Thursday, March 25, 2010

Restasis And Idiopathic Thrombocytopenia

album Everyday Madness Everyday Madness

superficial view of the many self-proclaimed saviors of Rock and Roll and the holders of memorials in the Balkans, things are quite clear. Modern Music has long been a matter of vital importance for everyday life, despite the futile attempts to get the media Oruk muscles change this perception, and the entire story, which still means a lot to certain individuals, there is less of enthusiasts who make their grandiose plans to release a more bloody work for the benefit (Voluntary) art margine.Jedna of these living relics Zdenko Franjic, owner of legendary labels Zagreb listen to the loudest, that his several decades of continuous work convincingly shows that the regional music scene there is no pressing need rescue when it is already quite alive and well. Zahavaljujući discography laziness and negligence in Serbia, Franjić fell on a huge open space, providing shelter for publishing Serbian musicians unwilling to dictate the domestic media in an attempt to show business. Saving them from oblivion, Franjic without much fanfare only candidate to bust when the same carved to contribute to the improvement of domestic scene.U series numerous Serbian band whose Franjić philanthropist, last stop is collective and Third, which is home to the Divided on the move Cuprija-Nis. The group, through which fluctuates a few musicians, has been active for several years, and Everyday Madness is their latest study shows the band izdanje.Ovo achievement in light of clearly radical music listeners for the Laity, deliberately reducing the number of interested people for their creative cruelty of musical expression that heritage. On the border environment, and indastrijala nojza, Third I paint contemporary life from the dystopian perspective, whose staff of darkness there is no place for the speck of light. Dull and heavy machine evaporation tapestry interceptions are discomforting voice samples and periodic glitch rhythms and the whole atmosphere is mostly like a sewer - a dark and damp, the prevailing ominous silence, only occasionally interrupted water dripping from pipes and more conventional, distant instrumentarijum.Sudeći profiled by title theme, Third I see myself as an audio extension dadističke practice, a kind of continuing the uncompromising anti-traditionalist tradition of the century. There is no doubt that the claims regarding the composition of a legitimate, but for a higher grade was necessary to deliver the challenging topics. So Everyday Madness mostly exhausted the meaning of its existence as a more audio test of endurance than it manages to reward the listener all sorts of extraordinary insight into the beauty of ugliness, which is postulated that applies to the whole aesthetic of (experimental) Contemporary Art. When we are at it, mention the aesthetic potential is present, but in the Everyday Madness only occasionally expressed in the full animation, as is the case in shizodnom piece Nylon (Fluxus and avant-garde), which itself looks like a crazy brain vozanja the centrifugal drum washing machine trades. Maybe you find some of your favorites, click on the link you will have the opportunity of its kind. Everyday Madness

Wednesday, March 3, 2010

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Review by

Low-Ćuprija masters sophisticated electronic sound sailed in ambient territory and made a little masterpiece of linking several vital characteristics of the genre with a metaphorical instrumental the plot through artistic diary of everyday life.

Only a month after a great EP entitled "Biomachina" Third I 19.i 2010th delivered to its new, this time complete dugosvirajući work that is almost 50 minutes. Publisher is re-Zagreb Circumanalis Records, and interestingly, the first edition was published only as an audio cassette in only 15 pieces, while the remaining curious audience offered download in limited numbers. Of course, I look for Third and publishers who will publish the cd.

As always, the Third and were pulled back into the concept that this time, thematically linked to the madness of everyday life, so some songs but with their very titles speak enough in favor of it. For example opening "Neurosis" with avant-garde jazz-piano melody, a moderate dance glitch track "Naked Souls" and "Wrong Child" ambient "Raison noir (crying time) with gooey women crying - lamentation, then slow-down ambijentalka" Dirty ( at the sea of \u200b\u200bdirt), or very disturbing "Cold estate. The album is divided in the context of the three short skit-instrumental "Passage One - DADA machine", "Passage Two - DADA alarm "," Passage Three (DADA compactor) separating the 4 chapters. The first is related to global climate neurotic human viewpoint, the other with emotional concerns, while the third and fourth based on the artistic, philosophical, abstract and futuristic designs. Emphasis on dadistički (and musical avant-garde) based principles are particularly evident in the third and fourth part of the album where a composition titled "Tristan Tzara" the pseudonym of the famous founder of Dadaism Romanian Sami Rostenstocka. Moreover, this is the very culmination of the album through the psychedelic decor in ambient house / chill-out pace that would give a soul to it the first four to five famous The Orb ambient albums from the 90s (especially "Orbus Terrarum" in 1995. and Orblivion "1997). The last part of the album with only one aware of minimalist dance compromise "Nylon (Fluxus and avant-garde)" (which is far more crucial than any Hollywood sign) provides two types of ambient pieces "CTPAX" and "Tabula rasa (an open box) in where the emphasis is placed on a mild form of electro / noise-industrial, while the last is very short izvodnik "It will end in silence!" point that the ambient soft and melodious way this time functions as a 'thread that adorns the work'. Cassette version contains two different versions of the song "How Satan Gets Into Your Head" that were previously posted on the split album with Mein Kinder (for Smell The Stench) and the first official Third Album "When Tomorrow Hits" from 2007.
Includes speaking, the album from head to toe wrapped in artistic attire through the delicate passages, elaborate environmental sequences and is devoid of unnecessary experiments that would be filled in 'neutral'. Definitely it is quite clear that the Third and the experimental band project grew into a leading perjanicu earthly electro style associated with many suffixes (noise, industrial, ambient, harsh, dark-wave ...), so the notion of experimenting with them a system of quantity provides quality has morphed into a recognizable stylistic bravura. S evenly adjusted odds ratio and underground creeping ambient chill-out pop, This album inspires in all respects, is filled with the spirit of the compact, which is gradually built through a sophisticated plot, the abstractions that have only formally surrealistic clearly outlined through a fine-tuned synthesis of minimalism and psychedelia with only occasional elements of vocal expression, so that the work fully meets the arts , and one ear melodious criteria. That Third and true musical opus is one step more earthly than the current electro scene and they confirmed this album, which dominate their perfect principles of construction materials that aspires to the unknown. The theme is secular and, as such, here is completely affected without any approximations, and therefore it does not seem not to mention that this is a of their best works by this time completely focused on the aesthetics of humanity no matter it is dark, depressing, alarming or atrificirana. Just a shame for this tandem that remains a pleasure for a small circle of his audience, but this material has a large enough potential that would be in some different circumstances, and elsewhere may reflect the very wide distances.

rating albums [1-10]: 9
horvi / / 02/03/2010