texts Zaczyńskiego Michael, my favorite columnist for Newsweek. In a short scrap headed <i> Modern teenagers </i> distances himself from the popular criticism of the position of young people and wonders what today's young have to offer people in their thirties. Do you want it to be such lifestyle of the well-known social psychologist author (sic), who lives in a "closed for three barriers to protect and porter plus neighborhood Słoneczkowa Valley" and niepytany - as if to convince himself - tells how he was there, right? Deity, which is safety, not satisfied with, apparently, partial victims. You have to sacrifice from all spheres of his life, and even that probably too few. </span> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <br /> "Christ, we really do it yourself" - writes Zaczyński. Yes, this is the core: this is not some they <i> </i> we ourselves do it yourself. Agreeing. Not being interested. Silence. The young (and less young) readers Cory Doctorow - to learn from reading anything more than a sense of danger and / or spent time today - they should have the fully aware. <br /> </span> </span> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </div> <div align="justify"> <br /> <br /> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> Quotes by: C. Doctorow, Little Brother <i> </i>, Publisher Open, 2011. <br /> original novels published online on one of the Creative Commons license to download </span> </span> <span style="color: #3d85c6;"> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> </span> </span> </span> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <a href="http://www.feedbooks.com/book/2466/little-brother"> <span style="color: #3d85c6;"> here </span> </a> </span> </span> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;">. <br /> M. Zaczyński, <i> </i> Modern teenagers, in <a href="http://www.newsweek.pl/artykuly/sekcje/styl_%C5%BCycia/wspolczesne-nastolatki,72262,1"> <span style="color: #3d85c6;"> http://www.newsweek.pl/artykuly/sekcje/styl_% C5% BCycia / contemporary-teens, 72262.1 </span> </a>. </span> </span> <br /> <br /> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <br /> paperback ISBN: 978-83-7515-092-6 <br /> Year: 2011 <br /> Format: 136 x 205 mm <br /> Number of pages: 378 <br /> Publisher: Open <br /> Retail Price: 32.90 zł </span> </span> <br /> <br /> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <strong> <span style="font-size: small;"> Other texts: </span> </strong> </span> </div> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <strong> <span style="font-size: small;"> <a href="http://odystopiach.blogspot.com/2010/12/rzeczywistosc-niepewna_5211.html"> <span style="color: #f1c232;"> uncertain reality </span> </a> </span> </strong> </span> </div> <div align="right"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <strong> <span style="font-size: small;"> <a href="http://odystopiach.blogspot.com/2011/01/szczescie-w-proszku.html"> <span style="color: #f1c232;"> Happiness </span> </a> </span> </strong> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <strong> <span style="font-size: small;"> <a href="http://odystopiach.blogspot.com/2011/01/szczescie-w-proszku.html"> <span style="color: #f1c232;"> powder </span> </a> </span> </strong> </span> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-4362300026887880942?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-76032226478645417882011-03-04T01:01:00.000-08:002011-06-19T08:13:42.883-07:00Colour Ideas For Hallways<strong>-March 18 screening of another side of the city - meeting with the director. </strong><br /><br /> <div class="separator" style="clear: both; text-align: center;"> <object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/fi_gEQM97U4/0.jpg" height="266" width="320"> <param name="movie" value="http://www.youtube.com/v/fi_gEQM97U4&fs=1&source=uds" /> <param name="bgcolor" value="#FFFFFF" /> <embed width="320" height="266" src="http://www.youtube.com/v/fi_gEQM97U4&fs=1&source=uds" type="application/x-shockwave-flash"> </embed> </object> </div> <br /> <div class="MsoNormal" style="line-height: 150%;"> <br /> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <br /> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <b> <span style="font-size: 10pt; line-height: 150%;"> DOCUMENTARY FILM </span> </b> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <b> <span style="font-family: "Comic Sans MS"; font-size: 14pt; line-height: 150%;"> Another side of the city </span> </b> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <b> <span lang="EN-US" style="font-family: "Comic Sans MS"; font-size: 14pt; line-height: 150%;"> (Another Side of the City) </span> </b> <br /> <br /> <b> <span lang="EN-US" style="font-family: "Comic Sans MS"; font-size: 14pt; line-height: 150%;"> start 19:00 </span> </b> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 18pt;"> <span style="font-size: 14pt; line-height: 150%;"> Poland has always been a multicultural country. Different nations - their cultures, religions and languages \u200b\u200bin the Republic formed a colorful reality. PRL War II and largely destroyed the world. Over the years that have passed since 1989 is slowly coming back to the interesting dimensions and colors created by foreigners in our country. Show them in a selected area of \u200b\u200ba limited number of streets of Warsaw, Prague. Thanks to the people living here want to explore Europe, tolerant and open to everything around them. Established small community formed by citizens different countries. Over the years its members have become local patriots and tied to the environment prevailing in the atmosphere. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <br /> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <u> <span style="font-size: 14pt; line-height: 150%;"> PLACE OF SHARES: </span> </u> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> - Warsaw Praga North. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <br /> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <u> <span style="font-size: 14pt; line-height: 150%;"> MAIN CHARACTER: </span> </u> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Jacek Andrzejewski. Jew and a Pole in Germany at the same time. Tall and skinny as a stick is always in his immortal black fraczku. Looks like it just came out of the frame of pre-war Polish film. He is an artist. Creates images of stone, which can be found in Prague and in many cities in the world. His life's project is "Kamienikon." Once I finished school Kenar in Zakopane, where his teacher was Wladyslaw Hasior. In 1968, like many others left Poland. He spent many years in exile in Germany. Once it was possible to come back and since then his home has become a Warsaw to Prague. </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <br /> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> get to know the main character. He talks about himself, about people and places of Prague. The pretext for the display of traces are left Jack for many years in different places of the district: - figures from the stone walls of buildings, mosaics on the sidewalks and steps, stone, stained glass ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Appears Jack's wife - Natalia, who is Ukrainian with its own artistic expression. Quickly get to know her better. Adds a few words about Jack, which he could not say the same. Next to Prague, viewed by people from different worlds. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Along with the main character to reach one of the backyards on the street November 11. Some call it the Liberty down the street. You can hear the music. Man playing a strange instrument, issuing a specific sound. Accompanied by a woman. This is Natasha. It is Russian, who has for years along with Wojtek (a man with an instrument) are a musical project called "Steeldrums. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> get to know the story of Natasha. Once came from Russia to the Polish trade and has been - in love with Wojtek and his music. We show what they are doing together:-production of unique metal drums and enabling precise fine tuning to play each song. We find about this during a short trial. It's actually a band of the world open to all who have something to add (short archival material.) Sometimes it makes some people - sometimes a dozen. Conductor always </span> <span style="font-size: 14pt; line-height: 150%;"> Wojtek Sówka </span> <span style="font-size: 14pt; line-height: 150%;"> (listen to it). </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> It also tells David - a Frenchman and a little Pole. He lives in Nice, Prague, but spends several months a year, contributing to "Steeldrums. We conclude the musical "punch-line of David on drums. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Linas Learning. Linas is a Lithuanian, and in fact the Szawłów Żmudzinem. Along with the other foreigners we meet him at work in Prague with children who never go on holiday. They paint the facades of houses are no longer the site of the existing craft. On the basis of other evidence of trying to recreate life in the long-demolished buildings. Imagine how it looked once Prague. We all need to imagine anything, because they were not here. When working with children We find Caroline. I'm Italian from Rome, which has chosen liberty on the street ... </span> </div> Steel <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Linas Prague paints trees. This unique project - show how and what it means ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> David, Natasha and Wojtek Prague teach children to play on steeldrumach. Jacek teaches small stone painting - paintings created on the sidewalks and facades. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> With the help of our heroes show the realities of ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> goes through the streets of Prague on the old woman, a folding bike. We see images of the streets: Little, Konopacki, and Vilnius. Dusk. Cyclist rides away. Reaches the "Sensunonsensu" - the latest, important places of Prague. Learning cyclist: Zhanna. It is Russian - actress and singer for many years living on this side of river. Playing in the famous Polish series, but most in the theater. He regularly cooperates with Krystyna Janda and her theater Polonia ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> already dark. Future Alex - Englishwoman in London. There is currently no thirty years. Is in love with Eastern Europe. For several years, supported by Prague, which is treated as a base for trips to the East. Well speak Polish and Russian. He works for the Helsinki Foundation for Human Rights ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> concert begins with "Steeldrums. There is a lot of new characters. Dancing girl in a costume reminiscent of the Warsaw Syrena. </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Ząbkowska Street. Meet Mira - Bulgarian (twenty years). We talk with her in the "clouds of the Absurd," where a few years ago, began his life in Prague as a bartender. She came to Polish to study journalism. In the meantime, she learned to mount the TV. There is already a recognized editor. He dreams of making his own films. We're talking about young foreigners in Prague, who are her friends ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> On one of the courtyards of Prague, a small diner at a table Jacek meets Nina. Nina is an actress. Born in Volkovysk Belarus - grew up in Moscow. A little bit of Russian Białorusinka. For over ten years in Prague. This here is - as she says, her little Montmartre (and shows) - a real house full of warm people and beautiful places. Is playing small roles in Polish films and big in the theaters - only the professional requirements are forcing her to passing on the other side of river. In his spare time preparing young people for examinations in the schools theater ... </span> </div> <div class="MsoNormal" style="line-height: 150%; text-align: justify;"> <span style="font-size: 14pt; line-height: 150%;"> Zabkowska Street at dusk. Takes a small celebration in Prague. Artists from different continents and countries, among the local audience. Dancers from Brazil look grotesque here, however, quickly gaining recognition ... We look at one of the courtyards. There are a number of previously known people: "Steeldrums" game the Prague children, Andrzejewski with a new project, "the third hour free" Zhanna sings in front of her audience, etc ... </span> </div> <div class="MsoNormal" style="line-height: 150%;"> <span style="font-size: 14pt; line-height: 150%;"> Someone said in Polish: - "I'm from Prague," someone repeated in English, Russian, French ... </span> </div> <div class="MsoNormal" style="line-height: 150%;"> <span style="font-size: 14pt; line-height: 150%;"> film honored at the festival in Milan, "I've seen video festival. " Original version: Polish with English subtitles. </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Duration: 45 minutes; </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Writers: - Chris Kownas </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Director: - Chris and Greg Czerniak Kownas </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Photo: - Greg Czerniak </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Editing: - Rafael Bryll </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Music: - Thomas Glazik (band "The Cult") </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Translation into English: - Magdalena Sienkiewicz </span> </div> <div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"> <span style="font-size: 14pt; line-height: 150%;"> Production: - Ax Film & Video System </span> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2792493157672662241-3599222921711308733?l=kawiarniamelisa.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-49253717781092832622011-03-04T00:55:00.000-08:002011-06-19T08:13:42.896-07:00Nadine Jansen Decoration Day Mediafire<strong> March in melisie </strong><br /><br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6By8Z7lozOn1HR5q_pjbfm7kWSC0EsTvMlNPHteg7r8iD0pABbZYK6Vzcckvyu6NzlM29VjafeVVRpkcc39D-ZBqch0PkZkMUvS_AqCeWtmSlpexE7JS3gKZa5ethFnDoJKr_e9yIS7e1/s1600/plakat+info+melisa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6By8Z7lozOn1HR5q_pjbfm7kWSC0EsTvMlNPHteg7r8iD0pABbZYK6Vzcckvyu6NzlM29VjafeVVRpkcc39D-ZBqch0PkZkMUvS_AqCeWtmSlpexE7JS3gKZa5ethFnDoJKr_e9yIS7e1/s320/plakat+info+melisa.jpg" width="226" /> </a> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2792493157672662241-2720495944184739981?l=kawiarniamelisa.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-49835439978827251752011-03-02T11:20:00.000-08:002011-06-19T08:13:43.115-07:00Recipe For Snicker Doodle Salad<strong> Utopia / dystopia marriage of PDF-I </strong><br /><br /> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfrnhlMHxsHss4Y39ijrRdz56s40PRqnj6LZKIXfZBLYKIHRn0wriMxwOQRmLcueqLKh1hAzWmhlbiXaR1rlKnCawAMmNmK9HEdeJgYD8cNMp7LtYfC6bXYhMU9koyjhha-rfBdfZ4SYk/s1600/Looking_backward.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfrnhlMHxsHss4Y39ijrRdz56s40PRqnj6LZKIXfZBLYKIHRn0wriMxwOQRmLcueqLKh1hAzWmhlbiXaR1rlKnCawAMmNmK9HEdeJgYD8cNMp7LtYfC6bXYhMU9koyjhha-rfBdfZ4SYk/s320/Looking_backward.jpg" width="219" /> </a> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Szlajając after the network, instead of doing something useful (just nawypożyczałam whole pile of books to make up for serious deficiencies in my university-educated Polish Studies, but must probably wait until I choose somewhere in the train journey: who knows, maybe fate smiles on me, and the winds associated with the successful traction stolen, damaged the locomotive, too late - because the winter or summer because - and the compulsory stop at the train station somewhere in Wielkopolska, Malopolska and Upper and Lower Silesia, the two have time to read), I came across a really good side. In English, of course, and therefore a bit sad: too bad that there is no chance that anything like as long as found in Polish (poor <i> <a href="http://www.pbi.edu.pl/book_reader.php?p=40072&s=1"> <span style="color: #3d85c6;"> Wojciech Zdarzyńskego </span> </a> </i> MD Krajewski barely localized in the network, because the Polish Internet Library grounds inconceivable to me decided to deprive the author of two first names, leaving only the third). </span> </span> <br /> <a name='more'> </a> </div> <br /> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> page referred to, it <a href="http://www.feedbooks.com/"> <span style="color: #3d85c6;"> http://www.feedbooks.com/ </span> </a>. Its creators distribute e-books. Much of it is - what is important - for free download from the network: either the text should be in the public domain, or the content has been published under the Creative Commons license. For obvious reasons, the most interested in my category </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <span style="color: #3d85c6;"> </span> <a href="http://www.feedbooks.com/list/3"> <span style="color: #3d85c6;"> utopia / dystopia </span> </a>, </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> to which reference has already hanging on the blog and to which linkowałam on FB. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <br /> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> In the category of utopian and dystopian Fedbooks.com have been posted on the items, some of which is a classic genre, in Poland, information about them - apart from the Internet - can be obtained only in the textbooks of literature of the period, or simply in the wider literature in question. Post for me is particularly interesting that some of these books has never been translated into Polish (or was very long ago), and thus it is virtually unavailable in our libraries. Obviously does not apply to all items in this category. Some of them that's contemporary novels (which has now launched in Poland <i> Little Brother Cory Doctorow </i>) and others have for years been known to Polish readers: <i> <a href="http://www.pbi.edu.pl/book_reader.php?p=6454&s=1"> <span style="color: #3d85c6;"> Iron rate </span> </a> </i> such as Jack London is digitized in the OSP and <i> Trial by Franz Kafka </i> anyone yet needs no introduction. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <br /> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Below I put a few words on some rather major titles, </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> with whom I have a special desire to get to know. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <br /> <br /> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> </i> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <span style="font-size: small;"> <b> Looking Backward: 2000-1887 </b> </span> </i> <span style="font-size: small;"> <b> </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> - </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> Edward Bellamy (1888) </b> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <i> <span style="font-size: small;"> <b> News from Nowhere </b> </span> </i> <span style="font-size: small;"> <b> </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> - </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> William Morris (1890) </b> </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Popular utopias of the turn of the century. </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> William Morris alluded to earlier works of Edward Bellamy. </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> News </i> nowhere to be translated into Polish in 1902, so maybe there is a chance that somewhere in the translation on the website will soon have digital libraries. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <b> <br /> </b> <br /> <b> <br /> </b> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> </b> </span> </span> </div> <div align="justify" class="MsoNormal"> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"> <tbody> <tr> <td style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCgpZBdP2gGhPGvtiZS13PgiQ1PLexdRZSrOOzeC3s95FOyFIMug6HoAAse3uBdlGjfUEB946GZPI1uOLqUQYCyDapsxvepwDB-CGrm96M3_8LUy0wd0h0j2KMtFTPAOJAYIVO_W9Be_c/s1600/Charlotte_Perkins_Gilman_3.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCgpZBdP2gGhPGvtiZS13PgiQ1PLexdRZSrOOzeC3s95FOyFIMug6HoAAse3uBdlGjfUEB946GZPI1uOLqUQYCyDapsxvepwDB-CGrm96M3_8LUy0wd0h0j2KMtFTPAOJAYIVO_W9Be_c/s1600/Charlotte_Perkins_Gilman_3.jpg" /> </a> </td> </tr> <tr> <td class="tr-caption" style="text-align: center;"> <span style="font-size: xx-small;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <b> </b> Charlotte Perkins Gilman, 1895 </span> </span> </td> </tr> </tbody> </table> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> <b> Herland </b> </i> <b> </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> - </b> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <b> Charlotte Perkins Gilman (1915) </b> </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> Herand </i> is called the first utopia feminist. The author, working at the turn of the nineteenth and twentieth century Charlotte Perkins Gilman, was an American sociologist, poet and writer. Her works have great influence on the shaping of contemporary feminist thought. In doing so, raise the subject of gender roles in a patriarchal society. </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> </i> Herland is a novel about a society consisting entirely of women. In our ideal world, there is no war and domination. Women in a world without men, multiply by partenogenezie. Narrated <i> Herland </i> is a young sociology student, who with two friends out on a journey which will culminate in a woman's knowledge of the utopian land. For details, refer to the English story </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <a href="http://en.wikipedia.org/wiki/Herland_%28novel%29"> <span style="color: #3d85c6;"> Wiki </span> </a> </span> </span> <span style="color: #3d85c6;"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> or to the original. </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <br /> <br /> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <b> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> A Modern Utopia </i> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> - </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> HG Wells (1905) </span> </span> </b> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Herbert George Wells in A Modern Utopia <i> </i> as in other writings of this period presented a utopian vision of society to which the creation was to help develop civilization. A Modern Utopia <i> </i> a species intermediate between the novel (fiction) and the Treaty of philosophy. Wells in this book calls for certain social reforms, further extends the idea of \u200b\u200ba state of the world (this motif can be found later in Huxley, among others). </span> </span> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <br /> <br /> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <b> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> Metropolis </i> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> - </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Thea von Harbou (1926) </span> </span> </b> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div align="justify" class="MsoNormal"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Thea von Harbou was a German novelist, screenwriter, theater actress, a director of two films. <i> </i> Metropolis is a novel about a utopian vision, anticipation. As he tells me the French <a href="http://fr.wikipedia.org/wiki/Metropolis_%28roman%29"> <span style="color: #3d85c6;"> </span> </a> Wikipedia, the novel This had a strong influence of German Expressionism, which is evident in the creation of forms, metaphors, style. Based on the book was written for the film, directed by Fritz Lang with the same title. The film was completed in 1927 </span> </span> </div> <div align="justify" class="MsoNormal"> <br /> </div> <div align="justify" class="MsoNormal"> <br /> </div> <div class="separator" style="clear: both; text-align: center;"> <object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/rD_-flw9IcQ/0.jpg" height="266" width="320"> <param name="movie" value="http://www.youtube.com/v/rD_-flw9IcQ&fs=1&source=uds" /> <param name="bgcolor" value="#FFFFFF" /> <embed width="320" height="266" src="http://www.youtube.com/v/rD_-flw9IcQ&fs=1&source=uds" type="application/x-shockwave-flash"> </embed> </object> </div> <br /> <br /> <div class="separator" style="clear: both; text-align: center;"> </div> <br /> <div style="font-family: Arial, Helvetica, sans-serif; text-align: right;"> <span style="font-size: small;"> <b> Other texts: </b> </span> </div> <div style="font-family: Arial, Helvetica, sans-serif; text-align: right;"> <span style="font-size: small;"> <b> <a href="http://odystopiach.blogspot.com/2011/03/pamiec-ziemi-w-drodze-ku-utopii.html"> <span style="color: #f1c232;"> Memory of Earth. The road to utopia </span> </a> </b> </span> <span style="color: #f1c232;"> <span style="font-size: small;"> <b> <br /> </b> </span> </span> <span style="font-size: small;"> <b> <a href="http://odystopiach.blogspot.com/2010/12/kobieta-w-swiecie-gileadu.html"> <span style="color: #f1c232;"> woman in the world of Gilead </span> </a> </b> </span> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <b> <br /> </b> </span> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-4556508088099957809?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-65978152212831720492011-02-27T08:13:00.000-08:002011-06-19T08:13:43.127-07:00How To Make A Seadoo Faster<strong> Unbearable Lightness of Eternity </strong><br /><br /> <div style="text-align: right;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibSqJOETvJxa-97z52B4MRAgdx7LTPE2vrBjHcQZ_uvtUieMfIMKUzWY966sAbUlQ8Ib4WkVPi4rWkCGT9zny32LGhLYhM9dPsxFRl0fAkC1EJejDPUC3YDSj0S-tjT2JkCgJzbMbXl5U/s1600/KW.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibSqJOETvJxa-97z52B4MRAgdx7LTPE2vrBjHcQZ_uvtUieMfIMKUzWY966sAbUlQ8Ib4WkVPi4rWkCGT9zny32LGhLYhM9dPsxFRl0fAkC1EJejDPUC3YDSj0S-tjT2JkCgJzbMbXl5U/s1600/KW.jpg" /> </a> </div> <div align="justify"> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> characteristic of dystopia is to show the power that works for ideological reasons, and whose representatives are convinced that their actions are aimed at the introduction of universal happiness for humanity, even if it is attributed to this man's death. Humanity is not, however, the entity. These activities are addressed to all persons reporting to the authority which covers most all of a specific territory (country, isolated from the rest of the world city or the whole planet). Mechanisms of power out in antyutopiach are very close to the ways of control characteristic of modern societies. It is important for concepts such as security, territory, population, which devotes special attention to Michel Foucault. </span> </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> authority we can think of, but can reach far beyond them. The authority we can think of, nothing pulls more unfettered hands - can walk away with time and accompanying burden of being. <a name='more'> </a> </span> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> <i> </i> End of Eternity by Isaac Asimov is a novel published in 1955, its action takes place in a distinctively timeless pojmowanym </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> - </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> outside the so-called state. fizjoczasem, which is sometimes a natural: the Eternity. Asimov's Eternity in this space, but also a kind of institution in which men are present uprooted from his home time. Prospective employees of Eternity as a teenage boys have been subjected to selection. Those who were elected, they came to Eternity. Their tasks include taking action to interfere with certain segments of history. Deprived of his home, space and time, who knows, they are forced to live with the knowledge that - if they were to return to their reality - they can no longer meet the family. Not because the others died, but because the changes </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> made in earlier eras <span style="font-size: small;"> could not exist at all. Men therefore remains honorable service for Eternity. Nothing more. <br /> <br /> so-called changes </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Reality </span> </span> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> Asimov in the novel, however, are made - unlike in <i> </i> Orwell's 1984 where the Ministry of Truth, in spite of all the bureaucratic-disciplining terrifying aura consisted mainly fiction and produced a series of lies, to believe in that, although forced everyone, but that changed the only truth (sic) in zindoktrynizowanych, debilitated people's minds - the naked reality of matter. In the history of interfering in real terms, its course is changed really, so: people die who might otherwise live to old age, do not get to know people who would be able to love, children are not born that could arise. However, in this way also avoids the various wars and natural disasters. </span> </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> shown in Asimov's time is linear, the reader does not have so much difficulty with the practice of imagining this. Its horror is revealed highly suggestive. In history, where there is eternity, there is no room for indecision units: is it an observer, sociologist, calculator, statistics, or making changes Reality technology. The goals are laudable, indeed, too, to subject them into question. "What Wiecznościowcy consider what is good?" - Asks Andrew Harlan, the protagonist of the novel, his beloved Noys and responds - "I'll tell you. Peace and security. Moderation. Any excesses. Without any risk absolutely certain that everything will succeed. " Clearly, the ideals of the representatives of this system does not differ specifically from the ideals presented in other antyutopijnych realities. <br /> <br /> VC century native of Harlan is passionate about the history of the so-called. Primitive, ie the year prior to the XXIV age at which a Temporary Field was discovered. Temporary Field was basis for the creation of Eternity and to allow the associated travel time between the parts. Harlan sees a striking difference between the sometimes primitive and later eras. "From time to time was lost in a world where life was life and death, death, where people make decisions that are irrevocable (...). And then it was difficult, almost shocking return of thought to Eternity and a world in which reality is something flexible and fast disappearing, something that people like himself, may maintain in his hands and forge a better form. "</span> </span> <br /> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> omnipotence Wiecznościowców turns out to be illusory. Prior to the intrusion and interference of the weapon so effectively. Hidden Century, to which workers are not allowed in Eternity. It's there - from the outside, as always in this type of novels - will someone who will negate the benefits of the system base. This time it will be a woman whose actions will help lead to the destruction of Eternity. This time, the power of love (and somewhat underestimated, unfortunately, the power of persuasion) to win the seeming omnipotence cold, inhuman, bureaucratic mechanisms based on the order. <br /> <br /> time, which is running Harlan, is flexible. It's something you can constantly change and shape. No decision is not binding and permanent. In a sense, life becomes aware of wiecznościowców light. Any decision can be reversed, and therefore none has an absolute meaning. On the life story can be heroes in a sense, take a look through the prism of Bauman's liquid modernity Population: embarrassing their ties, weight, stability, constancy disappeared. However, it seems that only apparently. Because they received in return? Wiecznościowiec no family, is devoted to his mission and be willing to make sacrifices. "Harlan believed that Eternity is something of a monastery in primitive times." Thus, surprisingly, in a fantasy novel from the 50s about people living outside the margin of time we find a well-known blend of: classic heavy modernity and modern light and smooth, inextricably intertwined - and how he could separate them? - Embrace. </span> </span> <br /> <div style="text-align: right;"> <br /> </div> <div style="text-align: right;"> <span style="font-family: "Arial", "Helvetica", sans-serif; font-size: small;"> <b> Other texts: <br /> <a href="http://odystopiach.blogspot.com/2011/03/swiat-maego-brata.html"> <span style="color: #f1c232;"> World of Little Brother </span> </a> <br style="color: #f1c232;" /> <a href="http://www.blogger.com/goog_52447355"> <span style="color: #f1c232;"> Comedy and antyutopijny staffage </span> </a> </b> </span> <a href="http://odystopiach.blogspot.com/2011/02/komedia-i-antyutopijny-sztafaz.html"> <br /> </a> </div> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> <br /> <span style="font-family: "Arial", "Helvetica", sans-serif;"> <span style="font-size: small;"> </span> </span> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-8769298307400537763?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-90363123407663484372011-02-23T17:05:00.000-08:002011-06-19T08:13:42.907-07:00Pokemon Silver Rom Ipod<strong> no to begin .... </strong><br /><br /> <div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6mVxgBPrjRjqDLZ7YyKc9d8l-PLYMGfV1-k2w7jMhN7ebX5x_SjQc6xWmqdMyqN0nRRICzP7hp_RutZc9M9nT63wT_QF3JTVPZ6ZlV54R-ak9-P78fzoIkUAs9PnjAoogKvCxWFgmJlRJ/s1600/ulotka+plakat+melisa+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6mVxgBPrjRjqDLZ7YyKc9d8l-PLYMGfV1-k2w7jMhN7ebX5x_SjQc6xWmqdMyqN0nRRICzP7hp_RutZc9M9nT63wT_QF3JTVPZ6ZlV54R-ak9-P78fzoIkUAs9PnjAoogKvCxWFgmJlRJ/s320/ulotka+plakat+melisa+copy.jpg" width="226" /> </a> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2792493157672662241-8065441007222464869?l=kawiarniamelisa.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-86940214884511899812011-02-22T10:20:00.000-08:002011-06-19T08:13:42.919-07:00Dirt Bike Trail Cakes<strong> looking for staff! Current Exhibition </strong><br /><br /> Cafe Melisa employ 2 people for the position of bartender / waiter ka / ka. offer, please contact the e-mails melisah62@gmail.com <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2792493157672662241-2169565447109507030?l=kawiarniamelisa.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0tag:blogger.com,1999:blog-4322193896590292824.post-67547544431139510562011-02-05T07:55:00.000-08:002011-06-19T08:13:43.138-07:00About Planets In Hindi<strong> Comedy and Happiness antyutopijny staffage </strong><br /><br /> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"> <tbody> <tr> <td style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl8S3-z1xKYKt731ECE-aiprR3vtbMa230K-RAutVSeehVFGYorNTI7D9wpL8aCV30ZZRYwBjs0a4XwtP5txmyKhVERpjjoCwySq9DZhi70WWtd5BCk6UC5gRks3DYyG-ZxXCR7Sl78F8/s1600/Seksmisja1.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"> <img border="0" height="116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl8S3-z1xKYKt731ECE-aiprR3vtbMa230K-RAutVSeehVFGYorNTI7D9wpL8aCV30ZZRYwBjs0a4XwtP5txmyKhVERpjjoCwySq9DZhi70WWtd5BCk6UC5gRks3DYyG-ZxXCR7Sl78F8/s320/Seksmisja1.jpg" width="320" /> </a> </td> </tr> <tr style="font-family: Arial,Helvetica,sans-serif;"> <td class="tr-caption" style="text-align: center;"> <span style="font-size: xx-small;"> photo <a href="http://commons.wikimedia.org/wiki/User:Starscream"> Starscream </a> </span> <span style="font-size: xx-small;"> (<a href="http://creativecommons.org/licenses/by-sa/3.0/deed.pl"> CC BY-SA 3.0 </a>) </span> </td> </tr> </tbody> </table> <div style="text-align: justify;"> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> Some time ago on this blog facebookowym fanpejdżu wondering if there is something like a dystopian parody, or rather we should talk about dystopian cheerfully. "Dystopia of humor, however, is quite heretycko for obsesjonatki purity (referred to - is to be understood - the literary and film genres, I assure you that gatunkizm as such is completely alien to me) that sometimes - when I turn off the filter in the postmodern enthusiasm for all kinds of mixers - I visit, so with a heavy heart I had to depart from its original intuition, but after a time of joyful surprise hit in the head and yell for a philosopher pops up from the bath, "eureka!". <a name='more'> </a> </span> </span> <br /> <br /> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> apparently somewhat fixated on the point of the name of his two month blogging the child just now realized that after all there is absolutely no need for further theoretical hybrid, since it is close at hand like a miracle, as the satirical utopia, that is - for my favorite <i> Lexicon of Polish literature fiction </i> Smuszkiewicza men and Niewiadomski - Simple antyutopia simply. And then finally all jumped into place. </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> Probably few who / Pole-a /-ka <i> Sexmission </i> (1984 - nomen omen <i> </i>) Machulski's do not know. It entered into for good in the canon of Polish film, or what you just have to see to be able to function effectively as the native culture and / or pop culture (here, in my opinion, tend to be reasonable doubt). Remind therefore only briefly to begin in 1991, when two volunteers, Maks and Albert, he decided to be hibernating in a scientific experiment. They wake up in 2044, in a world where no men. In the meantime, nuclear war broke out, disappeared male sex, thanks partenogenezie in this world are born only to girls and women themselves last on the ground, where he created a society based on the worship of their careers. Back to reality for many years before - the only known male odhibernowanym nieszczęśnikom - not necessarily by them taken into account. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> Blade dystopia (pay attention to the Greek - anti <i> </i>) is directed against the utopia. Not necessarily against a specific cultural text, ie a novel or work of another, though they of course can happen </span> </span> <br /> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> (eg Huxley </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> made deals with rosy visions of the future based on faith in the positive effects of civilization, which presented the Herbert George Wells <i> <a href="http://www.gutenberg.org/ebooks/19229"> <span style="color: #3d85c6;"> Future Visions </span> </a> </i> of 1901 or <i> <a href="http://gutenberg.net.au/ebooks02/0200221.txt"> <span style="color: #3d85c6;"> Humans like gods </span> </a> </i> 1923). For <i> Sexmission </i>, perhaps for all, it is clear mocked the concept is to create a reality where men are excluded. Feminist Utopias is quite not uncommon literary theme. Community women breeding with partenogenezie appears even in 1915 the novel <i> <a href="http://www.feedbooks.com/book/3610/herland"> <span style="color: #3d85c6;"> </span> </a> </i> Herland by Charlotte Perkins Gilman suffragette, but rather, I do not think Machulski directly inspired this work. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <br style="font-family: Arial,Helvetica,sans-serif;" /> antyutopiach <span style="font-family: "Arial","Helvetica",sans-serif;"> In a number of problems which, in our familiar world, famous people often pose difficulty is solved by central management, appear in any traditional utopia. Therefore: the state enters the most intimate spheres of life of the individual. Procreation is controlled from above. In fact, the specific <i> Sexmission </i> problem is so simple that love actually no, there is a sexual desire. "A special pill shifted sex drive in rush to his career" - Max and Albert informs her (actually his) Excellency. The magic pill comes in many antyutopijnych but dystopijnych worlds. It seems to me that in this context can still hear the subtle reference to the social revolution and one of its main protagonists - the contraceptive pill. Seksmisyjna pill is a pill in a sense the opposite: not used for sex without consequences, but for a life without sex at all. Sexual behavior (in the obvious reasons, homosexual) show Only members of rebel groups which inhabit the mines, unsuccessfully suppressed by the faithful of Union officers. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> learn how disgusted thawing heroes, "parthenogenesis is a form of virgin birth. A mechanical egg fertilization uterus (...) another cell of the female body. " Girls are created in laboratories, to look after them suitable workers are employed. When you get older, it takes over the education system, which is - as everywhere - the effective tool of indoctrination. The girls, called Juniorkami, learn how one of the people. Familiar, and therefore this quite interesting, are the definition of the word without thinking deklamującego parthenogenesis recorded child. Demonstrating the effects of the implementation of the niemyślenia probably sounds the same everywhere. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> more efficiently for the world's major assumptions antyutopijnego staffage is determined. So here, as elsewhere, the number one is the uniformity. The representatives of certain departments of the profession have an appropriate dress. At first glance, workers can be distinguished from Genetix Archeo department. The students also look the same. In a world of career clothing is part of the identity, membership card and certificate to the system. Rebellious women of the mine to forgo this in favor of diversity, but also a lack of sterility characteristic of abandoned order. System governance is also reflected in language and communication: to mention just a formal way of welcome, the emotion and spontaneity which have nothing in common. Newspeak Seksmisyjna focus instead on this, why do you oppose, and what a good cause does not know: and therefore men. "Individuals of the second kind" and "naturalization of male" is probably the most typical examples. It is worth noting that the government understood here as the organizer of the standstill of the system determines one's life until her death. Characteristic of the dystopia is therefore appropriate to include older women tight control - for example, a total ban on cultivation of plants - combined with medical and social care in dedicated to the special areas. In <i> Sexmission </i> Branch is an old man who visited Lamia, who wants to learn something about their living archaeological exhibits. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> <i> Sexmission </i> world is a world of utopia upside down a rule, people must be happy there. And indeed, there is a conformist individuals in some way good. One of the heroines, Tekla Genetix department, said: "We live in a world of regulated and quiet, without hunger, war, venereal diseases, and other men's inventions." Similar statements are joining in many antyutopiach. Responsibility for the evil bear a clearly defined enemy: a man, Other. Even more different, the unknown. Residents - in this case commonly by those living - the world antyutopijnego easy to accept this version and give up brought-out hence the conclusions. The problem arises when someone decides to rebel. However, dystopia, and the rebellion is the place. To antyutopia could fulfill its role in unmasking, dissenters are needed. And often - as in <i> Sexmission </i> - they do not come from inside a seemingly perfect world, but outside of it. Max and Albert is after all comers with a different reality. This is the reason they are able to see and identify gaps seemingly ideal society, and therefore entail others. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> writes Przemyslaw Czaplinski (2003: 242) in his questionable article <i> parting with utopia </i> - antyutopia is usually peninsula. Reality dystopia can therefore be omitted. In the case of dystopic island isolated from the rest of the world would be impossible. The main characters <i> Sexmission </i> find a way to go. Expose the superficiality of reality with which they encountered, and discovering that a woman ruled by pseudo actually - ironically - the man. The fact that later they decide to - in exchange for a fragile egg, and a comfortable bathroom - to leave the deceived women in the underground world of appearance, is another question. The fact that liberated women from the shadows seksmisyjnych turn into submissive, mindless females, or skip the silence. Apparently, not only within the system, there is no paradise. Paradise is simply no. </span> </span> <span style="font-size: small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> </span> <br /> <br /> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> </div> <div style="text-align: justify;"> <span style="font-size: small;"> </span> </div> <div style="text-align: justify;"> <span style="font-size: small;"> </span> </div> <div class="separator" style="clear: both; text-align: center;"> <iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/1Tn1aq3cWqI?feature=player_embedded' frameborder='0'></iframe> </div> <div style="text-align: justify;"> <span style="font-size: small;"> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> PS. As you can see, fragmented <i> Seksmisja </i> currently hangs on YouTube. If you do not mind You in this ideological considerations, enjoy, until they become interested in the appro ... - pfu, no, no, we do not have central "relevant services" out of copyright - so: until I become interested in the direct interest. </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> <span style="font-size: xx-small;"> <br style="font-family: Arial,Helvetica,sans-serif;" /> <b> <span style="font-family: "Arial","Helvetica",sans-serif;"> Literature </span> </b> <br style="font-family: Arial,Helvetica,sans-serif;" /> <a href="http://www.scenariusze.stopklatka.pl/html/seksmisja.htm" style="color: #3d85c6;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> http://www.scenariusze.stopklatka.pl/html/seksmisja.htm </span> </a> <br style="color: #3d85c6; font-family: Arial,Helvetica,sans-serif;" /> <a href="http://www.efka.org.pl/index.php?action=gl&ID=83" style="color: #3d85c6;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> http://www.efka.org.pl/ index.php? action = gl & ID = 83 </span> </a> <br style="font-family: Arial,Helvetica,sans-serif;" /> <span style="font-family: "Arial","Helvetica",sans-serif;"> P. Czaplinski, <i> questionable separation of utopia </i> in <i> World bogus. Criticism and Literature to the new reality </i>, Kraków 2003. </span> </span> </span> <br /> <span style="font-size: small;"> <span style="font-size: xx-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> </span> </span> </span> <br /> <br /> <div style="text-align: right;"> <b> <span style="font-size: small;"> <span style="font-family: Arial,Helvetica,sans-serif;"> Other texts: </span> <br style="font-family: Arial,Helvetica,sans-serif;" /> <a href="http://odystopiach.blogspot.com/2011/04/herland-rozdzia-i-niezwyke.html"> <span style="color: #f1c232; font-family: Arial,Helvetica,sans-serif;"> Herland. Chapter I: A special project </span> </a> <br style="color: #f1c232; font-family: Arial,Helvetica,sans-serif;" /> <a href="http://odystopiach.blogspot.com/2010/12/kobiety-w-powiesciach-witkacego_18.html"> <span style="color: #f1c232; font-family: Arial,Helvetica,sans-serif;"> Women in the novels Witkacy </span> </a> </span> </b> </div> <br /> <div style="color: #f1c232; text-align: right;"> </div> <div style="color: #f1c232; text-align: right;"> <span style="font-size: small;"> <span style="font-size: xx-small;"> <span style="font-family: "Arial","Helvetica",sans-serif;"> <span style="font-size: small;"> <b> <i> </i> </b> </span> </span> </span> </span> </div> </div> <div class="blogger-post-footer"> <img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6887425998111362031-6091932228923341625?l=odystopiach.blogspot.com' alt='' /> </div> adminhttp://www.blogger.com/profile/13474372132619458773noreply@blogger.com0